A movie and book review blog

Feb 25, 2011

Oru Naal Varum


It felt too good to be true, as if the unbelievable chemistry of Mohanlal and Sreenivasan that once lighted up the screen twenty plus years ago had finally succeeded in making a comeback. Not like the botched up attempt in Udayanaanu Tharam, this was almost like the real second coming.  Then the tape got stuck. Ouch!

In Oru Naal Varum, for a brief span of time, poetically akin to a single wing flap of a humming bird we could catch a glimpse of that old Mohanlal, before the weight of superstardom and wig was added to his persona. Mohanlal – Malayalam’s original bumbling, likeable, mischievous dude-next door. His old pal Sreenivasan was there to keep him company, in another of his self-deprecating, slightly dark roles. Then the story took a turn for the worse and the Superstar emerged. 

After that, the fall was quick, the illusion of a second coming of the legendary pair shattered mercilessly by a weakening plot and a superstar gaining power by the minute. Have you ever felt like rooting for the enemy, wishing corruption had gotten the upper hand and signing a pact with the Devil ? I get that feeling once in a while, especially when watching self-righteous characters, which Mohanlal seems to do in abundance lately, including the one in this movie as vigilance officer Nandakumar.

Devayani and Sameera Reddy are odd choices for the film’s two female roles. It was good to see Devayani after a long while, though who ever did the dubbing made it sound as if I had heard this female a zillion times in a zillion Malayalam movies. Why, Sameera Reddy, I have no clue, we will have to ask Maniyan Pillai Raju, the producer. The kids in this move are normal, it was refreshing to see a change after the hyper-active 'smart' kids infesting present day Malluwood. 

The lesson learned again today, if it is too good to be true, it is not true.
Share:

Feb 24, 2011

Phas Gaya Re Obama

Yes, we can! Possibly this is the first mass market commercial movie in the world with President Obama's name in the title. Yes, Bollywood, you can and you did too! The movie is what is part of the thriving Bollywood indie movie genre, the one which replaced the award-hauling parallel cinema of the eighties, which were made under an altruistic sky with little or no profit motive. The new indies are funny, contemporary and bring in the bucks, good for them!

Looks to me it was a low budget film which trusted on its strong actors and tight script to see it through. Rajat Kapoor, Manu Rishi, Sanjay Mishra, Neha Dhupia reigning and rising stalwarts of the new Indian parallel cinema shoulder the film as it takes dig after dig at the contemporary politics and policing in bhaiyyaland. Obama's inclusion as an invisible but driving force and the pervading ambience of recession reflects on the trickle of globalization that has reached even the remotest corners of India's heartland.

It is an interesting movie for someone who loves current politics and comedy(one and the same), intelligent caricatures of everyday people and is interested in the way India is developing in the global scene as echoed back from its villages.
                                  


Share:

Feb 23, 2011

Alexander the Great

Alexander, the original Greek version must have belonged to the prestigious royal lineage of Mediterranean Varmas because his Malayali namesake definitely does. Varma, a surname attributed to the ruling Kshatriya clan(back in the days when royals were still in fashion) in Cochin and Travancore is  a favorite class of Malayalam film makers. Anyone with the name Varma is attributed the extremes of everything - money, power, greed, beauty, intelligence, good nature, evil. You say it Varmas have it.

Alexander Varma is the out-of-wedlock son of a major Varma in a major Varma family, who is now spreading their wealth all over Middle East, as if the sheikhs haven't gotten it right. Mohanlal, not to be left behind Shah Rukh Khan(My Name is Khan), Hrithik Roshan(Koi Mil Gaya), Anil Kapoor(Yuvvraj) and Dustin Hoffman(Rainman, which is supposedly the inspiration for this movie, looks like even inspiration is affected by recession, nothing much can be seen) takes on the role of an autistic genius. His acting reminds me of early 80s kids' dubbing in Malayalam movies where you know the words spoken by the kid on screen is actually mouthed by someone middle-aged who think they are doing a pretty good job of impersonating a child's voice, when in reality they sucked, big time. If only they had let the kids use their original voices.

There is Sudha Chandran, surprised to see her here, did Ekta Kapoor let her go? Then there is Bala, Jagadeesh, Nedumudi Venu providing the necessary moral support for the autistic genius and also a host of others like Siddique, Ganesan etc who are waiting for the genius to bite the dust, as if that'll ever happen. But I've to appreciate the film-maker for showing restraint in one thing - not conjuring up a nubile 19 year old heroine for our wig-clad hero. Bravo! Keep it up.
Share:

Feb 22, 2011

Action Replayy

The outer package is India's version of That '70s show, inside you'll have the familiar flashbacks from Back to the Future(1-3) , all this packed and released under the 'numerologically'-deemed-safe title with an extra y at the end - Action Replayy. Akshay Kumar and Aishwarya Rai are at the helm of this retro Hindi movie, playing the same characters in two scenarios(in their youth and middle-age) twenty years apart.

Akshay Kumar and his bucktooth, ages well, whereas Aishwarya just does a dress change from polka dot bell bottoms to silk saris to age twenty years. Curiously enough she doesn't look a day older than when she was twenty, maybe the makeup wasn't right. Former Channel-V DJ Aditya Roy Kapur stars as the couple's son who is into time travel. Om Puri and Kiran Kher has the roles of feuding in-laws, which they'd do in their sleep if needed.

Action Replayy is essentially what you watch when you have run out of watching re-runs and replayed your entire dvd collection. I cannot even bring myself to conjure a closing sentence for this review.
Share:

Feb 21, 2011

Alaipayuthey

It is a wonder to me that I missed this movie all this while. I had seen Saathiya - the Hindi remake around the time it came out and thought it was ok. It never crossed my mind Alaipayuthey might put a different spin on the same story.

The credit for this beautiful movie should go to the script, its lead actors - Shalini and Madhavan and the director, Mani Ratnam. There is nothing new with the story, it is an ordinary everyday love story that happens at every railway station / bus stop in urban India. That is also its selling point, that it could talk to the average Indian viewer and the language - the script of the film reaches out to the audience in a simple unhurried fashion. Shalini and Madhavan, the lead couple in Alaipayuthey are definitely better choices and have better chemistry than Rani Mukherjee and Vivek Oberoi in Saathiya.

The songs are incredible, we have hummed them for the last 10 years ever since the movie hit the screen in 2000, some of the very best of A.R.Rehman. Growing up in urban India of the late nineties I love this movie because I can relate to it, I know those characters. Shalini is the girl next door, Madhavan is the representative of motor bike Romeos, an ever present species in all Indian cities.

And just in case, I am not bowled over, Mani Ratnam has included Kannur(my ancestral town) and the laterite cliffs of Payyambalam beach which buys my loyalty every time. If there is a love story/movie I'd be asked to pick, Alaipayuthey will be it.
Share:

Feb 5, 2011

The Social Network

You are not on Facebook? You are kidding, right? No? Of course, you live in Brazil then. No? You mean to say you are not a flickering dot on the virtual social network that wraps around the planet million times over and can stretch all the way across to Alpha Centauri and back? Then this movie is not for you. If you believe in parallel universes and login into one called Facebook multiple times a day then you must have already watched this movie by now and must be singing praises of it, then you shouldn't read further. Stop, go back to your facebook page, check if anybody made any updates during the time you wasted reading this post so far. Others read on.

Social Network is a well-made movie. The actors are good, they fit into the movie like parts of a Swiss watch. My bouquet stops here. It is very documentary-ish, but the word on the street it is far-removed from reality of the real Facebook story although the characters and the general flow of events are similar. If you are not in the US of A, this movie might not mean sh#@#t  to you, it is a very American movie, very Silicon-valley, start-up saga.The people who will like, identify with this movie will be in the 20-35 age group, preferably tech savy, Gen Y or the Millenials. My gripe with the movie, there are no tech-savy girls, it looks as if boys do all the coding and the cool stuff, when girls are shown as mindless idiots who light up fires with silk scarves or take off their shirts so that others can snort coke off their belly button.

I still believe it is a good movie for a very specific group of audience. If you belong to that group, you'll think this movie is the best thing to come out in 2010, otherwise....whatevah.
Share:

The Age of Dreaming (Book review)

When you watch old black and white movies from the twenties and thirties, do you ever wonder what happened to all those people? It is much easier nowadays because we have IMDb and the Wikipedia. I sometimes wonder how many of these people might be still alive. Those who have the highest chance of being alive are the children who appear in crowd scenes. Did they know they were caught in a moving image and where are they now? Random thoughts on a random day by a random being, totally inconsequential in the giant scheme of things, but what can stop of us from wondering and dreaming, right?

The Age of Dreaming by Nina Revoyr is a book about a silent movie star looking back into the 1910s and 1920s, the beginning of Hollywood from the 1960s. It is a book for the serious reader, it is also a page-turner if you are interested in the past. The book has just enough 'masala' to keep the reader hooked without going overboard. It definitely won't come out as a paperback nor will it grace the counters of the airport bookshop, but if you could land a copy it won't disappoint you during your flight.

I found this book browsing thru' the library stacks, the same way I usually find most of my reading material. I liked the cover and the excerpt and I watch a lot of old timer movies, I love the art-deco architecture of the twenties, I love the reading about the history of places before they became places of repute(Hollywood in this case.) The Age of Dreaming fulfilled my quest in these aspects. There might be some short comings for the books, the main character being a tad shallow(?), I really don't care for I can fathom how hard it is to write a book. If you are a serious reader, not the one who falls for the cheap thrills of paperbacks, this might be an interesting read for you.


Share:

Feb 4, 2011

How to Train Your Dragon

Avatar for kids? Dragons are having a commercially successful run from 2009 onwards and this "training" movie cashes in on the trend. That said it is an interesting movie to watch, kids will love it for sure. It's about Vikings and dragons and everyone speaks English with a Viking accent(if there such a thing) except for the main character, a tween(or a budding teen?) called Hiccup. He sounds American as Dreamworks Animation Studio.

Even back then it was written in Vikingese that geek shall inherit the earth, so the movie is pretty predictable. The best actor in a comic role Oscar should go to Toothless, the lead dragon in this movie. So if it is a bring-on-em-dragons day at your village, this is the movie to choose. Haven't everyone watched Avatar already?

Share:

Jan 28, 2011

Raavanan

Raavanan is good. I have always believed Raavanan, the real one in the real epic, suffered misportraiture at the hands of victors. The inescapable short end of the stick that favor the vanquished might have distorted the real Raavanan character as well. Mani Ratnam in AD 2010 tries to bring some justice to the man and he recruits actor Vikram(real name John Kennedy, no Fitzgerald) to the task.

Vikram is magnificient in his portrayal of twenty first century Raavan. I saw the tamil version. Prithviraj is the anti-hero, aka Ram aka the bringer of justice. If you had any doubts, you can lay them to rest after watching this movie, it is indeed Kaliyug, where else can you find Lord Rama as the anti-hero?

The same Kaliyug is also responsible for Aishwarya Rai (aka Sita Maiyya) pancake make-up. She is gorgeous at 37, but Prithviraj who plays her husband is a good ten years younger and it shows despite the make-up. Indian movie industry is hard on women, Aishwarya is going as far as it'd let any woman to go without becoming another Rekha.

Cinematography(Manikandan and Santosh Sivan) and locales are brilliant. Maybe this film will win the best movie award for national integration based on just the shooting locations. Raavanan's village is set amidst the picturesque sarson ka khet (or mustard fields) of Punjab, they go to temple to perform pujas and weddings at the architecturally quaint Lakshmi Narayan temple at Orchha, Madhya Pradesh, they hide out in the scenic surroundings of Athirappally waterfalls in the forests of Kerala, sometimes hiking over to Malshej Ghats near Pune or Saheb Kuthi in Agarpara(WB) for a neighborly chat. The whole of India is Raavan's one village, ""Yatra Viswam Bhavathyeka Needam"" as they say in the Vedas.

Raavanan is a brilliantly executed film. It should have been a hell of a task shooting simultaneously in two languages with slightly differing set of actors. Definitely worth a watch.
Share:

Jan 27, 2011

Hot Fuzz

Action and comedy (of the British kind, non-slapstick) in an exhilarating package - that's Hot Fuzz. My needs are simple, I like movies that provide entertainment value while keeping me hooked , Hot Fuzz fulfills those needs.

A super cop from London is transferred (demoted?) to a placid village where there has been no crime for the last twenty(? not sure) years. Look at the picture on the right, if that doesn't say 'bad-ass', what would?  Simon Pegg(the guy on the right) and Nick Frost(the chubby guy) rock the sleepy village of Sandford in the climax of this movie. It is the second one in the series of  Blood and Icecream Trilogy also known as the Three Flavors of Cornetto trilogy.

The team of three, Edgar Wright - the director, Simon Pegg(actor and writer) and Nick Frost are the perpetrators of the ice cream trilogy. The first movie in the series was the super hit zombie thriller comedy Shaun of the Dead. After watching the first two, I cannot wait for the third one - The World's End.

If you haven't watched Hot Fuzz, it is a good buddy movie, to be enjoyed with your friends on a Saturday night maybe. It is like that upbeat song you'd sing aloud in the car at the top of you voice and maybe if you have a crazy buddy to join you in your private concert, it'll be all the more fun.
Share:

Jan 26, 2011

Kutty Srank

Watched Kutty Srank after trying to stay clear it for long. The reason for my hesitation was, as I have grown older I have become much wary of the "award-winner" type movies which is typically what you expect from a director like Shaji N.Karun. His 'Vanaprastham' only served to increase my skepticism. It is the same reason I do not want to watch his 'Piravi' again, it might feel too slow for me and ruin the good opinion I had for the film when I first watched it way back when I was a kid.

Maybe because I didn't have expectations and was geared up to thrash it, to my own surprise, I liked Kutty Srank. Kutty Srank is like a chapter from the text book of movie making. The director himself wrote the story of a mariner(Kutty Srank means boat captain in Malayalam) who moors at different ports and as we all know a sailor cannot escape being a sailor, there is indeed a woman at every port. Three ports, three women. Now don't get your hopes high expecting sleaze and rein in those wayward thoughts - can't it be that these three women could be an embodiment of three main female roles one comes across in life? I think maybe that is what the director-story writer intended them to be.

There is Revamma, the local aristocrat's daughter, her part of the story is set in Malabar("Yeah yeah yeah, I am a believer" in the director, that definitely bought the Malabari in me off.) Padmapriya plays her, a Ceylon returnee, newly converted Buddhist doctor turned nun. Padmapriya is becoming the Smita Patil of the South, if there is strong female character role, directors choose her by default. The film is also set in three seasons. Kutty Srank(played by Mammootty) arrives in Malabar in the middle of summer. He is the boat captain and the right hand of the local Mooppan who takes care of all Mooppan's dirty tasks.

The one time the movie turns slightly artsy is when there is an allegory of a wounded swan depicting Revamma's state. But that's ok in my books, because the director doesn't repeat it. Kutty Srank see the shades of his mother in Revamma. The other two women are in the other two principalities which merged to form the current Kerala state - Kochi and Travancore.

We meet Pemmana(Kamalinee Mukharjee) in Kochi during the monsoons, i.e  winter in Travancore. I didn't know there was winter in Travancore. After living in Arctic for almost a decade I could snub at a Kerala winter but the people of Travancore(or Kerala) I know would kick me off the planet if I denied them winter. So monsoon = winter it is.

The story and the script are rich in the ways of the land, as it was 70-100 years ago. For me Anjuli Shukla's cinematography is the highlight of the movie, of course I cannot comment enough on the talents of the director and the actors. The movie pays tribute to the verdant landscape of Kerala, himself a whiz behind the camera I can understand the director's foresight while creating his scenes and characters, making maximum use of the the visual bonanza provided by nature herself.

One thing I found jarring was the location and the set of the police station. It looked like a set, erected on the beach, flouting CRZ(I know there was no CRZ back then, that's just an additional jab), looking and smelling of cardboard and new paint(made to look old of course.) I don't care much about music in a movie like this, I vaguely remember there were songs, native folk song type. Other than that I draw blank when it comes to the sound track treats.

The film won the National award for the best film and best cinematography and 3 other awards(see, my expectations were not far off the mark.) I wonder about the etymology of the word Kutty Srank in Malayalam. Did it come from Cutty Sark - the British clipper chip, from Scotland? As I have become acquainted with different English accents, I am amazed how much of Indian English accent is shaped by Scottish and Welsh influences.

My final verdict: Give Kutty Srank a try, it might surprise you.

Share:

Jan 14, 2011

Mummy and Me

Kunchako is almost ready to taken on Shivaji Ganesan. Used to be a time in Tamil cinema when a 60 year old Mr.Ganesan will wear shorts and show up nonchalantly at the neighborhood primary school reciting Thiruvalluvar verses and no one will even bat an eyelid. At that time a 60 year old playing his 6 year old self was perfectly normal, even if he had a mustache that might have taken 50 years to reach its full bloom.

Kunchako Boban is not Mr.Ganeshan's competition yet, but with every passing year he is getting closer to that goal. His time machine is stuck at Aniyathipravu and Guinness book of Records is about to award him the MBA student of the century, which is given to people who take 100 or more years to complete an MBA.

All said Kunchako is the most bearable of the characters in this film. Urvashi needs a shoot-at-sight restraint issued against her, she is just plain unmanageable. Archana Jose Kavi had chosen a movie that had the spotlight on her, can't blame her for the director or the audience who made this movie a roaring success at the box-office. Malayalam movie goers, you deserve this and nothing better, you are the culprits. Suffer biatches!
Share:

Apoorva Ragam

Something that was personally 'apoorvam' (apoorvam = "out of the ordinary", "strange") for me while watching this movie was its ability to keep me hooked. It started out as a college romance and to its merit I should say it didn't deteriorate to become just another college romance movie. When it was about to reach that stage interesting things began to happen which kept me riveted on my place before the screen.

Young faces are a treat to watch - Nithya Menon, Nishan Naniah and Asif Ali play the main characters. Script is not bad, heard that it was written by newcomers, if so then it is good for it had all the making of being a run-of-the-mill story, but it didn't, thanks to the director and script writer(s).Speaking of which, I don't know how I could've been oblivious to a Malayalam movie titan like Sibi Malayil for this long that I do not have a label in this blog for him. The maker of all those big hits like Kireedam, Dasaratham, Mutharam Kunnu P.O, Kamaladalam etc and  I didn't even acknowledge him in this measly blog, too bad. Today I stand rectified.

Apoorva Ragam is definitely an interesting movie to watch. I approached it without expectations and was rewarded, maybe that'll work for you too.


Share:

Jan 2, 2011

My Best Movies Picks of 2010

Another best of 2010 list, includes Hollywood, Bollywood, Kollywood and Malluwood movies in random order. Some of these were released at the end of 2009 and I watched them in 2010.
1. Avatar
2. Kickass
3. Karthik Calling Karthik
4. Vinnaithandi Varuvaaya
5. Inception
6. Rocket Singh: Salesman of the Year
7. Ritu 
8. Qurbaan (review coming soon)
9. True Grit (review coming soon)
10. Neelathamara
Share:

Jan 1, 2011

True Grit

History fascinates me when it is played by true-to-life characters. Coen brothers are masters of re-telling old tales. Plain earthy stories where there are no exalted glories or flag waving millions or stiff parades of generals, history of O,Brother Where Art Thou variety.

Stories like True Grit is the meat and potato of Coen brothers. It takes us back to the turn of the century to the Deep South bordering the unruly West. The land of outlaws and bounty hunters, landscape stretched as wide as it is earthly possible, forlorn outposts manned by lost souls at the frontiers humanity where someone is always on the run and somebody is always in pursuit. 

This is the un-chartered territory where a young girl goes looking for her father’s killer. Her interesting journey made all the more interesting by a couple of quirky companions – unadulterated account of the West when the frontier was still a wild country, now it has shifted to the southern fences of Arizona, but that’s another story. Hailee Steinfeld, Jeff Bridges, Matt Damon and Josh Brolin make up the cast of this remake. 

The original 1969 movie was a western adapted from a serial in a magazine and the original also spawned a sequel called Rooster Cogburn. It is the kind of movie that runs on the strength of the screen play and its characters, with someone as colorful as Rooster Cogburn it is hard not to notice it and Jeff Bridges is the perfect dude for this part. An interesting movie for the lovers of good scripts.
Share:

Dec 29, 2010

Re'kindle' Your Reading : Best books of 2010

People are rediscovering reading, thanks to Kindle™ and Nook. Those who used to get books for Christmas as gifts now get e-readers. And if you want to go beyond reading there is always IPad. I do not have any experience with any of these e-readers to do a review. The title and opening lines were to bait Google's spider and naive reading enthusiasts into reading/crawling the rest of this post.

What I really like to do is to showcase some books I read (or heard, audio books) in 2010. In short, these are some of the best books I read in 2010. They are not necessarily those published in this year I just happened to read them sometime during the last 12 months. If you think you'll like these books you can buy those to read in your e-reader. Maybe I'll pull out my charitable keyboard and type out 5 reviews. BTW this reviews are not really in the order of preference, they are according to my memory time line, those I read earlier in the year come in the first spots and vice versa.


First in the list is Open: An Autobiography :- I am not an authority on sports autobiographies unless you consider Kite Runner an essential guide to running kites. I love films based on sports stories(Escape to Victory, Loneliness of the Long Distance Runner, Breaking Away, Chariots of Fire, Field of Dreams etc)  though this is my first time with a book on any kind of sports. Despite my naivete in the subject matter I will still take a bet on Andre Agassi's autobiography, 'Open', to be one of the best of the lot. It is frank, down to earth and exuberantly American - in short very much Agassi, the real man behind the facade of pink lava compression pants and acid wash denim shorts, tennis's original rebel without a cause. More about Open, if you are interested.

Next comes, Mike Leonard's ride across America with his eighty plus year old parents and his grown-up kids called The Ride of our Lives. Mike Leonard is a feature correspondent of Today Show on NBC, his garage(which might probably looks like yours or mine) won't qualify him as a celebrity on Today Show. It is an interesting journey into life, through life and across life with Mr.Leonard, his parents and his children, something I'd love to emulate if I could get them all together in one place and in one time zone.


How I Became a Famous Novelist by Steve Hely comes next.  Every aspiring writer at some point in time has read a must-read book for aspiring writers. The one I can remember reading,... oh, you think I cannot aspire? Everyone can aspire, respire and perspire, it was too fundamental to be included in any constitution or Bill of Rights. Anyway the one book on writing I read, was Stephen King's On Writing. I don't remember much of it, I did what I do with books, read and forgot. But Steve Hely I like. If you want to write popular sale-able fiction this is one book you shouldn't miss. I have a strong feeling that Dan Brown stole the manuscript of How I Became a Famous Novelist to figure out the right way to write all those trashy best sellers. (I shouldn't be trashing Brown, I cannot even come up with a 100 word story, but then reviewers are people who can't write to save their pens/typewriters/IPads, right?) Hely is an insider in this book business and he knows what he (or rather his hero, one book wonder Pete Tarslaw) is talking about. How come I read two books in a year written by correspondents/writers for late night shows? Steve Hely is one of the writers for The Late Show with David Letterman.

I got to read one of the controversial books that came out in Malayalam in the recent past Njan LaingikaThozhilaali: Nalini Jamilayude Aatmakatha (Translated into English as Autobiography of a Sex Worker, by Nalini Jamila) this year, five years after it took Kerala and Malayalam literary circles by storm. I am glad I am one of the Malayalis who can actually read Malayalam and speak Malayalam differentiating between the different bha, ba, ta,tta, da, ddas unlike the present day Malayalam TV anchors. When some one like Nalini Jamila, who is not a literary scion by far, writes in her native language it should be read in the same, no amount of honest translation can give it the right kind of honesty it deserves. Jamila's book is an interesting insight, a cart load of information for most of us who don't know what goes on in the red-light areas of life. I'd not call it a literary masterpiece, it is a memoir told in simple straightforward everyday language, about a life 99% of us have no clue about, but are secretly interested in knowing, that is what sells(sold) it.

The other fiction book in my list of five is this last one by Assaf Gavron called Almost Dead, English translation of the Hebrew original. When we get up in the morning aren't we plagued by the same old question getting up from the bed along with us, the way it always did ever since we could think - "what is really going on between Palestine and Israel?" Oh, a different question wakes up with you? No way! Well I have always wanted to know about house prices, high school syllabus and real house-wives of Gaza Strip. This book looked like it had the answers to some of my burning questions, the added incentive was the metaphysical/paranormal aspect of the story - the hero escapes suicide bombings not once but thrice. I swoon at stories that offers a view into the mysterious other side of life - you know where time machines are what you drive to work, coincidences are commonplace, well you get the drift, the cover of this book promised something similar and the cover-art is pretty cool too, isn't it? The book doesn't disappoint but it is not a thriller either. It is the writer who interests me, it kindles(kindle strikes again)in me an interest to read his other books, namely Hydromania.

There are more books that I'd like to review, like Freakonomics by Levitt and Dubner which had been incalculably influential in my life that I am thinking of replacing Gideon's Bible with a copy of Freakonomics in every hotel room I ever stay in. I do not remember whether I read it in 2009 or 2010. Then there is the very feminist The Women's Room by Marilyn French, first published in 1977 which eventually reached my hands after a long journey of 33 years, losing none of its impact in the transit. I read(listened to audio books) Obama's two memoirs - Dreams from my Father and The Audacity of Hope this year, both  testaments to the incredible writer, statesman and the Grammy award winner that he is. Reviewing all these will require patience and time and my anti-procrastination pill is already wearing thin. If I finish everything now, what will I do in 2011, that is one whole year before the world ends and all will be well. Later.
Share:

Dec 20, 2010

Grown Ups

It is supposed to be a funny movie and it tries very hard at achieving that end. It should have been called Half-Baked, not Grown Ups. Wait, there is already a movie called Half-Baked and it is more grown up that Grown Ups.

I cannot believe this movie has been in the oven for this long(James Farly was slated for the role played by Kevin James before his untimely death and production of this film was shelved indefinitely), it had the potential to be a good comedy movie considering the main cast - Adam Sandler, Chris Rock, Kevin James, Rob Schneider and David Spade are all actors known for their comic talents. Over and above that Adam Sandler is one of the writers, but the script is hodge podge, there are one liners at awkward places, with no cohesion between the script and story, nothing much for actors to do. It looks as if the actors came for a day job, mouthed their lines in between the breaks from their real life and left in the evening.
Share:

Dec 4, 2010

Kick-Ass

Comic book lovers will love this movie. But they are such a marginal section of the population that they alone cannot be trusted to make a movie profitable. If you like movies that kick ass, not with the help of extra-ordinary super heroes but someone from your own high school or your boring work place where you wouldn't suspect in the next cubicle resides a masked super-hero(his night job, of course) then this movie is your type.

Aaron Johnson, Chloë Grace Moretz and a very 'mature' Nicholas Cage pushes the envelope for super heroes in an ordinary world. Directed by Matthew Vaughn it is an off-the-rocker entertainer that you wouldn't want to miss if you walk a bit apart from the crowd.

Share:

Dec 2, 2010

Mr.Brahmachari

It is 2003 and Mohanlal is middle aged and is a Brahmachari. You wish! Well, this is about Thulasidas movie Mr.Brahmachari, where Mohanlal plays the Hanuman worshipping main character in an effort to make a come-back with more down to earth roles. Ananthan Thampi alias Mr.Brahmachari does get the short end of the stick many a time, but it is hard to exorcise the ghost of a super star completely and therefore Lal doesn't make a full touch-down as an ordinary man. Yet movie does have some funny moments at the expense of Mohanlal. Nedumudi Venu, Kaviyoor Ponnamma(if there is a mother role required in a Mohanlal film, only Kaviyoor Ponnamma has the physical stature to be Lal's mom and is chosen by default), K.R.Vijaya, Meena, Jagathi, Jagdish, Prem Kumar and Vijaya Kumar make up the supporting cast.
Share:

Dec 1, 2010

Inception

Dive in to the dream and let the inception begin. If there is a movie that can be a one word answer to the term - "movies that blow your mind", Inception is it. It is as Hollywood as only Hollywood can be, you get your money's worth and more. I wonder how Di Caprio finds himself in all the mega hits and how  Ellen Page often finds herself as the off-beat female? Christopher Nolan can be appointed as a messiah for mind candy movies and can start a religion for the same soon. I hope this is just the inception of things bigger down the road for Nolan, which will mean an era of brain crackling entertainment for us, viewers.
Share:

Nov 24, 2010

Dabangg

Salman Khan or is it Arbaaz pulling the hare out of the hat, anyway Salim Khan's sons prove that they are indeed their father's sons, story tellers weaving tales out of India's heartland. At a time when most successful Bollywood flicks have stories set in the Western hemisphere, where dashing heroes in Armani jackets woo their heroines prancing around the planet in Jimmy Choos, Dabangg is set firm in Bhaiyya-land, UP(Uttar Pradesh.)

I have always thought that if Salman had any appreciable talent as an actor, it is his perfect comic timing. Right from his fledgling days in Andaz Apna Apna to Dabangg, he is at his most natural when his role has a slightly comic edge. For Dabangg he gets full stars in my book ( I have never been a big Sallu fan, but still) because not for once does he take his shirt off. Wah bhai wah, if you can exercise such control you surely do believe you have more talent than muscle mass.


Sonakshi Sinha, who plays Salman's love interest and Sonu Sood, the villian are good choices for their roles, make the whole story more believable. (Not to forget Arbaaz himself, he does get some good roles like the one in this, the fashion mogul in Fashion etc.) The story as such is not something we haven't heard before but it is the presentation and the presence and acting of Mr.Khan which make the impact. In Dabangg they have successfully translated the stereotypical old style Hindi movie in to a contemporary framework. Chulbul 'Robinhood' Pandey steals the show and probably the cash registers are still ringing in the cow belt. Good work, Abhinav Kashyap(director, script writer) and Arbaaz Khan Productions.

Share:

Nov 17, 2010

Race

Race is just a vehicle to showcase sexy sizzling Bollywood babes and leading desi hunks in an exotic locale. The babes in short dresses are Bipasha Basu, Katrina Kaif and Sameera Reddy. The men muscle power is provided by Saif Ali Khan, Akshaye Khanna and an eternally young Anil Kapoor and the locale is South Africa. Most people in government offices in S.Africa are Indians, those whose forefathers didn't have the foresight of M.K.Gandhi who left Durban in 1914 for a meaty role in Indian Freedom Struggle (Original, Version 1.0.) The real race was between me and the movie, who will retire first in the race, RACE the movie won, no guesses there.
Share:

Nov 14, 2010

Robinhood (Malayalam movie review)

The only reason you should watch Robinhood is Prithviraj. His good looks cuts like a knife, the rest of the movie is just 'knife'(kathi in Malayalam) if you can bear for 2.5 hours the way it will take repeated stabs at your intelligence.

Kochi, is the modern day Sherwood, ATM robbery is what Robinhood excels in these days. Traveling across 800 years of Robinlessness, the new Robin in the hood seems not only to have lost most of the characteristics of his namesake but also has inherited a few Dr.Jekyll/Mr.Hyde genes. He is an entrance tutor by day and a high-tech swindler by night. The rest of the cast is all high-tech as well, Naren is the flirtatious hacker computer whiz kid detective, Bhavana is the lead systems administrator and the only one who has a little less number of 1s and 0s in his system is Jayasurya's character who is the investigating IPS officer, but he has been to the famed Mussorie training camp and we all know who goes there, right?

The story is wrought with technical errors, which I'd not even dare to question because that'd be like insulting my intelligence and wasting my time. Yet I am grateful to director Joshiy, an old war horse of Malayalam cinema still going full steam ahead, that he used a young story which needed younger actors, thus giving them an opportunity. For once he restrained himself from casting M & M's for the leading roles, I mean he could've very well gone ahead and done that and malayali audience would have given 5 out 5 points for perfect casting. My guess is that Joshiy might have even lost some revenue having cast Prithvi and Naren, we need more directors like him who will make that gamble.

Share:

Nov 8, 2010

Aisha


Aisha is Jane Austen on Janpath. I was never a big fan of Jane Austen's novels, though I do understand they filled social and literary vacuum in nineteenth century chick-lit. To me Austen's novels gave a thru-the-looking-glass view into the world of 19th century English ladies, their frivolous concerns and travails, in the end everything boiled to one(or many) "man"-hunt. I didn't know Aisha was an adaptation of Emma, not that it'd have made any difference to me since at this late age I'd not be able to distinguish one Austen heroine from another even if they came with name tags.

In Aisha, Sonam Kapoor has been offered a generous role and she does make use of it perfectly, so does all the name-brands with over-the-top brand placement. The movie looks like a fashion magazine, which taunts their middle class readers with glossy ads of unattainable yet coveted bric-brac like say a Versace scarf for $5000 or a Hermes purse for $8000. It always makes you wonder about the kind of people who'd own such a thing, Carly Simon once wrote and performed a hit single about this particular sub-species: Here it is, take it as a unisex message.

The rest of the cast is well chosen, from Abhay Deol to Ira Dubey to Cyrus Sahukar, everyone plays the stereotypes they have been entrusted with quite convincingly. The film is a chick flick and has to be taken lightly if your wife insists that you watch it with her.It is well shot and executed(thumbs up to the director, Rajashree Ojha) and has a decent sound track by Amit Trivedi and lyrics by Javed Akhtar.
Share:

Oct 5, 2010

Bhargavi Nilayam

Bhargavi Nilayam is one of the best ghost stories to come out of Malayalam ever. Vaikom Muhammad Basheer's literary gem was transformed for screen by director A.Vincent. It was probably a high grossing film of those days with two dashing young heroes and a beautiful heroine at the helm of a haunting and popular story.

I saw this movie a long time back. The reason I am writing a review now when my memories of the movie is almost unreadable is because today I read an article about Madhu, one of the heroes of the movie. Madhu is perhaps 'the' unsung hero of Malayalam film industry. He was a mainstream actor, had done considerable number of hero roles during his heyday and is perhaps the only remaining member from the old school of Malayalam cinema who is still acting. He indeed did have an incredibly long innings, I hope he continues to prosper.

In Bhargavi Nilayam Madhu plays the character of the novelist(Mr.Basheer himself) who rents a house inhabited by a young female ghost(Vijaya Nirmala). He befriends the ghost and thereby comes to know the story behind her untimely demise. In true Basheer fashion, even though it is a ghost story, it is a light-hearted romantic flick. Prem Nazir plays the ghost lady's love interest in her life before death.

The movie has some incredibly melodious and yet simple songs, which became a part of Malayali's musical heritage once they were released in 1964. The hit song machine team was composed of P.Bhaskaran, Baburaj, Yesudas and Janaki.

I read some interesting trivia about Madhu(of course that is why I wrote this post.) Madhu's original name was P. Madhavan Nair. He began his career as a Hindi lecturer, quit it to pursue his dream of acting. He had acted in a Bollywood movie in a major role before acting in Bollywood movies had become a fashion or news. It was Saat Hindustani, which was also Amitabh Bachchan's debut vehicle. Madhu got several Bollywood offers after this to be cast as a handsome villain which he rejected because of longer shooting schedules of Hindi movies and also to avoid being typecast a tall handsome villain who didn't do much else than kidnap the heroine and get beaten up by the hero in the climax scene.



Share:

Sep 22, 2010

10 Most Inspirational Songs : My List

This is the tin-eared music lover's list of the ten most inspirational songs ever. If music was a parking lot, I'd be using the handicapped parking spot, because my genetic makeup lacks enough music genes for genuine appreciation of the subject. As a result, I am prone to go for the lyrics(I words.) Some of it might be cheesy or country, loud or mushy, but this post is my bookmark - a personal list tied to events, people and places in my life, a mix-tape for the long journey home, whenever I need to come home.



10. John Mayer: Waiting on the world to change
Music man with his fingers on the pulse of change, reflecting on our times.




9. Eminem: Lose Yourself
This songs pops up like my guardian angel, quite unexpectedly in the darkest of the hours
.



8. Sabrina Setlur and Xavier Naidoo: Alles
I do not know German, but I used a translator because this song was so soothingly like-able, esp. Xavier Naidoo's part.





7. Metallica: Nothing Else Matters
Life is ours, we live it our way... All these words, I don't just say... And nothing else matters




6. Blake Shelton: Some Beach Somewhere
 A simple American pleasure, go to Hawaii or the Caribbean when you need sunny skies.




5.  Tom Petty: The Last DJ
Get-back-at-the-system-that-got-you-down song.





4. Tim McGraw: Live Like You Were Dying
Carpe Diem. 'nuff said.




3. UB40: Higher Ground 
Reggae effortlessly lifts you to a higher ground. There were poems in the rain, MTV and the abstract blue album cover of Promises and Lies as the backdrop of my teenage trials.




2. Vangelis: Chariots of Fire 
Only instrumental in the whole list. Even without words it soars the spirit. Wonderful movie too.

 


1. Baz Luhrmann/Mary Schmich : Everybody's Free (To Wear Sunscreen)
The ultimate advice column ever, in a good away. Mary Schmich, I like you better than your mistaken identity of Kurt Vonnegut.







Share:

Aug 27, 2010

Karthik calling Karthik

Don't tell me Farhan Akhtar is not Karthik and that he is really a Bollywood actor called Farhan Akhtar. No way! Are you sure? Incredibly amazing transformation. Where is the "I like" button for Mr.Akhtar? Will anyone know if I press it more than once and rig his ratings chart?

Karthik Calling Karthik is a contemporary movie with faces to match. Oh, Bollywood I never thought you'd come this far from the cheesy melodramatic eighties and nineties. I am glad I was wrong. 

Keeping Farhan company is a sauve Deepika Padukone. I love the her makeup and clothes for this movie, very believable and real for a young architect in a corporate Indian office. Her acting, just where it should be. Despite their height difference they make a nice screen couple.

 To me the trump card of this movie other than the perfectly cast hero is the story and screenplay. I googled to find out whether it was lifted out of some unknown Philippino or Thai flick, couldn't find any leads. I read people comparing it to Phone Booth! Yeah, Titanic was a remake of the biblical Noah's Ark since both involved ships, get a life. Vijay Lalwani's story is enigmatically original(at least for me I have not seen it anywhere else) and it seamlessly fits into the current professional and personal life of a young, emerging India. The script is noticeable by the absence of cliched scenes, direction by Lalwani(again) is slick, there are some nice songs and of course, a part of the movie is shot in Kerala(the icing on the cake for me) and the director has restrained himself from adding the prototypical South Indian with his 'madrasi' accent. Well done Lalwani, Akhtar, Deepika and the team. My rating: Cool



Share:

Aug 21, 2010

Extract

Extract is funny, funny in the way it portrays stereotypes. Since it is from Mike Judge you watch it with a certain expectation, it didn't fail me. It is the kind of movie you'd want to rent because it is not much about visual gimmicks but more about the story, characterizations and dialog.

Mila Kunis as the scheming beauty with a criminal record, Ben Affleck as the bar-tender jack-of-all-trades, Jason Bateman the innocent geek who is a company owner, Dustin Milligan's as gigolo Brad(that dude did some awesome acting for the small role he had), Clifton Collins Jr as Step are some of the distinct and well-developed characters in the movie.

It is hard to live up to the cult status of Office Space, but Mike Judge is trying. A nice movie for a popcorn and a movie day at home.



Share:

Aug 17, 2010

Sarvam

An interesting Tamil movie. I haven't seen Arya before, but there were other familiar faces like Trisha, Indrajith(yeah strange to find him here) and Chakravarthy. It is a love story/thriller. 

The best thing I liked about this movie is the way the songs have been shot. Great camera, unusual choice of locales not very exotic but looks good on camera, neat props, angles, costumes and digital manipulations. This means no money spent on a thousand extras or a bevy of Russian beauties(both same cost, I guess), their costumes and no expenses to travel to distant locations. Easy on producer's pocket at the same time looks good on screen to attract the audience. 

The movie is a good looking one, story is ok, Trisha provides eye candy and disappears after a while. Chakravarthy has tried hard to look menacing, partially succeeds, all credit to his omnipresent beard. A movie for time-pass, if you care to bear some 'horror'. 
Share:

Aug 5, 2010

The Paradine Case

The Paradine Case, it is Hitchcock for sure, but may be the master should've stayed clear of boring courtroom dramas. Starring Gregory Peck, Alida Valli (an Italian actress of royal heritage in her American debut), Louis Jordan(a famous French actor of the time making his American debut in this film) and Ann Todd, the Paradine Case tells the story of a lawyer(Peck) getting involved with his client(Valli) accused of murdering her husband.

I do not know the story somehow didn’t jive well with me. I’ve read that Hitchcock wanted Garbo for the part played by Valli, but in my opinion even Garbo wouldn’t have fared much better. There is nothing really wrong with the actors, but there is something elementally wrong with the story that no amount of acting can make it better. 

For example Ms.Paradine(Valli) is supposedly a gold-digger from fringes of society who marries into money and distinction, thanks to the blind and rich, Mr.Paradine. But she is almost regal in her conduct, only thing missing is a tiara, maybe if you are a really good actress of a gold digger that must be the way you present yourself.

I had wanted to see a less famous Hitchcock movie, this fit the bill.
Share:

Aug 3, 2010

Happy Husbands

Happy Husbands is a bearable comedy movie of the recent past. I had higher expectations after seeing Krishna Poojappura’s name as script writer and with the movie being a hit in Kerala, I was looking forward for two hours of non-stop laughter or something similar. But I was disappointed, not very sorely though, because my senses go on automatic lowering of expectancy threshold these days if film is comes with a prefix ‘Malayalam’. 

The most atrocious eye sore(save the good things for last) was the set design and costumes. The color palette of the sets would have made KPAC of the 1950s proud, but this is 60 years hence and we are supposed to have done away with cardboard cut-outs and red curtains for every window, at least the art guys should have photo-shopped those out, right? Costumes, the kind that made Reema Kallingal look ugly, thought that was an impossible feat, but no, the costume designer accomplishes it with ease. 

The movie got more bearable for me after the first half hour. All of the actors are good with whatever role they’ve been given. Bhavana looked a little bit too made up for a housewife or my information could be a bit dated when it comes to Kerala housewives these days. I last had a glimpse of a Malayalam mega serial in the pre-2000 era when ‘Sthree’ had just taken Malayalakkara by storm, house-wives had mutated beyond recognition ever since. 

Happy Husbands also takes us to Malaysia, just in case the Kochi traffic was getting on your nerves. I am running out of steam to do a proper review, after all it is a time-pass movie, doesn’t need any serious surgery to cure its ills. Considering other products available in the market, I’d seriously consider buying a ticket(had I been in Kerala) and going to watch this movie just for the colors and actors.Saji Surendran scores with the Kerala movie-goer.
Share:

Jul 27, 2010

Summertime

Summertime has Katherine Hepburn as a vacationing spinster in Venice. To me it was charming to see Venice of the 1950s, in the company of Ms.Hepburn as lonely Ms.Jane Hudson. She wonderfully emotes the loneliness, despair and craving for human company while on her dream vacation in the middle of a crowded and colorful city. Venice was all gondolas, piazzas, canals, architecture and alleys then(maybe more so then) as it is now. In the midst of her forlorn vacation(it is never portrayed as such but the heroine's emotions and her conversation convey this idea to the viewer) she meets a Prince Charming(Rossano Brazzi). But as human as the story is Prince Charming's presence in the story is transient and not very fairy-tale-ish. Rossano Brazzi oozes with Italian charm and fits the role perfectly. I loved the ending of the film, so un-cinematic. It is film that has to be ruminated rather than watched, I liked it all the same.
Share:

Jul 20, 2010

Paleri Manikyam : Oru Pathirakolapathakathinte Katha (Oru review)

If Paleri Manikyam was a Miss World contestant in a throng composed of recent Malayalam movies, it'll definitely win one or two of those special awards. Ones I have in mind are Miss Personality, Miss World Best National Costume(which in this case will be period costume) and probably Miss World People’s Choice as well.

Now who would win the Miss World title itself is left to debate. If it was in my hands I'd suspend giving the main award altogether until we can secure a time machine and go back to the future to that golden era of Malayalam cinema, the latter half of the 1980s and exhaust all the Miss World Malayalam Cinema awards till AD 2100 when there could be some hope of recovery, because all the current audience(the worst culprits, including me) and the film-makers will be dead by then.

Back to 2009-2010 and Ranjith’s latest offering, Paleri Manikyam : Oru Pathira Kolapathakathinte Katha. I am picky so be assured that even in this model of a contemporary malayalam movie I’ll find some flaws. But let us hear the good news first.

As a born-North Malabari I am excited by the trend of Malayalam movie hits moving northward, beyond the Northern edge of the Nila(or Bharatapuzha, M.T’s favorite haunt) and embracing newer writers for their source material. Case in point: Paleri Manikyam, Pazhassi Raja. As Dylan strummed famously, ‘old road is rapidly agin’.


Point # 1+ Original story

By a Malayali writer – T.P.Rajeevan about a in a distinctly Kerala village of the fifties. I read somewhere that Paleri is a real village in Calicut, near Perambra and the case of Manikyam is the first ever recorded murder case in the history of Kerala Police, after it was formed in 1956.

Point # 2+ Art direction

By Murugan Kattakada, the period feel, costumes of the characters and locations reflect the amount of thought and work that had gone into them. Manoj Pillai’s cinematography is also praise-worthy to some extent.

Point #3+: Mammootty.

Although I strongly oppose the reign of M & Ms, there is a reason why Mammootty and Mohanlal are where they are. Mammootty’s multiple roles in this film showcase his range and flexibility as an actor.

Point #4+ Other supporting actors

Like Shwetha Menon, Sreenivasan and the actors who played Velayudhan, younger Sreenivasan and Pokkan.

Point #5+ The director’s restraint

In not giving into the temptation of inserting a few foot-tapping songs.
Now for the Razzies.


Point #1- The script and screenplay

By Ranjith. It sounds too bookish, and explicitly suggestive, which instead of letting the audience decipher, kind of pushes and shoves them onto a path intended for them by the director. I have not read the original novel, so I am not sure whether the blame could be the script writer’s alone.

Point #2— Sarayu Sharma

The character seems out of place, patched on to a script at a later date when director failed to tie up all the ends in the story in a convincing way. Like a Microsoft Windows Service Pack or the iPhone4 rubber band, with a smoking cigeratte propped onto her hand just before someone shouted ‘Action’.

Point #3- The sepia filter

For flash-back scenes. Not sure what could be an alternative, but that’s why I am on this side of the screen, nitpicking on the movie makers.
My overall review: Paleri Manikyam has more stuff going for it than against it, no wonder it was a hit. A welcome drizzle in a season of endless drought. I am not going into an in depth analysis of the story and the characters as many bloggers have gone that way before and carved out a readable path if you care to read.
Share:

Jul 19, 2010

La Misma Luna (English title: Under the Same Moon)

It is the ideal mother's day movie, it is my kind of chick flick, it's what the doctor will prescribe when you need a dose of the best medicine to reinstate your faith in humanity,  it's a movie that makes a statement - a very relevant one in the light of United States Govt vs The State of Arizona over the controversial SB1070, it is a fail-safe formulaic movie - the hard working immigrants, families separated by borders, visas and passports, an angel of a kid who'll steal all your hearts with his eyes and his smile and it is not just me who is bowled over by this movie. La Misma Luna had highest opening weekend for any Mexican film for all of 2007.

The boy who plays Carlitos, Adrian Alonso is a perfect catch. Once an actor for this role has been cast the fate of the movie is almost sealed, either he will steal the show or drag it down the drains. Adrian Alonso doesn't just sell the movie to you, he's a pirate of the hearts, making the audience root for the boy with their smiles and tears.

The characters whom he meet on the road, although most of them have only small parts, are remarkable and well developed within the small time frame each of them has been allotted to. Written by Ligiah Villalobos and directed by Patricia Riggen , most of the movie was filmed in Mexico, even the many locations depicted as the US of A(like the US-Mexico border crossing, towns in Arizona etc.) It is a modern day fairytale,with its guaranteed happy ending.


Share:

Jul 2, 2010

Loudspeaker

Loud and atrocious and it is a super hit! Praise the Malayali viewers swooning at the acting prowess of Mammootty and sending the cash registers ringing all the way to the bank. I don't blame the film maker, he explicitly stated in the title it is about a bullhorn and if you wholeheartedly bit the bullet, why complain now, right?


The story is about a loud mouthed simpleton(who else but our megastar), who becomes a kidney donar for a rich NRI for money. My problem is I can endure the audio levels, but it is hard to disguise a superstar as a simpleton, even if he tries his level best, the admiring gazes and gestures of idol worship are hard to hide from the body language of other actors and on-lookers. The story as it progresses just adds and abets the icon making process with every detractor falling away one by one in cliched clashes.

 It was interesting to see Sashi Kumar, the former Doordarshan newscaster turned founder President of Asianet, playing the NRI astro-physicist. The role of a non-resident Malayali fits him like a well worn glove. The other surprise was Gracy Singh(she of Lagaan and Munnabhai fame), maybe not enough work for her in Bollywood ?


The child characters in these contemporary Malayalam films makes me want to make sure that my travel or moving plans for the next 20-30 years will stay clear of God's Own Country by a thousand miles. What passes of as smartness in Kerala kids would get them branded as a$$holes in any other part of the world. Why are movies bend on promoting such behavior so that a generation of kids can turn out as morons with an attitude problem?


Share:

Jun 29, 2010

Snow Cake

Finally Sigourney Weaver is not the headstrong scientist or the alpha female anymore. Snow Cake has her in the role of an autistic woman, an accidental mother and one in the center of a horrible tragedy but unaware of it. She is brilliant, so is Alan Rickman who has the other best role in this movie. It is a British movie by Marc Evans shot entirely in Canada, probably that is why it didn't capture much of US's indie audience attention. An interesting movie could also be considered a window in to the world of autism without being very technical about it.
Share:

Jun 18, 2010

Seeta Kalyanam

Seetha Kalyanam or holy (cinematic) wedding (the term owes it origin to the wedding of Sita and Rama in Ramayana) of Jayaram and Jyothika lay in the cans longer than most films awaiting release. When it did finally come out during last Onam(2009) Jyothika had already left movies for a blissful family life, Jayaram – lesser said the better. What ever happened to the tall fresh-faced youth who was presented to us by Padmarajan in Aparan(1988.)

All that said, Seeta Kalyanam is a tad more bearable than Rajasenan’s farce of movie where Jayaram had paired with Urvashi called MadhuChandralekha (2006). In Seeta Kalyanam director T.K.Rajeev Kumar borrows the legendry theme on which Bharjatya School of Movies survives on – multi-day long wedding in a traditional Indian joint family. Since Tamil Brahmin community is perhaps the only community in Kerala where such weddings still take place, we have Jayaram as a Brahmin bride-groom going thru’ these rituals to wed Geetu Mohandas.

Jyothika’s character is Jayaram’s friend from work. They both don’t realize till very end of the wedding celebrations that they love each other. Geetu conveniently has another man in waiting, Indrajith, - a character necessitated for a potential happy ending. A wigless Siddique provides sufficient villainy as is required for a movie taking place in a placid agraharam. Other actors include Oduvil Unnikrishnan, Sukumar, Manorama, Devi Ajith, Baiju, Kalpana, Jagdish, Janardhanan and a host of others.
Share:

Jun 16, 2010

Vinnaithandi Varuvaaya

Will You Cross The Skies For Me?
After having seen three Gautham Menon movies so far, I can boil them down to three statements or formulas.

Hero + Heroine1 = First part of the movie

Hero-Heroine1 = Middle portion of the movie

Hero + Heroine2(w/ Heroine1 optional) = Second/final part of the movie.

Proportion of Heroine1: Heroine2 will depend on which part the more box-office worthy heroine plays.

The above formula will be juiced up with music from Harris Jayaraj or A.R.Rehman. The hero, although his story will start in Chennai and thereabouts, will take a B1/B2 visa  to the United States at some point in the movie and will invariably find himself in a major American city with a prominent bridge (which takes all US cities except San Francisco and New York out of contention.)

By now you might have deduced which of Mr.Menon's movies I had the privy of watching. Yes, Vaaranam Aayiram, Vettaiyaadu Vilaiyaadu and Vinnaithandi Varuvaaya.

Vinnaithandi Varuvaaya is the least 'filmy' of the three. The positive aspects of the movie for me:


1. Cinematography

All I carry back from the movie is the cool blues and greens, fluid likes of water and traffic, instead of the dusty grimy India that one is used to, here we have a vibrant refreshing country and what is more, it has one of the best shot movie scenes in Kerala's landscape. Shame on you Malayalis, a Tamil film had to cross the ghats and come to Alleppey to do that. Beautiful. 

2.Script

Natural, off the cuff dialogs go with the age and subject of the movie, so does the snippets of technology like texting. I also like the way they have interspersed dialogs in Malayalam when it is an internal dialog in the girl's family(whose character is that of a Malayali Christian settled in Chennai.)

3. Art direction

Set design, locales - thought of and brilliantly woven together into the fabric of the story

4. Actors

Simbu and Trisha look very much the part and seem to have a good chemistry between them which they don't spoil by their 'acting'. Neat.
What I didn't like was the that the movie started losing its pace in the second half, dragging along at parts. I wanted to fast forward but didn't do it so as not to miss the amazing camera work. A.R.Rehman's music, didn't really click for me this time, maybe it'll grow on me like Yuvvraj(another A.R.R musical I didn't appreciate much in the first place but ended up doing rounds on my music charts.) Overall a good entertainer.




Share:

Jun 11, 2010

Swantham Lekhakan (Swa Le)

A newspaper man's life in a land before mobile phones: That is Swa Le in a nutshell. Swa Le stands for Swantham Lekhakan who is the anonymous writer whose words fill up most of the pages in a newspaper since columnists usually cost money and only deal with a few columns in one paid session.

In this movie Dileep dons the role of the hard working, chained to the print-grunge newspaper reporter who is worked to the bone by his bosses, has a pregnant wife(Gopika) to support, lives across a river with no bridge and doesn’t own even a bicycle(But there is a bicycle in the promo stills, did I forget?) It is a not-so-bad Dileep movie considering the toned down version of the actor that is on display.


There are not so veiled references to Kerala's major newspapers and a major literary figure who is shown at the verge of death with the newspaper men keeping vigil in front of his house for 'breaking' news story that might break at any time. Innocent, Ganeshan, Ashokan, Nedumudi Venu, Vijayaraghavan, Salim Kumar Jagathy, K.P.A.C Lalitha and a forgettable Harishree Ashokan forms the supporting cast.


An off tangent observation: Sona Nair as the gynecologist will hereby be instrumental in spreading the false myth in Malayali society that psychological disturbances arising from lack of spousal support during pregnancy will lead to false labor. Can’t blame her, can't blame the script writer either, doctors in Mallu land rarely discuss technical details of the illness with the patient, silencing all discussion with a question, "Who is the doctor, you or me? Then leave the technical details to me, don't bother your little cranium with such heavy stuff."
Share: