Lists : Podcasts I listen to

Podcasting is twenty year old this year having christened by Ben Hammersely with a broadcast-worthy name in 2004 and gone mainstream with a little help from iPod  & Steve Jobs right after. I never had much of commute more than 10 min to my work (thank you, universe) and due to my preference to visual media for entertainment I had been able to stay clear of podcasts for the first ten years of their existence. Then I realized I could listen to podcasts when I did chores around the house or while stewing in a bath or while on my evening jogs. 

Here below is a list of my favorite podcasts I listen to while I cook or clean or lounge in a bath. I am yet to find any podcasts I can listen to while running, so I have not started my jogging/running routine yet. I do not have much attention span anymore to commit to listening to serialized podcasts like Serial, so those type of famous, serialized podcasts are not in my list. I use podcasts to expand my understanding of the world, for learning new things or to light up my way down the rabbit holes I accidently find myself in every so often.

Philosophy, Economics, History: I do not know whether everyone becomes a philosopher as they grow old, I certainly have become very interested in Philosophy and Economics in the last decade. If I was the kind who cared about framed certificates and laurels I would have gone back to school (online or evening college?) to get a degree or two in these subjects. But I am not, these podcasts are more than enough for me.

Philosophize This: This beginner-friendly podcast by Stephen West is where I started my learning-philosophy journey. I still have many episodes left to listen and I do not listen to it in chronological order. West is a bit of a smart-a3$, and you have to remember he is opinionated too, just like the rest of us, but it is an informative guided tour nevertheless, from the early beginnings of philosophy in Greece, pre-Socrates.

The History of Philosophy without any gaps: I got to this podcast after Philosophize This, which is probably the right progression. Prof. Peter Adamson, is much more detailed and extensive than Philosophize This while presenting the same content. I am slowly chomping away at this podcast as time permits.

History of Philosophy : India, Africa China : Most of the philosophy podcasts only have a few episodes for Eastern philosophy and it is always the Western perspective of Eastern Philosophy. This one bridges that gap.

An Economic History of the World since 1400s: This is technically not a podcast, but a college course or a book by Prof. Donald J. Harreld or a TV documentary series, I watched (listened) it as the latter, using my public library account, on Kanopy. For someone who developed an interest in economics after living for decades in a world created and controlled by economics, this was a great intro to 600 years of human economic history presented by the writer himself. Unless you cared about the occasional illustration, photographs and drawing, the whole series can be consumed just through audio,

The History of India podcast : A very in-depth podcast about the history of India from 6th century BC onwards, hosted by Kit Patrick. I am yet to find another podcast that covers the range of time this podcast covers, from 600 BCE to 700 CE, about India's history.

Fall of Civilizations :  Learning from failures is always a wise idea. Even though I am not in charge of an empire, I seem to be living in a failing one. This podcast looks at the collapse of a different civilization in each episode.

Arts, Architecture, Design .....  including things peripherally related to architecture like urban planning. 

99% Invisible: From one of the best podcast hosts/producers in the US, Roman Mars, this design podcast examines our every day environment and objects from a design angle. A top design, architecture and art podcast featured in many best-of lists.

Memory Palace: Nate DiMeo's voice is mesmerizing and soothing as he tells the stories of long forgotten people, places, things. Memory Palace is Podcast Americana at its finest and Nate DiMeo is how every podcaster should sound like if you ask me.

Articles of Interest: A podcast about what we wear. It is a "sub"-podcast of 99% Invisible.

Thinking Transportation: A podcast from Texas A & M Transportation Institute about transportation and planning. As a public transport enthusiast with some urban planning connections, I listen to keep it up with the world of transportation.

The Daily Poem : A poem a day is a podcast from the Academy of American Poets which present a previously unpublished poems from contemporary American poets, followed by a description of the poem and a re-read of the poem. A short and a calming podcast.

Science: All things under the wide umbrella of science.

Sean Carroll's Mindscape: While Carroll's own expertise is in physics, quantum mechanics, philosophy and cosmology, Mindscape dabbles in a wide variety of subjects talking to experts in pretty much every subject under the sun.

Redefining CyberSecurity: Working in technology, it is hard to escape the talk about cybersecurity and AI. This Sean Martin podcast covers the cyber security piece for me.

Stuff You Should Know : The title. I am not usually a fan of podcasts where there is more than one host with distracting banter and chuckles. This is one podcast I will excuse, even if it has two hosts, Charles W. "Chuck" Bryant and Josh Clark.

Brain Lenses : Hosted by Colin Wright, it is a podcast about how we see the world, ourselves and each other.

There are more podcasts to list like Reply All or Darknet Diaries. Maybe another day.

 I listen to podcasts on TuneIn Radio or AntennaPod, an open source podcast app. I don't really care for the podcasts that are only available on Apple podcasts(not an iPhone person) or Spotify. All these I've listed above are available in the two apps I use.

Read More

Kummatty - A G. Aravindan Masterpiece

G. Aravindan's 1979 masterpiece, Kummatty is on Youtube, looking better than the original. The painstaking restoration effort, jointly done by World Cinema Foundation in the US, India’s Film Heritage Foundation and the Italian archive Fondazione Cineteca di Bologna has paid off. The vibrancy and the life in the restored print is unbelievable. The restored print is better than the original I had watched at least half a dozen times in my childhood. The restoration is a testament to the resolution and sharpness of the original analog film (Eastman color stock), even after all the negatives were lost and the restoration team had to rely on the positives, location shots and on the recollections of the original cinematographer.

Piper Kummatty and his band of followers.

Kummatty is a beautiful visual poem. A poem from a bygone Kerala, a Kerala that ceased to exist around the time the movie was made in the late seventies. It is the kind of movie you can show your American/western movie-buff friend representative of native Indian folklore on celluloid cautioning her/him the India depicted in this movie is as far removed from the present day India as snake-charmers and climbing rope-tricks.

A theyyam in the movie.

I first saw the movie when I was in 3 or 4 years old. It was promoted as a children's film. Although the director, G. Aravindan was of the opinion that he didn't consider it a children's film as he didn't like typifying his films, he said children may like it. Kerala state government went ahead and awarded it the best children's film for that year. Not to lose the opportunity to promote a world-class children's film, it was screened (almost) every weekend we visited the outdoor movie theater at the children's park at Napier Museum. I was traumatized every time I watched the movie. It was definitely not for little kids.

The mysterious figure of Kummatty, the dark vibe of the movie and the story (no spoilers) where one of my own kind (child) was thrown into deep 'existential' trouble and had to stay in that 'troubled' state waiting for the Kummatty to come back distressed me no end.

A real stray dog that landed a lead role in Kummatty.

G. Aravindan was not the most talkative of film makers. His films were contemplative visual poems. Kummatty is no different. When your main lead is a dog for the half the movie, dialog becomes dispensable. 

Aravindan's movies also served as vehicles for other talented people. Kummatty must be one of the finest cinematography projects ever helmed by Shaji N. Karun. In almost all of G. Aravindan's films, except the last couple, the camera was handled by the talented Shaji N. Karun. Well schooled in the mid to late twentieth century art house movie making techniques of long meditative shots and sparse dialog, Shaji N. Karun went on win Camera d'Or at Cannes with his own directorial debut composed along similar lines, Piravi, in 1989. 

G. Aravindan, Shaji N. Karun (photo courtesy Ramu Aravindan, son of G. Aravindan.)

The folk songs composed for Kummatty by Kavalam Narayana Panicker, set to music by M.G. Radhakrishnan have found a permanent place in the Malayalam cultural encyclopedia, with rebirths in the form of popular and rock songs by bands like Avial, decades after the movie was released.

Vilasini in one of the beautifully framed shots from Kummatty.

The only familiar face for me in this movie is of (Kuttyedathi) Vilasini. The choice of unknown actors or having common folks play part in his movie is also signature G. Aravindan. His movie, Kanchana Sita had tribal people from Andhra (location where it was filmed) playing main roles in that movie. Ashok who played the lead (kid), Chindan in Kummatty recently showed up at a screening of the restored version. Kummatty was the only movie he had ever acted in.

Kummatty's stash of animal crackers.

Kummatty sharing animal crackers treats with kids.

Kummatty is translated as 'the bogeyman' in the subtitles. I would disagree. Kummatty is not exactly a bogeyman, but he is more like a pied piper, luring kids with his songs, music, magic and animal crackers. Animal crackers are pretty symbolic in this story which is closely connected to animals. Unlike the piper from Hamlin, Kummatty has no ill intentions, he is an eternal child who finds joy and magic in the small things in life. The best compatriots he finds in his expeditions are children who share his sense of wonder and joy. 

Temple pond where Kummatty takes his bath, banyan tree and the temple in the background, where Chindan and his friends are seen watching the mysterious magic man.

Aravindan said Kummatty symbolized spring. He is a force of nature who visits a place according to his own schedule, like seasons. He comes after the rains, in spring, when lakes and ponds are abrim with water and nature is green and bountiful wearing its finest.

Evening market on the street, a common scene in mid twentieth century rural Kerala. Chindan played by Ashok is seen buying fish for his family's dinner.

Re-watching this timeless classic at the end of the first quarter of twenty-first century, it offers us a window into rural Kerala from half a century ago. None of these scenes will be naturally occurring anywhere in present-day Kerala. 

The social, political and cultural landscape of Kerala has irrevocably changed. The physical environment - built structures and the nature surrounding them, if they still exist untouched anywhere, are flanked by updated buildings and inundated with signs of progress like tin-sheet roofing or neon lighted billboards.

Chindan, with a pot of water, framed against the doorway of a typical Malabar home or temple, built of hewn laterite.

Kummatty was shot in my favorite part of the world, north Malabar. The rolling grasslands and sun burnt laterite hill tops of Kasargod where Kummatty frolics with his band of child followers is reminiscent of my childhood summers. The crimson faced theyyams and the local architecture in hewn laterite brings back memories of grand-parents and the cool interiors of ancestral homes. 

Kummatty takes us back to a lost world and a lost time,  where the pagan spiritual rituals, theyyams, bare chested grandmas and seasonal magic men co-existed with evening village markets and centuries-old banyan trees. At the discerning age I am now, Kummatty is no longer disturbing, the beautiful work of art has revealed itself, speaking of love, nature, (wo)man and the interconnectedness of it all. Thank you, G. Aravindan!

Read More