Oru CBI Diary Kuripp : Reviewing the diary entry three decades later

TL;DR : Re-watching Oru CBI Diary Kuripp thirty plus years later was somewhat anti-climatic. 

Oru CBI Diary Kuripp (transl: A CBI Diary entry) is a Malayalam police procedural movie from 1988. It introduced one of the iconic film characters of Malayalam movie world - Sethurama Iyer, a CBI officer (Central Bureau of Investigation, India's premier investigative agency, like the FBI in the U.S) and a master investigator par excellence. 

L to R: Mammootty as CBI officer Sethurama Iyer, Janardhanan & Prathapachandran, Oru CBI Diary Kuripp (1988)

Oru CBI Diary Kuripp has a decent storyline, albeit slow paced. At the center was a murder that looked like a suicide which a corrupt nexus of policemen and rich businessmen were trying to quash.  In addition to Mammootty as the lead, there were some memorable performances like Sukumaran's DySP Devadas and Captian Raju's  DySP Prabhakara Varma. The script was alright, nothing I would go ga-ga about. At the time though it was considered a pathbreaker in terms of how the story was presented and had several one-liners that were often repeated and re-used in other movies and in real life.

One of the most recycled concepts from the movie was the detectives' use of a humanoid dummy to rule out the possibilities of suicide vs murder. Several movies, plays, comedians and even us little kids would bring up the need for using a dummy for anything that required any sort of investigation. From missing erasers to stolen vehicles to movie murders, the dummy test was an essential requisite to solve the issue at hand. The most famous nod to the dummy test is from another super hit Malayalam movie released later that same year, Pattanapravesham, here it is @22:10 min.

Suresh Gopi and Mammotty - the CBI detectives attempting the dummy test from the terrace of the victim's house

Oru CBI Diary Kuripp was so influential that it led to 4 sequels, the latest one released in 2022, called CBI 5: The Brain. In all the five CBI movies, Mammotty plays the same character, Sethurama Iyer at various stages of his life. The other movies in the series are Jagratha (1989), Sethurama Iyer CBI (2004), Nerariyan CBI (2005) and the last one CBI 5 released this year. 

With the kind nostalgic buildup yesteryears' hits bring up, I was hoping to get the same feel for the first Sethurama Iyer movie I had experienced as a kid. But I had overlooked 30+ years of steady and diverse movie diet I had been consuming and the experiences of the person I am now.  In fact some other Malayalam investigative movies from the same era like Padmarajan's Kariyilakkattu Pole (1986) or V. K. Pavithran's Utharam (1989) or Joshiy's  Ee Thanutha Veluppan Kaalathu (1990) are investigative crime dramas that have aged better. In the last two Mammootty plays the role of the investigator. 

The biggest bone I have to pick with the movie is with the character of Sethurama Iyer. He is a la Sherlock Holmes with a government job (much coveted in India) and a Brahmin to the boot. The latter part is crucial in establishing the ace detective's credentials since no Indian worth the centuries of casteist indoctrination  will dare to question the wisdom or intelligence of a Brahmin, since these qualities are god-given to Brahmins and therefore indisputable.

Although the older me is not happy with a brahmin detective I recently read that it was the business acumen of the actor Mammootty (who btw is a Muslim IRL), when approached to play the lead, made the suggestion to change the character to that of a Brahmin detective. Originally the makers had named the character Ali Imran, a Muslim CBI officer. But Mammootty felt the film will be more successful and unique, if the lead character was a Brahmin. The man had foresight and knew the pulse of his audience. No wonder even in his seventies, his choice of scripts/roles is impeccable and he still rules the Kerala box office.

Mammootty as Michael, a 'retired' don in 2022 movie Bheeshma Parvam

Whether Oru CBI Diary Kuripp belongs to the fine wine category or not, whether Sethurama should have been an Iyer (a Brahmin last name) or not, the CBI series of movies gave Malayalam movie industry a long running, unforgettable character with charismatic gravitas that fit Mammotty's acting style to a T.  

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Irakal (The Victims)

 Another K.G.George gem from the early eighties, Irakal is the debut film of Ganesh Kumar. I didn't have much of an impression of Ganesh Kumar as an actor till I saw this movie. He makes a pretty decent debut as Baby Matthews the youngest son of a wealthy Christian business family and a closet psychopath - as in he has not come out to the family yet about his psychotic tendencies.

L to R Gopi as the Bishop and Ganesh Kumar as Baby Matthews

I remember a K.G.George interview where he mentions he had modeled Baby's character on Sanjay Gandhi, the younger son and heir apparent (before he died in an untimely air crash) of India's former Prime Minister, Indira Gandhi. Irakal came out, eight years after Emergency - which was a period of almost two years starting from 1975 when the Prime Minister Indira Gandhi placed the entire country under a state of emergency. It was alleged that Sanjay Gandhi who had no political position ran a police state terrorizing the administration and the people using his mother's position and influence.

L to R  Ganesh Kumar and Ashokan in Irakal

All the characters in the movie are perfectly fleshed out and the script is taut. Actor Sukumaran who produced the movie also plays the role of the alcoholic middle son - Sunny Matthews. Thilakan plays the big daddy rubber baron and family stalwart, Matthews or Mathukkutty. Srividya is the oldest sister and the only girl in the family, and Radha plays Baby's love interest. Venu Nagavalli as usual loses the girl and meets a gory end. Ashokan also gets to play a small part as Baby's local acquaintance.

Irakal was awarded the best ever original Malayalam screenplay thirty years after its release. But the movie was not a commercial success when it hit the theaters in 1985.  It is said that Sukumaran had to make a couple of commercially successful films to recoup the losses he suffered in producing Irakal. It is a very mature film for a discerning audience, probably not the regular movie-goer's cup of tea. 

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