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Mar 9, 2024

Reading Amy Bloom's In Love helped me understand Robin William's final act. While there are nine states (Washington, Oregon, California, Hawaii, Colorado, Montana, New Jersey, Maine and Vermont) and the District of Columbia which have right to die laws, you cannot have a physician assisted suicide without satisfying certain conditions. First, you have to be a resident of one of these states to have the right to die, more importantly you need to get medically assessed as having only six months to live. Which means you have to be almost at death's door to use this right-to-die card to have a physician-assisted suicide in the US of A.  Incurable degenerative diseases like Lewy body dementia (that Robin Williams had) or Alzheimer's or Parkinson's that will slowly hollow out a person over years are not excuses good enough to have the right to die in any of the nine states or DC. This is where Switzerland steps in.  Remember the name Dignitas and Pegasos, just in case.

Just in case was the reason why I decided to read Amy Bloom's In Love after I chanced upon a blurb about the book somewhere. Memoirs focusing on a single event in a writer's life and its aftermath is not my favorite form of non-fiction, but the information provided by the author and her style of writing kept In Love engaging for me.

During the same period I was going through Ms. Bloom's love-n-loss heavy memoir I also accidently started watching a chick-lit(?) series One Day on Netflix. Like Amy Bloom, Ambika Mod's Emma Morley is a bookish ethnic girl who becomes a writer and finds a soulmate in handsome, British upper class Dexter Mayhew.

Emma and Dex in One Day

One Day is based on the book of the same name written by David Nicholls, and tells the story of Emma and Dexter who meet and spend a night together on their last day at the university in 1988 and decide to meet each other every year afterwards, on the same day. There was also a 2011 movie based on the novel, starring Anne Hathaway as Emma. 

I loved the way Emma's character is written. Her one-liners are profoundly deep and funny. Leo Woodall's Dex is hurtlingly handsome and posh. They are from the opposite ends of the spectrum, both socially and intellectually and we, the viewers, desperately want them to be together, to see how it will all turn out. The writing and the script makes sure the audience are invested in Emma and Dex although the plot line of boy and girl from different sides of the track is an over-used one.


Mar 3, 2024

Ramayana and Mahabharata are two great epics from the Indian subcontinent. Many of the thirty three million Hindu gods and goddesses make guest appearances in these two epics. Some like Vishnu gets to play the main characters in his two popular avatars, Rama and Krishna, in these two mega mythological texts in Sanskrit. Bhagvad Gita, the best known Indian scripture, is a part of a section of Mahabharata called the Bhishma Parva.

In my mind Hinduism is the contemporary of Greek religion (Hellenism) and Indians worshipping the million gods is how West would have been, had it not been won over by the trinity of Jesus, Allah and Yhwh. Both Hinduism and Hellenism are polytheistic featuring their main players in two opposing teams - Devas and Asuras for Hinduism corresponding to Olympians and Titans for the Greeks. 

Like Hades, Zeus and Poseidon, Hinduism has Brahma (the creator), Vishnu (the preserver) and Shiva (the destroyer), a slightly different yet similar take as the Greeks' dividing the Big 3 by assigning them the three realms of the heavens, the oceans and the underworld. If the monotheistic Abrahamic religions had not overrun and relegated Greek and Roman gods to the mythical pavilion in the western world, I am sure we would have wished Zeusspeed instead of Godspeed.

Why are we talking about these epics now? Recently in my search for coffee-table books, (that is what I mainly use the local library for these days,) I chanced upon an illustrated Ramayana. The last time I heard Ramayana (
def. Sanskrit: Rama's Journey) in full was when my mother narrated me the whole story every evening over several months during my grade school days. Two score years seemed to be the right interval for a refresher.

The Illustrated Ramayana published by DK is a well written, well put together, well illustrated book, suited for both the advanced Ramayana scholar, who can find plenty of things to nitpick or for a beginner like me.  The illustrations which range from Raja Ravi Varma to Pahadi to Mughal paintings to glorious temple art from South India or Angkor Wat to Indonesia to performances and native art forms by artists from Thailand or Rajasthan(India) or  Nepal, makes every page a visual treat leading the narration forward.

Like every great epic, there are thousands retellings of the epic in every region and every language South-East and East Asia. The book also draws from these alternate story paths and present them in conjunction with the original narrative, supposedly written in Sanskrit by sage Valmiki. Valmiki, known as the first poet (adi kavi), because Ramayana is the first poem, like Alfred Hitchcock, has a weakness for cameos. In Ramayana he is a an important character in the seventh and last canto (or kanda in Sanskrit) called Uttara Kanda and he is also present in Bala Kanda as the narrator and the live-in tutor for Rama's twin boys - Lava and Kusha.

The oldest retrieved manuscript of Ramayana only contains 5 kandas and are missing the first kanda - Bala Kanda and the last one, Uttara Kanda. Because of the stylistic differences and narrative contradictions many scholars believe that these two were later additions to the epic and therefore Valmiki didn't write himself into the story. The five kandas, excluding Bala Kanda (1st canto) and Uttara Kanda (7th and final canto) are Ayodhya Kanda, Aranya Kanda, Kishkinda Kanda, Sundara Kanda and Yudha Kanda. 

Almost every religion that started in India - Hinduism, Buddhism, Jainism, Sikhism have their versions of Ramayana. So does almost every country in South-East and East Asia, except perhaps Vietnam. Every one of them highlights the same ultimate and supreme ideal Rama stands for - "Dharma"  which is what every human being should try to achieve - the right way of living through moral and virtuous conduct. Practicing dharma is the only way to get rid of our karmic baggage and attain salvation. A heavy message, nevertheless, a beautiful book.






Feb 16, 2024

Twenty years ago in 2004 was my first summer with Leonard Cohen. I discovered him for the first time during those days of midnight sun in Alaska. He played while I was on the road in my red Chevy S10, and his baritone ‘golden’ voice sang about sixties girls like Marianne and Suzanne while I was at home.

a young Leonard Cohen, writing poems in his bathtub

While romance was/is not exactly my cuppa, there was some kind of philosophical gravitas and mysticism to this poet/writer turned-poet-singer, who climbed a whole mountain side, to wash his eyelids in the rain (ref. So long, Marianne), while he was singing about his lady loves.

Over the years in addition to dipping into the deep well of Cohen’s soulful lyrics delivered in his slow drag voice, I have had the opportunity to watch some Leonard Cohen documentaries too. The first one “Ladies and Gentlemen… Mr. Leonard Cohen: An Intimate Look into a Poet's Life (1965)” showcasing Cohen as a young poet is (IMHO) better than Netflix’s 1922 documentary “Hallelujah:Leonard Cohen, a Journey, a Song” taking its title from Cohen’s famous song of the same name. To me, Cohen is more that Hallelujah which has been done to dust, with so many covers.

Fata Morgana(1971), Werner Hertzog’s art-house psychedelic film features Cohen songs like Suzanne, Avalanche against the stark sands of Sahara desert.


I leave you with one of his best lyrics, from his poem/song Anthem - Ring the bells that still can ring/Forget your perfect offering/There is a crack in everything/That’s how the light gets in

Feb 11, 2024

I met many Greek Gods for the first time last week. Thank you, Circe and Madeline Miller. I did not reach this far in life without hearing about Achilles' heel or Midas's touch or Herculean effort or Pandora's box, but they were just that - phrases, bearing the stamp of western civilization's greatest mythology, which was a gift from the Greeks. We all know what they say about Greeks bearing gifts.

This is the first book of fiction I have read in a long while and relished, even though it is very close to the genre of fantasy fiction I absolutely abhor. I am humbled once again by the realization that there are no absolutes, everything is relative. 

There are authors who are masters of retelling the classics. Madeline Miller is one of them. In Circe, she recasts the most infamous female character from Homer's The Odyssey and makes her a free woman, thinker, the maker of her own destiny and the world's first witch. Circe, opens with the sentence, "When I was born, the name for what I was did not exist." Which was witch.

Through Circe's magical life journey clueless readers like me get  a crash course in who is who of Greek mythology. If I still don't get it, my son has recommended Percy Jackson's Greek Gods, although I don't think I will need it. Madeline Miller is an extraordinary story-teller, her prose is lush and breathtaking. Circe is a beautifully written novel, where you as the reader gets a front row seat to watch the parade of gods and most of them are as human - fallible, vain and unique as we are.

Feb 3, 2024

 It was like opening a time capsule from the seventies. The movie is earthy, with shag carpet, a Gen X latchkey kid and long haired dudes. Unlike period movies of the sixties and seventies made now, there is a raw, unpolished look to this interesting movie from 1974 starring Ellen Burstyn and Kris Kristofferson. I didn't even realize till I finished the movie that it was directed by Martin Scorsese.

We follow Alice, a single mother with a penchant for co-dependency and her precocious 12 year old son Tommy, in search of a place in the sun and a living wage, with their ultimate destination set as Monterey, CA.  This movie's female-centric story and its mature treatment of the theme was something I had not have expected from Scorsese with his later movies like Taxi Driver, Raging Bull and Gangs of New York which are all very masculine. In fact when you think about it Alice Doesn't Live Here Anymore is an odd-one in Scorsese's filmography stretching to his most recent one - Killers of the Flower Moon. 

The performances by the leads like Burnstyn (Alice), Kristofferson (David), Harvey Keitel and Alfred Lutter as Tommy are convincing and realistic. Alfred Lutter who reminded me of a young Bill Gates' went onto become a CTO many famous tech companies including Lynda.com

Dec 30, 2023

----------------------------------- NETFLIX SHOWS ---------------------------------------

Bodies turns detective work into a time-traveling comedy, where four sleuths from different time periods in London team up to solve the ultimate whodunit. It satisfies my time traveling craving for the season.

The Fall of the House of Usher : The series is a wild, haunted romp that turns Poe's classic tale into a dysfunctional sitcom-meets-horror mashup.  It's Netflix's way of turning horror into a comedy of errors, making Usher's fall a laugh-out-loud tumble into the absurdly supernatural.

Guns and Gulabs Season 1 is like a crazy curry of '90s nostalgia and gangster drama. The cast is doing their thing, living on their own terms, and you can't help but be part of the ride. Raj and DK deserve a shout-out for the killer screenplay.

Kohrra is not your typical murder mystery. With knock-out performances and a screenplay that packs a punch, it's like peeling back layers of a mystery onion. Punjab's not-so-pretty realities like drugs, forced NRI marriages, and a sprinkle of patriarchy drama form the background of the story. The characters are a hot mess in the best way, fighting personal battles while solving the big mystery.

Beef: Starting from a road rage incident which then leads off to a cascading series of escalating incidents, 'Beef' explores the human condition with a raw, relatable touch. It is a gripping drama about two people living parallel lives in different circumstances. Money, status, and mental health are key topics covered in this series with a unique Asian American cultural twist

MH370 The Plane That DisappearedThe series navigates the complexities surrounding the disappearance of Flight MH370, shedding light on the emotional toll on families, the relentless search efforts, and the lingering questions that resonate globally. It's a poignant blend of investigative journalism and human narratives and expertly steers clear of sensationalism to present a respectful examination of an enduring mystery.

Cunk on Earth A mockumentary gem that simultaneously pokes fun at and revels in the absurdities of our historical narrative. The comedic timing is impeccable, and Cunk's deadpan delivery (Diane Morgan at her comedic best) makes even the most mundane historical tidbits downright hilarious.


-------------------------- AMAZON PRIME SHOWS -----------------------------------

Dahaad Season 1Dahaad is a stellar crime thriller set in the heart of rural Rajasthan, India, exposing the deep-seated biases and injustices ingrained in the region's culture. Sonakshi Sinha shines as Anjali, a determined police officer challenging societal norms. It is based on a true story, the series keeps viewers on the edge, skillfully unveiling the twisted mind of a serial killer.

The Power Season 1 is  a thought-provoking exploration of societal upheaval in a world where women command electric abilities. The writing strikes a balance between drama and the weighty implications of a world transformed. Strap in for a journey where the real shocks aren't just in the superpowers but in the societal currents they unleash. The show adeptly navigates the complexities of power dynamics, instigating a paradigm shift that is both electrifying and deeply reflective.

Wilderness Season 1: Liv and Will, the seemingly golden couple, take their British charm to the Big Apple. The couple's cross-country trip to iron out wrinkles in their relationship turns into a wild rollercoaster of emotions, and suddenly, that dream holiday takes a detour into a living nightmare. 'Wilderness' isn't just a twisted love story; it's a journey into the chaos of relationships, proving that even the best-laid plans can go off the rails. Jenna Coleman is captivating and capitalizes on a well written female lead character, but most of other characters didn't the same kind of attention from the screenwriters.

Vadhandhi : The Fable of Veloni:  Eight captivating episodes centering around the mysterious death of a young woman, setting off a web of deception. SJ Suryah, in the role of Sub Inspector Vivek, skillfully navigates the intricate investigation, revealing layers of lies and deceit. Sanjana, portraying the beautifully haunting Velonie, adds a magnetic charm to the narrative, owning her role effortlessly. Vadandhi may have its flaws, but it's a compelling watch, showcasing the creators' mastery in crafting suspenseful narratives.

Hush Hush Season 1, with its women-centric vibe, shines a spotlight on the talents of Juhi Chawla, Karishma Tanna, Shahana Goswami, Kritika Kamra, Soha Ali Khan and Ayesha Jhulka. The ensemble cast plays a crucial role in weaving a narrative that delves into friendship, secrets, and the highs and lows of contemporary women's experiences. 

When I look at my Amazon Prime picks I realize that these are all series which are either women-centric or has strong lead characters who are women.  Prime also has more quality international content which is not just Korean.

BTW this is how a blog post would look if it was written by generative AI, like this post was :-) Will be switching back to the human mode in the new year. Happy 2024!


Writing Credits for this post : ChatGPT 3.5, the free version.

Dec 28, 2023

This is one of those customary end of the year lists.  My 'book' reading habit is on life support so I thought it would be a short list I could easily convert into a quick post. I could put the blame of the slow demise of my book reading skills on aging, doom-scrolling internet forums where wisdom (debatable) is delivered through strangers' comments in 8.25 seconds or lesser, or my ADD. Or it could be because the same content delivered by books is now being delivered to the same dopamine centers of the brain the by streaming services?

All the books I read, I consider my best reading of the year. Otherwise I would not have made it to the end as there are more books I gave up in the first chapter or two than the total number of books I read this year.

Here are the four books I read this year and all of them are remarkable because they were able to keep my attention till the very last page. There is also a bonus book - a book you should not read, even if you maybe interested in trains like I am.


Deepti Naval's  A Country Called Childhood : A memoir

Deepti Naval is one of my favorite actors and intellectuals of Indian cinema. A Country Called Childhood is my kind of memoir - it is not about trauma or addiction or tragedy or conquering adversity. It is about the actor's childhood in northern India,  simple, and minimal yet resonant with images of the fifties and sixties India. This is how you should write about your childhood and this is how Indians writing in English should write in English.

Tony Joseph's  Early Indians : The Story of Our Ancestors and Where We Came From

I have written a review of Early Indians here  >> The journalist author Tony Joseph focuses on the group(s) that migrated out of Africa, in three different waves, at three different time periods and became the ancestors of all the people currently inhabiting the Indian sub-continent. It is an extremely interesting and easy to read book based on anthropological, archaeological findings till now and the explosion of DNA evidence and research papers published since 2015 based on these DNA findings

Balachandran Chullikkad's  Chidambara Smarana (Malayalam, memoir)

Balachandran Chullikkad's memoir Chidambara Smarana (pub. 01/2001) reads like a struggling young man's journal entries from 1980-90's India. The rest of my review here.

Andy Weir's  Project Hail Mary 

This is my first Andy Weir. Probably the last too.  I was impressed by The Martian, the movie and thought I should give Project Hail Mary a try before it became a movie. Project Hail Mary is based on a good (not novel) concept with a Marvel-esque hero who is a modest middle school science teacher, written to succeed. This unassuming superhero of who wears his cape and underwear inside his spacesuit would have failed in real world without access to Youtube, Google Translate, Google Search, chatGPT and Wikipedia, but for the purposes of this book, all of these sites reside in his head.


The bonus book you should stay away from if you have a liking for Indian non fiction and a sweet spot for trains is The Great Indian Railways: A Cultural Biography by Arup K. Chatterjee.  The author seems to have been too wrapped up in his own 'brilliant' command of English, which was too pedantic, stiff and graceless that I had to give it up after a few pages. Here is Chatterjee starting a paragraph talking about something. It has to be about trains as the book is about them. I think this paragraph may even have something to do with train dining cars.                                                                        

"Second, it perpetuates the reification of labour. Accordingly labour forces of railroad history are meant to be usurped into a memory of personal aristocratic adventures. The motif of culinary details has a very subtle role in accentuating architecture, and those of architecture in establishing an enduring imperial monumentality."

What the heck was that?

This is the problem I have with many Indian writers who write in English. Their tone is pedantic and disconnected. Their prose is full of long winded sentences that lose their meaning on the way while the writers are busy showing off their mastery of Queen's English. They should all read Shashi Tharoor or Suketu Mehta or Deepti Naval. It could be their new year resolution.

Dec 26, 2023

Oru Vadakkan Veeragatha (transl. A Northern Ballad of Valor) is Malayalam literary giant M.T. Vasudevan Nair's retelling of a sub plot from Vadakkan Pattukal (transl. Northern Ballads), directed by Hariharan. Mammootty essays the role of Chandu Chekavar, a negative character in the ballads, who was given new life and a positive spin by the magic of M.T's pen. In 1989, this film (along with Mathilukal) brought Mammotty his first Bharath award - India's national award for the best male actor in a leading role. It also won the best screenplay award at the national level.

Mammootty as Chandu and Madhavi as Unniarcha in Oru Vadakkan Veeragadha (1989)

Malayalam movies nor audience are big on historical dramas, unlike the rest of India or south India. It was an ambitious project for the eighties. Comparing the magnum opus-es of the present day like PS1 or Baahubali, the production design of this eighties movie is almost at the level of a school play. But the screenplay and dialog is beyond compare. The casting and the acting elevates the frames and takes your eyes away from the plastic bead necklaces and cardboard sets.


In addition to Mammootty, Madhavi and Suresh Gopi, Balan K. Nair, Captain Raju, Geetha, Rajalakshmi, V.K. Sreeraman, Sukumari and Sanjay Mitra play other important characters. The soundtrack had some memorable tracks that still maintains their irresistable charm, all these years later.

Madhavi as Unniarcha, Mammootty as Chandu Chekavar and Suresh Gopi as Aromal Chekavar

While Mammootty's Chandu is one of the most unforgettable characters in Malayalam cinema ever, the hero, the villain and the creator of this landmark movie is M.T. Vasudevan Nair. M.T, the author is quite a maestro when it comes to giving under-represented mythical and historical characters their due, by offering the readers/audience a different and nuanced perspective of the character through his work. Before resurrecting and reshaping Chandu Chekavar's traitorous destiny half a millennia after the original ballads (which were based on true life stories of the warriors of north Malabar in the medieval era) were composed, M.T had successfully broken the ground for such character facelifts in his brilliant novel, Randamoozham in 1984.

Randamoozham  (transl. The Second Turnis his retelling of the world of Bhimasena, the second in line of the Pandava clan in Mahabharata who was always pushed to the sidelines by righteous first-born Yudhishtira and the brave and glamorous younger brother Arjuna. It is one of my favorite Malayalam novels ever.

After re-watching Oru Vadakkan Veeragatha as an adult, I realize Chandu's cinematic and literary makeover was at the cost of shifting the blame to other lead characters. Aaromal Chekavar and Unniarcha drew the short straw in M.T's version of the story. I don't remember any of this kind of passing-the-buck happening in Randamoozham?

Aromal, the original hero of the ballad becomes a one-dimensional guy much in contrast to the legendary multi-faceted hero that he was. Instead of urumis and swords he should have been using, under M.T's masterful character correction, he is left with just an axe (to grind, with Chandu.) 

Unniarcha, the fabled warrior princess of Poothuram, is stricken by an acute case of men-writing-women in Malayalam. As the story takes place in the medieval times the focus is less on women's body parts and more on their fickle emotions like deceit, pretense and cunning. These universal characteristics of womenkind are embodied by Unniarcha in the movie and Chandu's dialogs to Archa (written by M.T) are used to rub it in at turning points in the movie to paint her as the fall guy (gal.)

Despite these persona revisions, Oru Vadakkan Veeragatha is a watershed movie for Malayalam movie industry. A native ballad, re-written for screen by one of the masterful talents of Malayalam literature, performed by some of the best actors in their prime against the backdrop of a spectacular soundtrack, no other historical or mythological costume drama has ever come close to it in terms of overall impact. In 1989 it was the longest running Malayalam movie in theaters ever, running for more than one year at Sangham theater, Kozhikode and the biggest blockbuster of the year.



Oct 8, 2023

 Landed on Marty after Amazon Prime suggested I watch Marty next after watching Dead End. It was past midnight and Marty was only 90 minutes long and boasted 4 Oscars from 1955 including the best picture, best director and best actor. Why not? Marty it was, to top off the night.

Marty is the story of Marty Piletti, a mid thirties bachelor butcher, living with his Italian American mother in the Bronx of the fifties. Like mid-thirties bachelors the world-over Marty too is harangued by his mother to marry and bring a girl home as soon as he can. But it is not easy for Marty, played by Ernest Borgnine, he is no Humphrey Bogart at forty five charming the socks of a nineteen year old Lauren Bacall. Marty is a stocky 35-year old butcher who ends up standing on the sidelines at the local dance hall the entire night on any given Saturday.

As luck would have it on one of those Saturdays he meets the female Marty. Betsy Blair (Gene Kelley's first wife) plays Clara who is a high school chemistry teacher, which I believe must have been a quite nerdy occupation for women of that era, who at 29 is also having a hard timing finding a life partner. Blair was one of the actors blacklisted during the McCarthy era. Gene Kelley, her husband had to strong arm the producers and threaten them he would quit the movie he was acting in if they didn't give the role to Blair.


Ernest Borgnine as Marty and Betsy Blair as Clara in Delbert Mann's Marty

This Delbert Mann movie feels like an international movie set in Bronx, where the inter-generational chaos of an Italian American joint family is on full display. Its relatability and down-to-earth script and cast might be why it became the first film ever to win the prestigious Palme d'Or when the award was introduced in 1955.



Oct 1, 2023

This was a movie I watched in the theater when it was released, one ozhivukaalam (transl ~ vacation or summer vacation), a rarity in our family.  We usually never went to watch new movies as we had the film club membership which showcased older, classic or indie movies which were deemed worthy of our time and money (= zero money spent, as these were free.) I remember my mother took us to watch Ozhivukaalam, being the reader that she is, my guess is the irresistible combo of Padmarajan's script and Bharathan's direction might have been the draw for her.

Prem Nazir, Sreevidya and Rohini in Ozhivukaalam (1985)

While I did like the idea of Rohini as a modern college girl I saw in the posters of Ozhivukaalam, I was not thrilled at the noticeable absence of Rahman. They were the teen heartthrob pairing those days, like Freddie Prinze Jr. and Sarah Michelle Geller. Not only was Rahman anywhere to be seen, it had Prem Nazir and Sreevidya - an older pair whose chemistry I had no interest in cringe-watching. I don't think I was really impressed after watching it, except that Rohini's role as an independent thinking teen who got a video camera as a gift, I thought, might start a trend of all girls receiving cameras as gifts.

Indian Railways featuring Rohini and Sreevidya

Re-watching it again after almost forty years I realize it is a very modern treatment of a slightly controversial subject - remarriage of a widow. This would definitely be a boring movie for grade school kids. Padmarajan's script holds the movie tight and contemporary. The casting is perfect and the location - Vadakara Sand banks is even more so. In addition to the main cast of Prem Nazir and Sreevidya who play the older couple  planning to get married and Rohini as Sreevidya's fiesty college going teen, Karamana Janardhanan Nair, Jalaja bring up the supporting cast. 

Rohini, Prem Nazir & Sreevidya in Ozhivukalam (1985)

Ozhivukalam is a well written and directed movie except for the twist at the end which anyone can see coming from a mile away, if they have watched a few Indian (any language) movies, which puts the movie squarely back in its era and palatable for the eighties audience.

Sep 20, 2023

Balachandran Chullikkad's memoir Chidambara Smarana (pub. 01/2001) reads like a struggling young man's journal entries from 1980-90's India. Characters played by Mohanlal, Sreenivasan, Mukesh and co. in the late eighties and nineties' Malayalam movies would be Chullikkad if they were devoid of their trademark humor and had overdosed on pathos. The glass seems to be half empty or almost completely empty through Chullikkad's lens/pen whereas Dasan and Vijayan saw it half full, almost abrim with the invisible possibility of more water that may fill and cause an overflow of good fortune at any moment. None of that optimism can be seen in Chidambara Smarana (literal transl~Memory of Chidambaram.)

Balachandran Chullikkad was a fire brand young poet in the eighties and nineties Kerala. Although I was a reader of Malayalam poetry during those days, somehow I seem to have missed most of his poetry. I had read some of his contemporaries like V. Madhusoodanan Nair, Sugatha Kumari and Kureeppuzha Sreekumar but the only poem I remember of Chullikkad is Ghazal. Over the years Ghazal had become a personal meme of sort which we would bring up any time there is a Hindustani singer in the frame, in front of a predominantly Malayali audience, "there goes Ghulam Ali, singing his wail of a ghazal."

A disturbing undercurrent I noticed in Chullikkad's writing is his sterile, almost impaired depiction of women. He might be afflicted with what could be the opposite of Oedipus complex -  utter hate towards mother and motherly figures. According to my armchair psycho analysis conducted a couple of minutes ago with the aid of YouTube, this was probably as a result of his strained relationship with his mother and grand mother during his formative years. He never recovered, and not only that, there is a lack of remorse or wisdom that comes with age, quite unlike what you would naturally expect from a sensitive poetic soul like him. Not all poets are made equal, some are made like James Dean, Balachandran Chullikkad is Malayalam literature's OG rebel without a cause.


May 27, 2023

Neelavelicham (literal translation: 'blue light', poetically liberal translation adopted by the filmmaker, 'blue radiance') is a famous short story by Malayalam literary giant and a renaissance man of simple tastes, Vaikom Muhammad Basheer. It has been made into a movie half a century ago, at the time the director A. Vincent had titled it "Bhargavi Nilayam", the name of the fictional abode of the ghost lady in the short story. Bhargavi Nilayam has long since become synonymous in the Malayalam culture and lexicon as any building that has been taken over by ghostly presence(s) overstaying their visa status on the earth. About a decade ago I wrote a one paragraph review of the movie in this blog, when what I really wanted to talk about was that movie's hero - Madhu.



Not sure what Aashiq Abu, the director of this new take on the short story wanted to talk about by taking on the enormous risk of remaking an old blockbuster movie and a much-read short story of a beloved author. Everyone is going to have opinions and any fault is going to be magnified manifold and scrutinized to death. Maybe the man just loves taking risks in pursuit of honing his craft. This is what I like to conclude because I have always looked forward to Aashiq Abu's directorial outings and love to watch the technical improvement happening with each new release. Neelavelicham is no different in the technical department - production design, cinematography, casting, script are all excellent.

Tovino Thomas as Vaikom Muhammad Basheer has been styled and executed better than the suave Madhu who when you think about it reflected none of the life experience as a hotel manager, shepherd, sports goods agent, activist, watchman, fruit seller (to name a few) multi-faceted background of the real author. Roshan Matthews and Rima Kallingal's characters as the lead romantic pair is on par with Prem Nazir and Vijaya Nirmala's characters from the 1964 film and have been scripted to be digested by a contemporary audience. 


The production design recreating the era of the newly independent India where the story is set is probably one of the best I have seen recently in any Indian movie and is a welcome relief compared to the staged sets of the 1964 version. Not to blame any of these on the 1964 movie which was made at an age and a time when actors lived and emoted in a different plane than ordinary people and that sort of disconnect and staging was the norm. It is most evident nowhere else than the villain character Nanukuttan essayed in the 1964 movie by the stalwart actor P.J. Antony in blackface makeup. In the 2023 version it is Shine Tom Chacko, without any black paint on his face, but with the essential villainy captured through his acting and the script. The director has taken the same care to make necessary changes to make it a suitable for a contemporary audience, trimming down the length and dialogs.

The only question I have for Aashiq Abu is, if this was your take of Basheer's story Neelavelicham why did you take on the role of an editor or a quality analyst instead of being the ingenious director I have credited you to be? Neelavelicham (2023) is a scene by scene, quality improved copy of the 1964 Bhargavi Nilayam. You, Aashiq Abu, who has always given a relatable perspective on life through movies (especially to Millennial and Gen Z audience) whether it be Salt n Pepper or 22 F Kottayam or Da Thadiya or Idukki Gold or Mayanadhi, what stopped you doing from giving us a fresh take on Neelavelicham, instead of making a low-effort photocopy, albeit technically brilliant?

 


Apr 25, 2023

The oldest scientifically dated remains of a modern human aka HOMO SAPIEN - which is you, me and every human being currently alive on this planet, is 300,000 years old, found in Jebel Irhoud in Morocco. When you consider the enormity and scale of that timeline you will realize the most popular member of the religious trinity group - J.C and the original fashionista Cleopatra left the stage just a heartbeat ago. Only a mere 2000 years have passed since they handed over the mic to Jay Z and Beyoncé.

Our kind, Homo Sapiens (this is important since there were several other kinds of human species coexisting 100 - 200,000+ years with Sapiens like Homo Erectus, Neanderthals and Denisovans), ventured out of Africa to Asia first and Europe later between 40 - 60,000 years ago. Americas being the last continent to be settled by the journeying biped Sapiens 16,000 years ago.

All people outside of Africa in the world today are descended from a single African woman of L3 haplogroup. In a similar vein all people outside of Africa (i.e. modern human = Home Sapiens) are descended from a single man of CT haplogroup. In short our differences are only skin deep and race is a powerful illusion that everyone of us has bought into.

The journalist author Tony Joseph focuses on the group(s) that migrated out of Africa, in three different waves, at three different time periods and became the ancestors of all the people currently inhabiting the Indian sub-continent. It is an extremely interesting and easy to read book based on anthropological, archaeological findings till now and the explosion of DNA evidence and research papers published since 2015 based on these DNA findings. 

What Early Indians is not is, it is not an international pop-sci best seller like the Sapiens with its far-fetched and reductionist claims which made Sapiens the non-fiction counterpart of Paulo Coelho's The Alchemist, in my mind. Hot garbage, Early Indians is not. If you have roots in the Indian Subcontinent and if your attention span can hold for about 270+ pages, it does not have to be in one sitting, this is a book worth reading.

Mar 6, 2023

In the absence of the specter of sin employed by monotheistic religions to keep their followers all sheep-ly and righteous, Indian religions and philosophy, use Karma to enforce lane discipline on the morality highway. Mukundan Unni Associates (MUA) is the first anti-karmic Malayalam or Indian movie I've ever watched. 

Abhinav Sundar Naik's directorial debut is an unapologetic feature film, out to prove Hindu and (subsequent) Buddhist philosophy's first law of universal causation and effect has no street cred in the twenty first century world. The movie opens with this text, "human beings are mostly grey, but in some cases they are just black." If you are into armchair psychoanalysis as I am and have read aplenty about serial killers sporting the harmless guy vibe or have watched American Psycho or Nightcrawler, this one line should give you some idea how the protagonist of this movie is going to turn out, with a flat, dark, un-empathetic psycho/sociopathic edge, prone to plenty of mental monologues. The monologue voice-overs of the main character written by the director kicks a$s. It does not come as a surprise that during a low period in his life Naik is said to have watched Dan Gilroy's Nightcrawler multiple times, MUA is brimming with this dark inspiration.

Mukundan Unni, the lead of the movie, is a lawyer who prefers to wear the impeccable white on white 'uniform' worn by lawyers in India, but has a mind which is the darkest shade of black, just like a lawyers' robe. Vineeth Sreenivasan, who has essayed the title role is growing into these sociopath roles (LOL.) Will Mukundan Unni stand the test of time and have the staying power of Sreenivasan Sr.'s Thalathil Dinesan? From Ravi Padmanabhan in Thannermathan Dinangal to Mukundan Unni, Vineeth has been delivering some killer performances essaying the unrecognizable-psychopath-next-door.  Other actors like Suraj Venjaramood, Jagadeesh, Sudhi Koppa, Tanvi Ram have meaty roles although their screen time is nowhere near that of the lead. 

The message of the movie is there is no message. But if you are one of those viewers who like message(s)-in-a-movie, try these - karma is still a b@#ch, but s/he is on vacation, there is only truth(reality) no consequences and feel free to engage in haymaking during daytime. 



Feb 26, 2023

The Sixth Amendment to the U.S.Constitution guarantees the right to trial by a jury. In case of a criminal trial, the jury consists of 12 people, citizens drawn from all walks of life, who decide the verdict of the case. 12 Angry Men is Sidney Lumet's first directorial venture, shot entirely in a New York city jury room where 12 middle-class white men decide on the fate of young teen (maybe Puerto-Rican, maybe Italian, definitely someone from the wrong side of tracks) who is charged with murdering his father.

The movie while it garnered 3 Oscar nominations was not a commercial hit at the time.  Over the years it has gained quite a following and is often taught in high school business law classes, film schools and Youtube videos purporting to teach the art of persuasion.

I've always wondered how juries reach unanimous decisions, considering most of the jury members are ordinary people whose closest brush with law might have been when they walked in front of a TV set playing Law and Order. More importantly the State has to prove beyond reasonable doubt that the accused is either guilty or innocent and all the members of the jury have to have be on the same plate. Beyond a reasonable doubt” is the universal standard of proof for criminal prosecutions in state and federal courts in the United StatesO. J. Simpson would definitely thank the Due Process Clause of the 14th Amendment which requires the State to prove that every element of a charged criminal offense is beyond reasonable doubt.

In 12 Angry Men, at the start of the jury deliberation there are 11 jury members believing the accused is guilty and one person and the 12th man, Juror #8 (Henry Fonda) is not convinced the accused is guilty. There goes the unanimous verdict and starts the 1.5 hr real-time deliberation which forms the 96 minutes of movie show time.

The tight script by Reginald Rose is supported by  phenomenal actors like Lee J. Cobb, Henry Fonda, E. G. Marshall and others.  It is a film that is totally reliant on dialog and performance and does a great job on both. As a film that is shown for the students at film schools, law schools, sociology and psychology departments,  there is something for everyone whether it is camera and writing techniques or a study in confirmation bias or methods of persuasion.


Feb 12, 2023

Flowers for Algernon, the Nebula award winning 1959 sci-fi novel by Daniel Keyes is a crowd favorite for the last half century. There were several reasons I should not have tried reading it, starting from my inability to read fiction as years progress being the main one. It did not help that the book belonged to category of 'scientific fiction' and was not written by a couple of SF writers that I could understand, namely Douglas Adams or Philip K. Dick. Nevertheless none of these stopped me from attempting to read this book, as the whole internet is ga-ga about Flowers for Algernon, I caught a case of FOMO. 

Little did I know this book is the American cousin of Paulo Coelho's The Alchemist, another novel that has been anchoring the book shelves around the world with un-shakeable gravitas and giving their readers self importance and reading participation trophies since it came out in 1993. 

While The Alchemist has a global following like soccer, Flowers for Algernon is very American like 'American football' (the one that uses hands to play.) Keyes went as far back as Mark Twain to adopt Huckleberry Finn's lingo, which had made reading Huckleberry Finn a torture for a non-native English speaker like me, who had to read aloud the mis-spelled words to understand what Huck Finn was saying. It is the same with Charlie, the protagonist in Flowers for Algernon. The first several chapters, the one dimensional Charlie jots in his journal is torture for speed readers, grammar-nazis, spell-checkers and me. 

The novel also has a distinct fifties-sixties anti-feminist vibe to it, like the Catcher in the Rye or One  Flew Over the Cuckoo's Nest. A few chapters in, Charlie is seen progressing through his Holden Caulfield phase - a moody, self-absorbed, misogynistic male. There are archetypal female characters propping Charlie up as he goes up and down the slippery IQ slope.  It was probably an edgy read in the sixties and seventies. It reads very dated as in outdated and uni-dimensional now. I was expecting a good cry at the end as this was supposedly the reaction most readers had in the end, after being profoundly moved by the plight of Charlie. I almost cried over the time I wasted reading Daniel Keyes essential soft-core reading for sixties dudes.




Jan 31, 2023

Tales of philandering playboys and gullible girls 'destroyed' by these men have provided fodder to many an Indian movie. Pakalkkinavu, (def:daydream)  is a 1966 Malayalam film penned by M. T.  Vasudevan Nair and directed by S.S.Rajan based on this general theme.

Nellikode Bhaskaran & Sathyan in Sathyan's mid-century modern apartment
Other than M.T's characteristic protagonist, a young man from a tharavad in Valluvanadu, the story, the setting and the dialog are very modern compared to other Malayalam films from the sixties. This is the earliest Malayalam movie that I have seen/heard the word "cool" being used by the lead actor in the way we use it now, as a slang term meaning awesome.

Even the young man, played by a young looking 54 year old Sathyan is not the typical hero you see in M.T's stories. In fact both male characters in the movie, Sathyan's Babu and Nellikode Bhaskaran's Chandran are atypical of the roles each actor used to play during their usual outings. Nellikode Bhaskaran has a meaty role in the movie, a far cry from the side roles I am used to seeing him in.

Sathyan on his motorcycle, Sharada and Bhaskaran looks on
The movie starts with a motorcycle ride through the city of Bangalore where Babu is seen establishing his character as the rich scion who matches women on his pillion with his outfit of the day. It was an eye-opener for me that even back in the sixties, Bangalore was Keralites' idealized city where girls went to go wild and men were all dashing and debonair. In this city of daydreams, Babu is seen living in a hotel suite decorated with tasteful pieces of mid-century modern furniture. He drinks beer for water and plays savior to jobless youth like Chandran when he feels like it, with only one condition - no one is supposed to give him life advice. Keeping your mouth shut vs homelessness, that is an easy choice for Chandran.

A very young Sharada as Malathi makes appearance as Chandran's acquaintance. But the audience and Babu knows, try all he might Chandran is not going to get the girl. The girls usually have a incomprehensible fondness for dudes on motorcycles and Malathi turns out no different in the end.

Sharada & Sathyan - 30+ years age difference separates the stars often paired togehter

The second half of the movie shifts back to Kerala from Bangalore and in Malathi's place we have Vasanthi as Shaari, Malathi's younger sister. While it is melodramatic at some places as was the trend of the times, the treatment of the movie, including the ending is contemporary.






 

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