Sibi Malayil is a director known to spread emotions real
thick on his films. From Kireedam and Dasaratham via Aakashadoothu to Apoorvaragam
(2010), many of these hit the right spot with Malayali movie audience who wear emotions
on their sleeves. Violin is yet another attempt at the same. Apoorvaragam had a
novel story despite the hackneyed currency of emotions it was trying to trade,
which made it a surprise hit at the box office. Unfortunately Violin lacks
sorely in the story department.
Fort Kochi, Anglo Indians, old money, characters walking
around in outlandish 19th century European costumes are all themes
that have been done to dust by our idea hungry movie writers.
Now that “nightie” has been anointed as the official casual wear of Kerala women, why are the ladies in this movie still wearing frumpy frocks?
Violin is another example of a recent movie that I’ve seen which is thirty years too late.
Now that “nightie” has been anointed as the official casual wear of Kerala women, why are the ladies in this movie still wearing frumpy frocks?
Violin is another example of a recent movie that I’ve seen which is thirty years too late.
The only bearable part of this film is Asif Ali. Nithya
Menon’s role demands her to be over the top which she adheres to faithfully.
The rest are best forgotten just like the movie.
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