Fresh off the boat, San Francisco Bay Area / Silicon Valley was my first home in the US of A. Above is a screenshot of an old blog post from my now defunct Live Journal describing my very first impressions, written 4 years after the said impressions were first registered. The static nature of the content is a tell-tale sign that it belongs to a prehistoric time when blog posts and not reaction videos ruled the day.
Silicon Valley was and is a bubble, floating in an ether of its own making, far above in the exosphere and beyond the comprehension of the rest of America and the world. It is a strange place full of contradictions that questions its own existence. Is it for real? How could such a place exist where a roof over your head - the rent of a one-bed apartment could set you back $4-5K/month easily but you could get a filling burrito from a hole in the wall eatery for $5?
Anna Wiener calls it the uncanny valley in her memoir, "Uncanny Valley." Documenting her move from East coast to SFO after accepting a job at an eBook startup, Wiener's memoir provides access to the inside track of the Silicon valley in 2010s populated with 20-somethings. Reflecting on the peculiar feelings that Silicon Valley evokes, the title could also be a play on words pointing to Japanese roboticist Masahiro Mori's original concept of the uncanny valley.You know you have arrived in downtown San Francisco if you can spot
homeless people wearing T-shirts emblazoned with the logos of Silicon
Valley companies taking a shit on the sidewalk. A city of opposites
where the homeless junkie shares the streets with hoodied 20-something
CEO of a startup, both probably wearing the same hoodies although most
tech companies have a strict policy not to give away company merchandise to
people who do not provide any value to the company.
As you walk/read/proceed across the (uncanny) valley in the shadow of meth, you will fear no evil, for Ms.Wiener walks among angels(investors), evangelists, CEOs, CTOs and brogrammers who would rather overdose on protein bars and vitamin D pills. Reading the 2010s version of the tech boom, I realize the Valley has not changed at all from the dotcom boom era of the late 90s-early 2000s that I briefly brushed against. It is still riding the roaring twenties. It will always be the roaring twenties in Silicon Valley. I am older and too tired to keep up. I am glad we got out of that forever young place while we were still nimble to make a break.
Most of Wiener's observations about San Francisco's tech industry elicit a sigh of relief from me. It is similar to the calm feeling you get after committing the premeditated murder of your Facebook account. You no longer have to play catch-up with your 500 'friends' posts and their photos living the high/lie-life. You can live at your own pace, stress-free.The tech-bros in Japanese denim can micro-dose and meditate on their next big disruption or take nootropics and bio-hack their way to being the pioneers of the better world they aim to create.
But you are free. You are delighted to find that you are still in a world where you can be a wee bit evil and you are not pressured to think different all the time. You are no longer part of the Silicon Valley ecosystem. It could be a different planet for all you care. In case you still want to keep in touch, once in a blue moon, read inter-planetary dispatches like Ms.Wiener's. She does a really good job as an outsider looking in. The outsider who almost became an insider and bowed out before being sucked into the cult of the Valley.
The 60s & 70s Malayalam cinema CIDs or detectives had to have excellent cosplay skills. A CID's crime solving abilities were a distant second. Since CID Nazir is Malayali incarnate of James Bond, he is shown as an irresistible ladies man. Unlike other Malayalam movies of the time the hero does not form a lasting bond with the heroine when this movie ends.
The 1969 movie Kannur Deluxe can be considered a prequel of CID Nazir. In both movies Prem Nazir is the CID and Adoor Bhasi is his assistant CID, although P. Venu, the director of CID Nazir did direct a film called Detective 909 Keralathil (1969) prior to this, it does not have the continuity you expect in a movie series in the absence of the main character CID Nazir, which Kannur Deluxe has. P.Venu will go on to make a sequel to CID Nazir in 1972 called Taxi Car.
Other CID movies that I am familiar with from the same time period where Prem Nazir stars as the CID are Cochin Express (1967), Love in Kerala (1968), Danger Biscuit (1969), Ernakulam Junction (1971) and Lankadahanam (1972).
CID Nazir - the movie starts off with a different CID - a young and handsome Raghavan as CID Chandran. As a young and junior hero, he is expendable and is finished off before the opening credits. CID Nazir is then tasked with finding and bringing the criminal gang behind Chandran's killing to justice.
| Raghavan as CID Chandran | Bhasi as Bhasi | Sreelatha as Sreelatha |
Adoor Bhasi plays the assistant CID, Bhasi. He also provides comic relief. Unlike the Malayali Bond - CID Nazir, assistant CID Bhasi has a permanent lady love in this movie, Sreelatha. Bahadur, another actor who assists Bhasi in the comic relief effort plays the caretaker and helper at the bungalow Nazir stays in. It is the same house where CID Chandran was originally murdered. Bahadur and Bhasi were like Laurel and Hardy of Malayalam of that era.
| Bahadur |
A masala potboiler Indian movie has to have a good looking heroine so that the dashing CID officer can engage in some stress-release in the form of singing, dancing and running around trees with her. A very young Jayabharathi, in her late teens is CID Nazir's girl friend for two and half hours of the movie's running time. While the girl is hopelessly in love with the CID, the upstanding CID never really expresses any deep feelings for her. She is mainly there as the subject of his songs and the movie did have some chartbuster songs thanks to this romantic track.
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| Jayabharathi as Shanti |
The villains, the semi villains, the vamp and the villain's lair showcases the usual suspects like Jose Prakash, Nellikkode Bhaskaran and Sadhana. The underground (looks like a bomb shelter) villain's lair is typical repurposed studio set that has stood many movie villains in good stead. The super villain never shows his face, as the camera shows the back of his head from behind his chair and you can see his foot soldiers facing the camera. There is an ominous globe on the villain's desk as if to say the world is not enough.
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| The villian's lair and the standup meeting with his 'employees' |
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| Nellikkodu Bhaskaran |
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| Jayabharati as Shanti - a song scene |
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| Shanti and CID Nazir - all in a day's work for the CID |
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| CID Nazir breaks into a song to cool off when things get too heated up on the investigation front |
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| T.S. Muthiah, Jose Prakash as Sivaram and CID Nazir |
Beyond scientific understanding, defying logic and laws of nature - these two attributes give unlimited freedom to story writers. While I pooh-pooh at the fantasy genre and couldn't care less about the American construct of zombies or their living relatives vampires or werewolves, I cannot explain why I am drawn to the type of supernatural / science fiction shows I have listed below, but I am.
Tunnel (Netflix US): Tunnel was my introduction to K-Drama. I still consider it as my favorite. It is a police procedural about the hunt for a serial murderer with a time traveling detective thrown in. All the Korean stars are young and immaculate - must be the reason why Korean skin care products are a rage everywhere. They are easy on the eyes and glide the narrative along a smooth-as-butter path, even when it is along a dark and ominous abandoned tunnel. Highly engaging and binge-able.Signal (Netflix US): I was looking for Korean shows to watch after Tunnel when I chanced upon Signal. I almost gave up after the first couple of episodes. But I am glad I did not. Signal get better and stays engaging for the rest of the episodes. While no-one really time travels, there is real time communication happening between past and the present through an old radio.
Dark (Netflix US): Dark is like the German cousin of Stranger Things, where time is the upside-down. It checks my time travel subject box. But the story went into the Matryoshka doll zone in Season 3 - nesting of characters never before seen in the space-time continuum we inhabit. I had to quit watching after a couple of episodes in Season 3. Still Season 1 and 2 are worth the watch and many die-hard fans, especially in millennial age group can't sing enough praises of the series.
Equinox (Netflix US): From Denmark, Equinox feels like Frozen meets Stranger Things, played out on a darker, adult canvas. It starts with an incident where 21 high school graduates go missing, never to be found again and progresses through a sister's search for the truth behind the disappearance of her sibling.
The Haunting of the Hillhouse (Netflix US):: This is one of those rare instances where the show/movie was better than the book it was based on. I went to sleep trying to read Shirley Jackson's original. Although I did finish it almost succeeded in driving me off ghost stories, usually one of my favorite subjects to read, altogether. Unlike in the book where the people who spend time at the Hillhouse are a group of strangers, in the TV adaptation it is a family - that change improves the narrative. If you are looking for a spine-chilling ghost story to scare the living day lights out of you, look no further, you have arrived at your destination.The Haunting of Bly Manor (Netflix US): This show is a follow up to The Haunting of Hillhouse, but it is not half as good, not enough spine-tingling qualities and not very scary ghosts. It is more of a gothic romance than a ghost story, if you ask me.
Glitch (Netflix US): Ghosts or the living dead (who are not zombies, not blood-thirsty) who have time traveled to reach the present day. Glitch is Australian for highly binge-able. More detailed review here.
The OA (Netflix US): The first season was addictive with cross-dimensional travel, life after death and blind girls gaining sight. The second season is kind of weird and I am not sure what the producers where trying to do, but then Netflix canceled the show after Season 2. The OA was where I first came across Kingsley Ben-Adir.Erased (Netflix US): A one season Japanese TV show based on a popular thriller manga series Erased has the protagonist Satori Fujinuma traveling back in time to save some of his elementary school friends. It is a quick and compelling watch if you don't mind watching shows with subtitles.
Intruders (Amazon Prime): Produced for BBC America, you can see a young Millie Bobbie Brown in this paranormal series about returning souls. Ms. Brown is quite an acting powerhouse. The series does have many edge-of-your-seat moments and if you can not get lost in the logistics and timing of soul transfers and mummification is a gripping mini series.
The Living and the Dead (Amazon Prime): English ghosts in the turn of the (20th) century English countryside in a TV show with excellent production quality - that is The Living and the Dead. During the years 1880s to the First World War, one of the most happening fields was psychoanalysis. All the cool kids were psychoanalytical theorists or psychologists like Freud, Jung, Karl Abraham and the protagonist of the series, Nathan Appleby. Is it schizophrenia, multiple personality disorder or real ghosts from the future and the past?All the four paths would diverge after that One Night In Miami. Two will be cut shot prematurely. Two will go on making their contributions to the world of sports and entertainment. It is the two who got snuffed out way before their time, their unfinished stories that well up in my throat. Like Sam Cooke’s last song which was released after his untimely death, we are waiting, we are still waiting…
It's
been a long
A long time coming
But I know, a change gonna come
Oh, yes it will
One Night in Miami is what Bob Seger might have been thinking about (well not really, the unromantic in me is taking off on an imaginary scenic route here) when he wrote, “We got tonite, who needs tomorrow. We got tonite baby, why don’t you stay?” Stay they did, the coolest gang of bros who might have ever hung out together in the history of menkind – Malcolm X, Cassius Clay soon to be Muhammad Ali, Sam Cooke and Jim Brown at a Negro hotel in Miami, on the night of 25th Feb 1964.
More than three fourths of the movie happens in a hotel room the four friends get together. It makes sense when it is adapted from a play and the occasion calls for it. The four men briefly spend some time on the hotel rooftop and Ali & Cooke make a short stop at a liquor store, but the rest of the time the conversation between the four men happen entirely in the hotel room. An entire movie centered around the dialog four people are having in one room reminded me a bit of Who’s Afraid of Virginia Woolf, but the similarity ends there.
To write meaningful dialog without taking sides and keeping the audience attention unwavering without any change in background scenery is quite a challenge. Shout out to Kemp Powers who wrote the original play and his debut movie screenplay adaptation. It is also the feature debut for the director Regina King. She has absolutely nailed it. Along with Powers’ powerful screenplay, she has received tremendous support from the crew of four amazing actors who play the four historical figures – Kingley Ben-Adir (Malcolm X), Leslie Odom Jr. (Sam Cooke), Aldis Hodge (Jim Brown) and Eli Goree (Ali) whose paths cross one night in a hotel room in Miami.
It is such a personal moment (or a few hours) for these four guys, but this serendipitous meeting is also a watershed moment in history. The morning after the meeting Cassius Clay confirms that he is joining the Nation of Islam and he changes his name to Muhammad Ali a week after. Malcolm X would quit the Nation of Islam a week after this meeting and make a trip to Mecca, Middle East and African countries to understand more about Islam and get international support and exposure to the Civil Rights Movement. Malcolm X would be assassinated and Sam Cooke would be shot dead before the first anniversary of this meeting. Ali would go on to become one of the greatest sportsmen in history and Jim Brown would quit football for Hollywood after being named NFL’s MVP for the third time in 1966.
To read more about what happened after that One Night in Miami, here is a BBC article.
After One Night in Miami, I took a peak into Sam Cooke’s life in Netflix’s documentary – The Two Killings of Sam Cooke. It is less of a crime investigation piece and more of a biography of Cooke through the eyes and words of the people who knew him and his music. Like many black musicians at the time he broke into the popular music scene via gospel music then crossed over to the devil's music - pop music and rock & roll.
In One Night in Miami we see Malcolm X exhorting Sam Cooke to take the activist route, considering he had a platform that people listened to - his songs and music. Although the movie gives the viewer the impression that Sam Cooke was not much of an activist, he was in fact at the time risking his career with his activism and earning wrath of big time record companies like RCA. If he had lived we would have an African-American Elvis, the guy had music, looks, leadership and charisma. In an alternate reality where Malcolm X and Sam Cooke could've lived on, I wonder how the world would've looked like? Those two men had so much unfinished business to take care of.😞
White Tiger, blue moon, albino alligator, purple carrot, double yolk egg - all these vagaries of nature catch our eye because they are rare. Aravind Adiga's novel The White Tiger bowled over the Booker prize judging panel in 2008. It was a rare page-turner, presenting a tight and perceptive portrayal of the emerging India of the early 2000s. Other than being mightily impressed just like the Booker panel I do not remember much about the story I had read 10+ years ago, that was till I watched Netflix's movie The White Tiger.
I remembered that even while reading the book it had felt like it was gripping movie material for western audiences if it can be produced in English, the same language the book is written in. Just like Dickensian tales that never tire the audience even after repeat adaptations in different mediums, The White Tiger is like a modern day David Copperfield. It belongs to the same bildungsroman genre with the dark Victorian London substituted by the frenetic and murky 21st century New Delhi and northern India. A dog eat dog world where the poor has to overcome classism (and caste) to make something out of themselves.And the most important reason why it has to be made in English and not in Hindi or any other regional Indian language is because poverty porn sells well to a western audience. [Parasite, has entered the chat.] It might even have a chance at being an Oscar contender in the regular category (and not in the best foreign film category.) If you think about other foreign films in the recent years that made it to the best picture category you shall see the light - Slumdog Millionaire, Roma, Parasite.
I can't say the poverty and the class/caste-divide The White Tiger depicts is not real. It it is not the India I am familiar with. I got lucky in the lottery of life. Salaam Bombay is real to people who live in the red light district of Mumbai, so is Netflix's recent home-brewed poverty porn classic - Hillbilly Elegy. But how many Americans I know and interact with everyday thinks that the U.S of A is as it is shown in Hillbilly Elegy? Zilch. Ordinary lives do not make interesting movies, we will leave it at that.
The cast is led by the newcomer Adarsh Gaurav as the protagonist and supported by the reliable and experienced Rajkummar Rao and Priyanka Chopra Jonas.
Priyanka and Ava DuVernay are also two of the executive producers of the movie. Appreciate your choice ladies, it is a movie that needs to made. While the characters and the background scenery are specific to India, it is a satirical take on neoliberalism, the invisible global economic epidemic, which is normalizing greed and narcissism all over the world.
Race, immigration, stories about the people of color and immigrants have been brimming my reading list for the past few months. Is it because the current state the country prompts more writers to write about these subjects, consequently these books make frequent appearances on the reading radar of the public? Or is it because as a person color I am drawn more and more towards these subjects to understand the present state of affairs?
Or is it because it is my current special interest topic? Hurtling down the rabbit holes of some peculiar topic which is of no interest to anyone else comes to me naturally. I have devoured pages on reincarnation and biology and diligently followed Dr. Ian Stevenson, consuming every bit of his research and documentation on life after life. Before Netflix started making a killing out of true crime, there was a period when I was reading up everything I could find on serial killers and social deviants. Maybe race, racism, immigrants and life stories of people of color might be my new interest. Will have to see how long will this phase last.
While on the topics of race and immigrants in the US, I recently finished reading Laila Lalami's Conditional Citizens. Lalami was born in Morocco, educated in Rabat and London before finally earning her PhD from University of Southern California, Los Angles in Linguistics. She is a writer of fiction and non-fiction and she currently teaches creative writing at the University of California, Riverside.
Conditional Citizens is a collection of essays on the subject of American identity and citizenship from a non-white immigrant's perspective. Lalami's definition of conditional citizens (in America mostly) goes like this, they are,
She gives plenty of examples from history and contemporary scenes played out in the US of A as to how a constitution written by white men for white men has been instrumental in trampling the rights of all the conditional citizens of this country in its pursuit for white supremacy. If you are interested some of the examples she gives that can be explored further through Wikipedia are - Slave Bible published in 1807 (a special edition of Bible printed for use by plantation owners to preach to their slaves omitted mention of Israelites’ flight from slavery in Egypt as well as other references to freedom), Bhagat Singh Tind, Expatriation Act of 1907, Richard Nixon's war on drugs launched in 1971 and escalated by successive administrations, United States creating the largest prison industrial complex in the world and other such supporting evidence.
Lalami gives a great explanation of the term white privilege - "White privilege doesn’t mean that white people have easy lives – it simply means that whiteness does not make their lives harder. Blackness by contrast has a statistically measurable and negative effect on the outcome of individual efforts in employment, housing and education."
She also dissects the so-called assimilation required of the (non-white) immigrants - "after a period of time, which usually lasted several decades, each group of immigrants was judged to have successfully integrated into the mainstream and become hyphenated: Mexican-Americans, Japanese-Americans or Chinese-Americans. Because assimilation revolves around power, however, descendants of white immigrants typically skip the hyphenation and are simply referred to as Americans.
.....the settlers didn’t assimilate to indigenous tribes, learn their languages, and adapt to their cultural customs. It was the Natives who assimilated, coercively and violently into the settler’s culture. The same government that wanted to conform indigenous people to white society worked hard t ensure that enslaved people could not be assimilated. In southern states, a slew of laws made it illegal for whites to teach slaves or freedmen how to read."
There are also other essays in the book that touches on topics like Barack Obama, Christine Blasey Ford and the Opioid Epidemic. Some relevant passages are below.
ON OBAMA : Many white people saw in him only figments of their imagination. White liberals treated him like another MLK., a savior who would deliver the nation from any and all ills. Shepard Fairey’s Hope poster is perhaps the purest expression of this view. White conservatives, meanwhile, though of him as a young Malcolm X, a radical who would never compromise on anything. Neither perspective quite captured the fact that Obama was first and foremost a skilled politician, successful at the art of the possible.
ON CHRISTINE BLASEY FORD : When a woman, a citizen of the republic raises her voice against a man who is being considered for a position as chief interpreter of the laws of the republic, she is met by senators who tell her she must be mistaken. A man’s story is seen as inherently more authentic than a woman’s story. It is disbelief that under-girds the question: Why didn’t she report him sooner?
....this is a very old trope about the value about the value of a woman’s word and it can be traced back to foundational texts. Under Athenian law women could not be litigants, and if they had cases to put forward they were to be represented by Men. Jewish law mandates that only men can serve as witnesses in court. Although women were among the earliest followers of Jesus, the apostle Paul counseled that women should remain silent in the churches. They are not allowed to speak, but must be in submission. And the Qur’an advises that in case of legal conflict, two men should be brought as witnesses, but if there are not two men available then a man and two women from those whom you accept as witnesses so that if one of the women errs, then the other can remind her.
ON THE OPIOID EPIDEMIC IN AMERICA : The opioid epidemic in today’s rural white communities is being treated very differently from the crack epidemic in urban black communities in the 1980s. Back then the state’s response was to expand the police presence and to pass draconian criminal legislation like three strikes laws and mandatory minimum sentencing. An entire generation of black men and women was sent to prison for substance abuse. Nowadays, though, the government’s approach to opioid addiction is to treat it as a public health issue, with state politicians asking federal funding for drug treatment and counseling. This is a good development – drug addition should be treated as a disease, but the different response only serves as evidence that despite the fact Donald Trump disturbed the silence on whiteness, white Americans can still largely escape the disadvantages of race.
The Great Indian Kitchen: the recipe for success as below.
Ingredients
2020 was/is a year unlike any year we have lived so far for the most of us. In terms of reading, it was just another year for me though. The only thing I tried to do differently this year was to stay clear of any books or movies related to pandemics or epidemics. As if we don't have enough already.
Since I am not a fan of movies in the pandemic category it was easy not to break down and watch World War Z or Contagion. These would have helped me get an idea about how the U.S. government and CDC mutants in space suits will tackle a global pandemic. Hint: It is nothing like in the movies. The U.S. government does not watch Hollywood movies as Hollywood is infested by you-know-who, so they had absolutely zero clue as to how to deal with a planet-wide pandemic.
I also gave up on a book half-way through, Ghost Map: The Story of London's Most Terrifying Epidemic and How it Changed Science, Cities and the Modern World by Steven Johnson. It was not solely because of the subject - the cholera epidemic of 1854. While it was interesting to read how this epidemic changed the urban geography of the city of London to what it is today, the narrative became repetitive and started straying in different directions. My attention, as usual, was faltering. I will attempt it again next year, once I get vaccinated for my ADHD.
Here are the books-worth-my-time I read in 2020 in no particular order. Only 3 out of the 8 listed below were published this year.
1. Paying tribute for keeping the U.S.A number one in 2020, I will start off with Mary L. Trump's portrait of her uncle, Donald Trump - Too Much and Never Enough: How My Family Created the World's Most Dangerous Man (2020.) While the book feels rushed and could have been put together better, it is an intelligent insider's personal view of her family and her uncle - the man / the President who instigated/is instigating many (failed) soft coups at the American democracy. Read it, if you want to smell out the next Donald Trump in the making before it happens.
2. Of the Civil Rights Movement leaders, I empathize more with Malcolm X than with Martin Luther King. MLK, I have always felt, was promoted because he was a 'cleaner' African-American leader more acceptable to the white majority of the country. This year started with Netflix's documentary series, Who Killed Malcom X where historian Abdur Rahman Muhammad traces and condenses his thirty year of investigation about Malcolm X's assassination into a six part series. This was followed by Autobiography of Malcolm X: As Told to Alex Haley (1965), which focuses on Malcolm X's evolution as a street hustler to the charismatic speaker and leader of the Civil Rights era.3. I am closing out the year with Pulitzer prize winning author Les Payne's 25+ year labor love exploring and researching the life of Malcolm X, the biography The Dead are Arising : The Life of Malcolm X (2020.) The work was completed by the author's daughter and fellow researcher, Tamara Payne, although the final manuscript was ready before Les Payne's passing. I may attempt a separate review sometime later combining all the Malcolm X books, as they and their eminent and intriguing subject rightfully deserve.
4. Walkable City: How Downtown Can Save America, One Step at Time (2012) by Jeff Speck is far removed from the current mental state of the world. It was written at a time when when American downtowns were a bustle of activity, restaurants had not shuttered due to Covid-19 and some people did walk on the streets. But if we were to learn from history and the book that I gave up half-way, Ghost Map, pandemics have the power to upset the status quo which includes the urban way of life among many other things. The effects of it will percolate down to urban planning and how people use spaces. At that time it will be good to have a primer of things we did right and the things we had designed wrong in the past. Speck's works will be worth referring to improve on things when we rebuild our cities and economies after this year's setback.
5. I choose "Asian" when I have to choose my race while filling out forms and applications. Yet I do not identify myself as Asian. Like the rest of the United States, when I think Asian it is the people of east-Asian descent who are Asian. But like Cathy Park Hong points out in her book of essays - Minor Feelings (2020), United States immigration has for centuries barred entry of Asians from the entire continent of Asia, starting from the Naturalization Act of 1790 which made sure that only 'free white persons of good character' where allowed to immigrate to the U.S. While not all of Park Hong's essays from the collection resonated with me, it helped me understand another PoV from a representative of the same racial minority that I am also part of.6. The Giver (1993) was one of my kids' middle school reading projects that was recommended to me by my kid. YA fiction is not usually my cup of tea, but for sharing the experience of a book with someone I love, I gave it a try. For young readers 10-13 who are the book's primary audience, Lois Lowry's The Giver is thought-provoking, intense, disturbing and engaging at the same time. I am glad I read it, it is a perfect book to discuss with your tween or teen. I appreciate Lowry writing such a powerful book for young audience. It is an oft-banned book, so I am glad for our schools choosing it as reading material for kids at that right age when they need to understand the importance of compassion and altruism, to understand there are many shades and colors between black and white.7. Voices from Chernobyl : The Oral History of a Nuclear Disaster by Nobel laureate Svetlana Alexievich (2006) - I read this in Jan '20 while watching HBO's Chernobyl as a companion piece. The HBO show was 'inspired' by the book and had some excellent performances. The book is composed of verbatim interview material, the voices of common people who were at Chernobyl or thereabouts when the disaster struck. Chernobyl did make a big impression on my mind as a kid, when it had happened in 1986. Then it faded out till the aughts when I chanced upon a website by a girl who documented Chernobyl on a motor bike - Elena Filatova - an Ukranian photographer and biker. Then it went dormant again till HBO came out with the TV show in 2019. Like the title says, the book is an oral history, a much-needed documentation of one of the most suppressed disasters in human history. Don't go looking for a complex literary masterpiece. What it is a simple and stark portrait of a section of humanity, during a dark and senseless hour, in their own words. Kudos to Svetlana Alexievich!8. How do kids living in affluent western societies get taken by radical Islamic ideologies? Asne Seierstad's documentation of two Somali-American teenage girls from Norway who go to wage jihad in the Middle East is one window to the mysterious realm of teenage and what goes on there, making the kids act like they do. While Two Sisters : A Father, His Daughter and Their Journey into the Syrian Jihad (2018) offers no easy answers, it is a book just like the Trump one, that can be used to pick up the warning signals.
Nine Hours to Rama (1963) was the first foreign film banned in India. It was based on historian and Indophile Stanley Wolpert's novel of the same name and is a fictionalized account about the life of Nathuram Godse - the assassin of Mahatma Gandhi. It features a narrative capturing the final hours in the run-up to Gandhi's assassination on Jan 30, 1948, with a few biographical notes about Godse thrown in. This Anglo-American film was directed by Mark Robson who also directed films like Van Ryan's Express and Valley of the Dolls.
The book was banned by the Nehru administration upon its release in 1962 and subsequently the film was banned when it was released an year later. The reason for banning cited by the first Prime Minister of independent India - the liberal socialist Jawaharlal Nehru, was it supposedly portrayed Nathuram Godse in the wrong (better than he deserved) light and that it would have hurt the sentiments of certain sections of the population. That is a credible argument, although banning both the book, which clearly belonged to the fiction category and the movie based on it, was an overkill, especially for a progressive like Nehru.
The real reason could have been that throughout the 2+ hours the camera was focused intensely on Godse and the Father of India, M.K.Gandhi was just a side character. Adding insult to the injury, for a movie based on an event that was a turning point in India's history, almost every consequential Indian character other than Gandhi was played by white actors.
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| Valerie Gearon and Horst Buchholz |
The character of Godse is shown as a beer-chugging, hot headed romantic chasing after women, which might have been the farthest from the real life Godse. So it is understandable the conservative Hindu RSS faction, to which Godse belonged, would definitely be incensed by this fictional Godse. Nathuram Godse, the real assassin, was a celibate, religious right wing activist and teetotaler. Here's Godse's letter on - "Why I Killed Gandhi"
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| J.S. Casshyap as Gandhi, with Robert Morley in white cap |
This is the first movie I have ever watched, based in India, much of it shot in location in India but the entire main cast of Indians were played by westerners. Delhi police chief Gopal Das was brought to life by an amazing Jose Ferrer (Cyrano de Bergerac, The Caine Mutiny, Moulin Rouge) Other actors like Valerie Gearon, Robert Morley, Harry Andrews (the Sikh general in the pic, alongside Jose Ferrer) and Diane Baker essayed other Indian characters.
It was fascinating to see 50s-early 60s towns and villages of India in color, as there were a lot of outdoor locations in the movie. The only other non-Indian movie which I have watched that showed India of that time period in color is Jean Renoir's The River. A juicy bit of trivia about this movie is among all the inconsequential characters played by Indians or people of Indian descent there was a man named Basdeo Pandey who played a bit part of a laundry man, he went on to become the Prime Minister of Trinidad and Tobago (1995-2001.)
Nine Hours to Rama intriguing movie for a student of history or someone interested in India, Gandhi or Indian independence. The movie opens with the disclaimer that it is historical fiction, but its fidelity in the depiction of India (despite non-Indian actors in all major roles) and the socio-political climate of the times is remarkable.
Watched Takeshi Kitano's Fireworks(Hana-Bi) yesterday. That was quite a movie. Takeshi Kitano the director himself stars as police detec...
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