Search this blog

Apr 23, 2012


In Melancholia, Lars von Trier is dealing the dope of depression as the fate of the Earth hangs in balance, under the threat of a planetary collision. Another movie where people get married for all the wrong reasons. The marriage is not the focus though the film starts with the wedding of its main character, Justine played by Kirsten Dunst and spends a fair amount of time dragging through the wedding ceremonies while adding depth to its characters. As all these events slowly proceed on the moody blue marble of ours, outside, in outer space a rogue planet Melancholia is hurtling towards the earth.

What vexes me is, why do these people have to hold a crude hand crafted loop of wire to chart Melancholia’s progress towards the earth. Don’t they have internet? We can even track Santa (a totally imaginary creature), so can’t we track Melancholia – a real planet(for the purpose of this story) in a way befitting 21st century homo sapiens rather than doing it like cavemen. The movie is not at all scientifically accurate from the inter-planetary collision perspective, which is beside the point, the planet is there to add to the magnanimity of visuals and to act as proxy for depression.

The beginning of the film with its Wager overture showcasing a tableaux of extremely slow moving images reminded me of 2001: A Space Odyssey, so does the structure of the film set in parts. The opening scenes lets you know this film is serious, it requires your hundred percent presence on the couch/ or your seat to understand it fully, not something you can watch while cooking dinner. If you are in the mood for heavy stuff and some retrospection or in the mood for art check out Melancholia.