96 is a very topical movie. The only question was who would make the topic (more on the topic right after this) into a watch-able movie. Like many ground breaking moves they make (discovery of A.R.Rahman for one), Tollywood claims the story and victory.
Chat apps like Whatsapp, WeChat, Line or Telegram didn’t make any significant inroads in the U.S because the U.S already had free SMS and free calls with most cell phone bundle plans. But for the rest of the world and emerging markets like BRIC, these chatting apps are huge players with about 70-80% market penetration. This gave rise to school and university alumni Whatsapp groups, a la Snapchat for adults with privacy and secure territoriality packed into an instant message environment.
There was only a matter of time before someone made a movie out of this ubiquitous social networking phenomenon. High school and college Whatasapp groups provide ample material for sentimental, nostalgic stories. There is always ‘the one that got away’ and the ‘could-have-beens’, but ’96 directed by C.Prem Kumar, starring Vijay Sethupathi and Trisha Krishnan does not dissolve into a syrupy emotional mess, it could have become with a different script and a different director.
Tamil movies rarely operate at the pace of real life, but ’96 takes the slow lane. Although it was dragging at places, it can be excused for keepin’ it real.
Chat apps like Whatsapp, WeChat, Line or Telegram didn’t make any significant inroads in the U.S because the U.S already had free SMS and free calls with most cell phone bundle plans. But for the rest of the world and emerging markets like BRIC, these chatting apps are huge players with about 70-80% market penetration. This gave rise to school and university alumni Whatsapp groups, a la Snapchat for adults with privacy and secure territoriality packed into an instant message environment.There was only a matter of time before someone made a movie out of this ubiquitous social networking phenomenon. High school and college Whatasapp groups provide ample material for sentimental, nostalgic stories. There is always ‘the one that got away’ and the ‘could-have-beens’, but ’96 directed by C.Prem Kumar, starring Vijay Sethupathi and Trisha Krishnan does not dissolve into a syrupy emotional mess, it could have become with a different script and a different director.
Tamil movies rarely operate at the pace of real life, but ’96 takes the slow lane. Although it was dragging at places, it can be excused for keepin’ it real.
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