Basil Joseph deserves a special pat on the back for
reining in the irresistible urge to recruit Mallu Singhs to play
Sardarjis in Godha. Half of the movie is set in Punjab, a place teeming
with Sardars, a generous world full of possibilities
for Malayalis to release their inner Santa-Banta by wearing turbans and
beard-nets. The temptation could have been enormous. But Basil didn’t
budge, authenticity being one of the admirable qualities of this movie.
So much so that he even recruited a real Punjabi
kudi, not from Gurgaon or Goregaon but from the Punjabi metropolis
designed by a French man (read classy), Chandigarh (balle~ balle~)
Godha is a light-hearted tale of wrestling families
– one from Kerala and the other from Punjab. In 2010s wrestling or
contact martial arts theme have been the new favorite of Indian movie
makers for sports inspired movies. Dangal, being
the most well-known of the lot. Sultan, Mary Kom, Irudhi Suttru (Tamil)
/ Saala Khadoos in Hindi are some others in this category. Most of them
also had stories focused on female athletes.
In Godha, we have the Wamiqa Gabi playing the
Punjabi wrestler Aditi Singh counter balanced by Tovino Thomas’s
reluctant wrestler/aspiring cricketer as the beautiful idiot, Anjaneya
Das, B.Tech. The casting is superb, from Aditi’s Punjabi
clansmen to Anjaneya’s Tamilian classmate – Pandi and beyond.
Renji Panicker is an indispensable element for all
Malayalam sports movies these days. It could be because we really have a
dearth of modern day fayalwans (pehalwan – Hindi, body builder
-English) in Malayalam movie industry. Panicker’s
seniority means his role will be that of a coach or a mentor, while
appearing more buff than the main character who plays the hero/sports
star. We can’t blame Renji Panicker if the younger heroes have no
respect for six packs. Parvathy as the mother of the
hero is another example of great casting.
Godha is like the perfect beef curry (this recipe
is described in the movie – a meme-worthy scene, one that will be often
quoted and re-quoted in the years to come), simple with few essential
ingredients in right quantities, blended in,
to create the final product. It recognizes cricket – a game synonymous
with sports (of any kind) in India and creates humor contrasting it with
the not-so glamorous wrestling. Then it injects wrestling talk into
communist party-office sermons, another common
entertainment activity prevalent in central and North Kerala. There is
also the guy meets girl track, their quests for glory and all of these
playing out to the uplifting tunes by Shan Rahman. Light, natural and
entertaining.
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