As I grow older, I have a newfound respect for
I.V.Sasi – a prolific Malayalam movie director. I had dismissed his
movies as having too much ‘masala’ (spice), or from a western context,
my take was his creations were mostly pulp fiction
movies. However, Malayali audience had none of my misgivings and had
made many of I.V.Sasi films super hits over the years.
I watched Devasuram recently, an I.V.Sasi movie
from 1993 starring Mohanlal and Revathi. Written by Ranjith and based on
a real life person (Mullasserry Rajagopal), the protagonist of the
movie Mangalassery Neelakantan (played by Mohanlal)
has a permanent place in the pantheon of iconic Malayalm movie
characters.
This hugely successful film has a melodramatic
story tied down in place by its strong willed lead characters – Mohanlal
as the feudal scion Neelakantan, Revathy as the danseuse Bhanumathi and
Napoleon as the villain Mundakkal Shekharan.
The restraint in the script and direction in filming a story that had
plenty of opportunities to go overboard is appreciated by my older wiser
eyes.
Devasuram created a new re-usable role for Mohanlal, that of an authoritative
feudal/local boss-man who leaps down from a jeep in signature sandals and flicks his mundu up with one feet and saves the day knocking the living daylights out of the bad dudes. He reprised this role in his later movies
like Aaram Thampuran, Ravanaprabhu (sequel of Devasuram), Narasimham and
Naran. From the witty, unemployed, happy go
lucky young man or the flamboyant don characters he played in his twenties
Devasuram graduated him in to the hard-ass protector and leader roles of
his thirties, which he continues playing even now, well past the expiry
date.
Interesting things I learnt after Devasuram:
Varikkassery Mana, Ottappalam: Shown as
Mangalassery tharavadu in Devasuram became a favorite location for
Malayalam movie’s after Devasuram was filmed there
Napolean aka Kumaresan Duraiswamy: The villain is
this movie is a multi-faceted personality. He is an actor, an MLA, MP, a
minister in Prime Minister Manmohan Singh’s cabinet, an IT company
founder and CEO.
1 comments:
I.V Sasi had perfected the formula of making the perfect combination of art and masala. Unfortunately a certain section could not see past the commercial sprinkling of sex and violence. His characters are real,earthy and not at all perfect. His films ask question and delve into the turmoils of the human mind beneath the mask of the perfect family or the perfect protagonist. His films deal with illegitimacy, mercy killing, incest and a wide variety of topics which are not discussed at all. Kudos to the Kerala society of the 80s who made his films successful.
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