Diamond Necklace : Malayalam Movie Revie

Joy Alukkas got a 2 hour ad, Malayalis got a box office hit of the highest quality and Lal Jose and his team proved that they can give us good films more than once in a blue lotus (Mal: neelathamara.)

Diamond Necklace has us smack down in center of Keralites ‘sankalpa rashtram’ (means ideal nation, source: Gandhinagar 2nd Street) - Dubai and it doesn’t stop there, it takes us to the most coveted address in this Emirate mecca – Burj Khalifa. There are cool cars and hot chicks, that’s the way Dr.Arun (Fahad Fazil), the hero of our movie, rolls. He’s into all that, while practicing oncology for sourcing his cash flow. Somehow the money stops rolling, while Dr.Arun continues to roll downhill, demonstrating a classic example of Newton’s first law and inertia of motion.

Dr.Arun is a ladies man, but he is not portrayed as ‘despo’ as Saif Ali Khan is in the first scenes of a recent Bollywood movie, Cocktail. In fact he is equally devoted to curvaceous four wheelers as he is to lithe two legged human females, no partiality there. He must have had a colorful history, but we meet the hero while he is working his charms and non-native language skills on a beautiful nurse from our neighboring state, Tamilnadu. That goes on for a while before his credit cards max out and he has to resort to extreme measures (read marriage) to save his future.

You cannot make a movie about Dr.Arun without a a bevy of belles, thus we have Gautami Nair, Samvruta Sunil and Anushree Nair crossing paths with our leading man. Dr.Arun has a support network outside his girl friends and colleagues, a group of hard working blue collar Malayalis led by Sreenivasan. The story is believable and all the different angles are explored to the right extent. I couldn’t find any lose ends hanging or the captivating cinematography hid all the unwanted threads from my view.

The casting is perfect and all the actors have contributed their due share in making this movie a success. Fahad Fazil’s name has become synonymous as the thinking (wo)man’s actor. Anushree Nair, winner of the reality contest Vivel Big Break gets her big break and uses it to the hilt as one the three female protagonists.

The film has captured the changing ethos of Malayali society where the financial elite are going for diamonds over gold. Gold is so yesterday. If you don’t believe me, watch the segment where Joy Alukka pops in to affirm the value and the resale ability of a Joy Alukkas diamond necklace. But I am willing to overlook the diamonds in a movie named Diamond Necklace because it is all about people, really. 

For people who just can't get enough of Diamond Necklace, try these links...

1. Lal Jose's own blog has a series of posts on the movie.
2. If you really want to buy a diamond necklace, but don't want to pay for it, visit Alibaba in China (where else will you find Alibaba?)
3. Or else satiate your diamond craving by buying a Diamond Necklace DVD from these places if you live in the United States. 

 

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Neelathamara vs Neelathamara

Lal Jose is emerging as an undeniable promise from the wreck that goes by the name of Malayalam cinema. Neelathamara, is probably the first remake ever made in Malayalam movie industry. It is 'the' consummate Malayalam movie I've ever seen and I've seen some movies including the 1979 original which was actress Ambika's debut vehicle.

Considering the kind of flicks preferred by Malluwood audience these days it comes as a surprise that movies such as Neelathamara can be made, but what's more, it also became a success at the box-office! If only more film-makers will create such blue lotuses, they seem to be as rare as blue moons these days in Malayalam film industry.

Neelathamara, I read, was a dream project of Lal Jose. Here's a link to Lal Jose's own blog where the film-maker has noted down bits of creative process which went into the making of the movie.  The story is real simple, penned by M.T.Vasudevan Nair, one of the stalwarts of Malayalam literature, the script was adapted to fit the nuances of modern times although it is a period piece and the events take place in a pre-eighties period.

It has been a long time since a good female oriented film hit Kerala's screens, this movie puts an end to that drought. There is the maid servant, the mother, the newly-wed bride and the son - all these characters inhabit a flash-back which forms the core material.The movie begins in the present where all or some of these characters have matured / aged in life and are looking back at a past that was.

The flashback portion is the adaptation M.T and Lal Jose has interjected to make the movie fit for consumption for a newer audience. There is a character of a grand-daughter added, maybe to give some more depth to the story, to visualize the passage of time perhaps. It is also a nice touch that it is a grand-daughter, not a grand-son. Afterall, the story is all about women.

The 1979 version starring Ambika, Ravi Kumar and Sathar and directed by Yousef Ali Kacheri definitely lacked on the 'dream-project' front. M.T's stories being made into films was an everyday occurrence back then. The Eighties, characterized by movies with long takes, sparse dialogs and earthy characters was just a year away. Neelathamara(1979) was a typical sensible Malayalam movie of the age like Peruvazhiyambalam or Thakara, nothing much to write home about because movies like it was the norm in those days.

If you compare the new version and the original, although I do think it is a crime to compare because they were  products of different eras and different circumstances, you realize that except for the story and the characters the two movies are a world apart. So I'll just limit my comparison to the characters / actors.

Archana Jose Kavi plays the main role, played by Ambika, cannot tell who is better. Archana could've used less kajal, because kajal was not something a rural girl, esp. a maid servant puts on every day, it was a part of her make-up which she reserved for special occasions like while going to the temple festival. Kailash, the new hero vs Ravi Kumar. Kailash is such a natural, less filmy and the new script makes the character less of a feudal scion and more of a mischievous rich kid fooling around. Thank God Ravi Kumar is not acting. Sathar vs Suresh Nair, the script has toned down the villainy of this character, today's character is more suave and matter of factly which suits Suresh Nair's acting.

The mother Sreedevi Unni(2010) vs Kozhikode Santha Devi(1979), Santha Devi was/is a veteran actress who has excelled in mother roles whereas Sreedevi Unni doesn't have much in the experience column to write home about, still she holds the fort just fine. The one character that I thought was better in the old movie, not because of acting per se, but because of the director's choice in casting was that of Ammini. Rima Kallingal was good as Ammini in the new version, but somehow the older Ammini felt more like a real character. Samvruta Sunil, is getting better as an actress with every new film of hers that I see. She is not usually the main character, but she is morphing into a kind of character actress, some one the director feels okay to entrust strong characters with. She plays the new bride in the 2010 Neelathamara.

In the seventies, Kerala was coming out of a feudal set up. The lower class of society still felt exposed, was wronged often and more importantly mobile phones were not rampant. Cut to 2010, there is not a clear-cut section of society which  can be branded as lowerclass anymore, it has been replaced by the emerging middle class, sporting cellphones. The playing field is more level than it was thirty years ago. That explains the flash back element added by the writer and director. The maid servant is now placed in a better rung of society, the down-trodden hapless girl is not there any more. She is looking back from a comfortable present to a forgettable folly of the past.

The mood of the film(the new one) is therefore less stifling, the characters are less villainous, the emphasis is more on perfecting the locale, the camera(the camera work is brilliant, hats off to Vijay Ulaganath), the costume and the casting. A near-perfect Malayalam film after a long time. May the tribe of Lal Jose and directors like him prosper.

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