Saat Khoon Maaf

Priyanka Chopra must have a very good manager or the girl has got brains. Her last few outings as a leading heroine could be considered as paranormal phenomena in a male-centric Bollywood. I go by the Merriam Webster definition of ‘paranormal’ – something that’s not scientifically explainable. Or how else could you explain Fashion, What’s your Rashee or this one I am attempting to review – 7 Khoon Maaf.

Fashion won her the national award for best actress, maybe she didn’t have to do much acting in that role being a fashion model herself, it was a strong performance nevertheless. Then comes What’s your Rashee and 7 Khoon Maaf – two movies in which the strong female character had to carry the bulk of the film and to my surprise Priyanka shouldered the burden competently.

I am not a big fan of Miss India being a platform for launching future Bollywood leading ladies, much like using the Kalathilakam award as a short-cut to becoming a Malayalam movie heroine. Whether I like it or not, both these have served as vehicles of entry to filmdom for many of our heroines.

When Priyanka Chopra launched her Bollywood career courtesy of  her Miss India title, there were several others attempting the same route – Yukta Mookhey, Lara Dutta and Celina Jeitley to name a few. I had thought Priyanka was not the typical Bollywood beauty and therefore will be ousted in no time. But time and Priyanka’s career management has proven me wrong and here we are at 7 Khoon Maaf.Adapted from a Ruskin Bond story. Susanna’s Seven Husbands and directed by Vishal Bharadwaj, 7 Khoon Maaf produces a slew of adjectives in my mind – in no particular order they are - odd, sensual, imaginative, remarkable, different, dark, comical and interesting.

With Vishal Bharadwaj you can always expect a movie a little off the beaten path, usually adapted from a literary work. It is nice to see Ruskin Bond’s work in Bollywood. But the one who really hit the jackpot is definitely the lady who has occupied most real estate in this review – Ms.Chopra. She gets to act with six different leading men – ranging from Neil Nitin Mukesh to Naseeruddin Shah.

Much of the charm of the movie is its story, the anticipation of who and what will the background of Susanna’s next husband and the next husband and the next.Like other Vishal Bharadwaj films, it is not what the mainstream Hindi audience expects and therefore I believe there will be more who won’t like this movie and than those who will. It didn’t do well at the box-office, had Mr.Bharadwaj been more money-conscious he’d have cast ShahRukh Khan as one of the seven, but then again would he agree to be 1 in 7 when he is really number 1 and only?

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Four Friends

Four Friends is Aashayein, Malayalam style. Both are based on the same theme - friendships at the end of life. It is even more unbearable than its Hindi cousin.Jayaram, Kunchako Boban, Jayasurya and Meera Jasmin play the title characters. The film exploits every cliche associated with a terrible disease which does the villain's role, thus saving production cost and saving us viewers from fake stunts and related audio visual effects. It reaches a point when we'd realize that a real human villain would have been more bearable. Lots of sacrifices and money flow through the story line, which finally comes to a screeching halt a top a bridge in Malaysia (brought to you by budget airlines and cheap international air fares.) This movie forgot to include this statutory warning, "Friends don't let friends watch Four Friends, if they really care about their friends."

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Let Me In

I am no sucker for vampires (pun intended.) Nor do I understand the identity crisis that afflicts New World people which is cured by them joining clubs like Trekkies, Pagans, Goths or the Twilight Series fan club. If I knew "Let Me In" was a story about a blood-sucking being I'd have stayed clear of it and I'd have missed something truly excellent.

From the director of Cloverfield, Matt Reeves, comes Let Me In, a Swedish vampire story/movie adapted for an American visual palette. It is supposedly a scene by scene remake of the Swedish movie, 'Let the Right One In', which kind of lives up to its original in most aspects, as per the reviews I've read.

It gives an interesting new perspective at vampires, young, refreshing and smaller than the classic Count Dracula original.If it was not so gory it could have been a kids' movie since both protagonists are tweens. An interesting movie, definitely worth a watch after midnight (timing is to set the mood.)

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Udaan

Udaan must be Vikrmaditya Motwane’s brilliant debut as a director, Rajat Barmecha’s dream comes true as leading actor in a Hindi movie propelled by a strong script by Anurag Kashyap, but to me the revelation of the movie was Ronit Roy!

The last time I saw him was when I was a teenager and he was prancing around singing “First time dekha tumhe hum kho gaya second time mein love ho gaya, ye akkha india jaanta hai hum tum pe marta hai , dil kya cheez hai jaanam apni  jaan tere naam karta hai” –in Jaan Tere Naam. It was a peppy song, but very dated, the one that’ll definitely find a place in the ‘I am ashamed to admit I used to like this song’ list. Ronit Roy was a one movie wonder. In the almost two decades in between Jaan Tere Naam and Udaan Google has informed me that Mr.Roy had gone from being a jobless one hit wonder to small screen’s Amitabh Bachchan and an owner of an renowned private security firm. Lack of Indian TV signals in my part of the globe kept me blissfully unaware of all that, till Udaan.

Udaan is a neatly made coming of age movie from an industry that doesn’t make many coming of age movies. I wonder whether there are any autobiographical aspects to it. Gorakhpur, UP where Anurag Kashyap grew up and Jamshedpur, Jharkhand where Udaan is set, can claim geographic proximity in the greater order of things. Besides, like Rajat Barmecha’s character in the movie, Mr.Kashyap is also a product of boarding schools. Rajat Barmecha, got a role of a lifetime as a small town kid, Rohan, trying to find his own identity from under the shadow of his despotic father, Bhairav Singh(Ronit Roy.) 

There a few other small but significant characters played by Ram Kapoor, Anand Tiwari and Manjot Singh. A natural narrative, characters that audience can relate to and a great script contribute to the quality of the film. It does remind me of 80s art-house movies.

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Aashayein

Nagesh Kukunoor is losing his touch. You mean there are still educated people who believe that one can become an unfortunate victim of AIDS  being in the same room as an AIDS patient?!!?! Agreed Kukunoor star hasn't really been shining after Hyderabad Blues 2, Dor was good but it was a lift-off the original Malayalam Perumazhakkaalam, still Aashayein imparts a sense of director-fatigue. Has he run out of good stories?

John Abraham has acted better than he usually does, he even lost weight to keep with his character, but we all know he is not a Naseeruddin Shah or Abhay Deol in the acting department. Anaitha Nair is good, although she doesn't look as young as movie purports her to be. Other notable actors who make appearance in this movie are Farida Jalal, and Girish Karnad. Well, if you have no other DVD in the house and the internet is down, then maybe Aashayein.

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Old Boy

Oldboy slices your head with its cold psychological edge. It starts of like a home video footage, at least the lighting made me think so. A bumbling comical drunkard in a police station, everyday event, right? It is pretty sane Saturday-'nighitsh' start for a psychological thriller. Then it puts you in prison with the main character for 15 years!

You don't know why this sh#t happened. More importantly the main character, Dae-Su is totally in the dark about it as well. He used to be a happy go lucky guy with a wife, a little daughter, a job and a few friends who you might find at a downtown bar on a Friday after work. Who would want to put him in prison for 15 years, feed him, clothe him, shave him - all this costs money. The film doesn't let the protagonist languish in prison for long, it quickly pans over the decade and a half in half hour and the rest is tightly gripping drama that you wouldn't see coming.

Very interesting story and an interesting movie. The fight scenes, the comedic aspect of those, reminds of Takeshi Kitano's movies. Definitely worth a watch.

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Dances with the Wolves

It is like reading a book backwards. I saw the 1990 movie Dances with the Wolves two years after I had seen the 2009 movie Avatar. Both are based on a similar theme, a soldier going native amongst the natives, in wild country. In 2009 space is the final frontier, in 1990 they were doing a period piece set in the 1800s when the unconquered West was the edge of the known civil world.

It is an impressive directorial debut by Kevin Costener, though it is sad to note that none of his later outings as a director lived up to the promise this first one held. It is Hollywood, yet Costener has shown self-control, letting the Indians speak in their own native language instead of tribal-accented English. I do not, but it could very well be that this was the first mass market movie which portrayed Indians in a favorable light.

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Mr.Smith Goes to Washington

Mr.Smith Goes to Washington is part of the Hollywood 101 curriculum, 101 Hollywood films you should watch to learn about Hollywood, well, that’s according to me. Directed by Frank Capra, this whistle blower of a movie established Mr.Smith aka James Stewart as one of the leading actors of the time. It is essentially the 1939 version of taking on the system from inside the system, the triumph of the small man against the gargantuan machinery of politics and money.

James Stewart fits the bill as the young naive Senator and carries the film through with Jean Arthur as his secretary.  This was also the time I saw a ‘filibuster-in-action’ which brings to mind the apparent increase of filibusters in the U.S.Senate in the recent past. Blame it on Mr.Smith, he started the trend.

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Best of Luck

Best of Luck is a dare, a provocation in the name of film to make you watch the insufferable movie. To add insult to the injury they throw in a taunt as the title which could only be translated as a meaningless good luck wish to anyone who’ll attempt to watch it.

The only person who has acted halfway decent in this movie is Prabhu, mostly because he is kind of playing himself – a vast, jovial, big-hearted Tamilian big brother.  The most unbearable actor Razzie award of the year goes to Urvashi.  She is attempting to do a Suraj in a movie that already has an overload of Suraj, that too in ill-fitting, incredulous costumes and a Nedumangad dialect which has seen much wear.  

The main actors also do their fair share of over-acting. Kailash, Asif Ali, Archana Kavi and Rima Kallingal perform like there is no tomorrow. After this movie, I for one, am doubtful about their tomorrows in this field.  I cannot believe these were the same actors we saw in films like Rithu and Neelathamara, which makes me want to point my finger of blame at the director, M.A.Nishad. Is this his first attempt at comedy? If so, it’ll be better for all concerned if he sticks to more serious subjects like his first film, Pakal which was in fact bearable, even good for a first-timer.  Less said the better, let me not waste any more of my precious web page real estate on this movie.

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Malarvadi Arts Club

Einstein once famously said, the secret to creativity is knowing how to hide your sources. Only creative people know how messed up it has been ever since Google made its appearance. I read some reviews comparing Malarvadi Arts Club (MAC) with Subramaniapuram and Rock On. Why stop running the similarity-checker after coming up with just a handful of films, that too in “foreign” languages. If you feed in the same variables - friendship, unemployed youth and music – a truckload of movies will come up. Throw in a filter for Malayalam and we have a manageable quantity. “Ganamela”,  “In Harihar Nagar”,  “Friends”  etc come to mind.  

This is to say the theme of Malarvadi Arts Club is not anything new.  There have been innumerable movies which showcase a bunch of jobless youth (the species was more rampant in the eighties, now call centers have become their calling) extolling their fathomless friendship set in a particular geographic location which brings with it, its own quirks. There will be a singer in the group belting out Ekantha Chandrike …while others provided the chorus. These days the one guy who can hold a tune inevitably finds himself as a participant in a music game show (Malarvadi Arts Club, Katha Thudarunnu.)  

What is an Indian movie without its trademark romance angle, right?  For this we will employ heavily made-up ladies who have escaped from teary-kajal-laden-soaps for their chance on the celluloid. The whole package of drama, mellowed drama and over-the-top drama will be propelled towards the inevitable climax (or climaxes) to bring in the money and keep people guessing.  One would think all the guessing should be done by now, after a generation of such movies.

No, Malarvadi invites us to play the same old guessing game. In MAC Vineeth Sreenivasan returns to his roots  - North Kerala. Gibran is good guide for those of us who make the mistake of thinking Vineeth as a clone of his father, Sreenivasan.  I don’t think I can imagine Sreenivasan singing without a seriously raised eyebrow(mine), while Vineeth is a fairly decent singer. In the same vein, Sreenivasan in his heyday wrote several noteworthy scripts keeping his funny pen moving in tune with the pulse of society. If Malayalam had an urban dictionary, the dialogs from Sreenivasan scripts would own half of it. But MAC is no world changer when it comes to scripts, it has an average script, tolerable by current standards, nothing compared to the witty eighties spearheaded by the director’s own Dad.

Despite all such flaws I liked Malarvadi Arts Club, the reason is personal. I am from Malabar. Manassery, the fictional village in which it is set, could be my village. I feel kinship with the carom board in the Arts Club, the red flags, the slogans, the framed portraits of European and Latin American comrades in the party office and the revolution simmering in young heads. The five guys, the lead characters, whom Vineeth had the good sense to cast all new comers, could’ve been my brothers growin’ up.  He has captured the essence of a North Malabar village/small town and the lives of youth (male) in a way no one has ever done before. He has done it so well that I felt the characters of Jagathy Sreekumar, Kottayam Naseer and Suraj Venjaramoodu were misfits in a perfect Malabari small town.

The new kids on the block are good, although I don’t think any of them has the guts to take a stab at the superstar crown Prithviraj has his eyes on.  Dileep proves he has good business sense and luck on his side investing in a movie that was guaranteed to bring him profit and trusting a new director based on just his genes.

The songs are hummable from my tin-eared receiver. The last song which signed off the movie should have been more of a power ballad with uplifting, foot thumping rhythms. Instead what it felt like was actors were trying to lip and body sync to a rock song in their heads while an insipid Malayalam song played in the background. The kind of language that Malayalam is, it is hard to come up with something that will sit pretty with a rock tune, but Vineeth Sreenivasan was/is a singer before he became a director or he could’ve let Avial compose that one song ;-)

p.s: Young directors, and old ones too, who is going to do a Malayalam padam just like that Thamizh Padam?

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Tees Maar Khan

Tees Maar Khan has Bollywood's most reliable profit-guarenteed star in the lead - Akshay Kumar as Tarbez Mirza Khan, the super thief. There is nothing cerebral about the movie, does Akshay Kumar make the mistake of acting in anything cerebral? He knows what he can do - he can be the earthy Punjabi munda who will laugh showing his gums through his mistakes, silly to comical and everything in between. That is what Teez Mar Khan tries to bank on, I hope the producers got some money back banking on Akshay.

The husband-wife team of Shirish Kunder-Farah Khan and  Akshay Kumar-Twinkle Khanna are behind this movie, keeping it all in the family. Shirish did the editing, story(inspired by Hollywood's After the Fox), little bit of music whatever Vishal-Shekhar let him do and a bit of production. Farah directed and Akshay played the lead role, while Hari Om Producations, Akshay and Twinkle's production company footed the bill.

Tees Maar Khan is a spoof built of spoofs, I don't think they were concerned about quality more than saleability, looks like it achieved those ends. As far as the viewer is concerned if you are in need for mindless comedy, doesn't mind Akshay Kumar, Akshaye Khanna and Katrina Kaif(the gori mem wearing Indian dresses), the last two, both have self-depracating comical roles, go for it.Better watch it at home where you have the remote handy and you have the power. The power to fast forward !

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Oru Naal Varum

It felt too good to be true, as if the unbelievable chemistry of Mohanlal and Sreenivasan that once lighted up the screen twenty plus years ago had finally succeeded in making a comeback. Not like the botched up attempt in Udayanaanu Tharam, this was almost like the real second coming.  Then the tape got stuck. Ouch!

In Oru Naal Varum, for a brief span of time, poetically akin to a single wing flap of a humming bird we could catch a glimpse of that old Mohanlal, before the weight of superstardom and wig was added to his persona. Mohanlal – Malayalam’s original bumbling, likeable, mischievous dude-next door. His old pal Sreenivasan was there to keep him company, in another of his self-deprecating, slightly dark roles. Then the story took a turn for the worse and the Superstar emerged. 

After that, the fall was quick, the illusion of a second coming of the legendary pair shattered mercilessly by a weakening plot and a superstar gaining power by the minute. Have you ever felt like rooting for the enemy, wishing corruption had gotten the upper hand and signing a pact with the Devil ? I get that feeling once in a while, especially when watching self-righteous characters, which Mohanlal seems to do in abundance lately, including the one in this movie as vigilance officer Nandakumar.

Devayani and Sameera Reddy are odd choices for the film’s two female roles. It was good to see Devayani after a long while, though who ever did the dubbing made it sound as if I had heard this female a zillion times in a zillion Malayalam movies. Why, Sameera Reddy, I have no clue, we will have to ask Maniyan Pillai Raju, the producer. The kids in this move are normal, it was refreshing to see a change after the hyper-active 'smart' kids infesting present day Malluwood. 

The lesson learned again today, if it is too good to be true, it is not true.

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Phas Gaya Re Obama

Yes, we can! Possibly this is the first mass market commercial movie in the world with President Obama's name in the title. Yes, Bollywood, you can and you did too! The movie is what is part of the thriving Bollywood indie movie genre, the one which replaced the award-hauling parallel cinema of the eighties, which were made under an altruistic sky with little or no profit motive. The new indies are funny, contemporary and bring in the bucks, good for them!

Looks to me it was a low budget film which trusted on its strong actors and tight script to see it through. Rajat Kapoor, Manu Rishi, Sanjay Mishra, Neha Dhupia reigning and rising stalwarts of the new Indian parallel cinema shoulder the film as it takes dig after dig at the contemporary politics and policing in bhaiyyaland. Obama's inclusion as an invisible but driving force and the pervading ambience of recession reflects on the trickle of globalization that has reached even the remotest corners of India's heartland.

It is an interesting movie for someone who loves current politics and comedy(one and the same), intelligent caricatures of everyday people and is interested in the way India is developing in the global scene as echoed back from its villages.
                                  

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Alexander the Great

Alexander, the original Greek version must have belonged to the prestigious royal lineage of Mediterranean Varmas because his Malayali namesake definitely does. Varma, a surname attributed to the ruling Kshatriya clan(back in the days when royals were still in fashion) in Cochin and Travancore is  a favorite class of Malayalam film makers. Anyone with the name Varma is attributed the extremes of everything - money, power, greed, beauty, intelligence, good nature, evil. You say it Varmas have it.

Alexander Varma is the out-of-wedlock son of a major Varma in a major Varma family, who is now spreading their wealth all over Middle East, as if the sheikhs haven't gotten it right. Mohanlal, not to be left behind Shah Rukh Khan(My Name is Khan), Hrithik Roshan(Koi Mil Gaya), Anil Kapoor(Yuvvraj) and Dustin Hoffman(Rainman, which is supposedly the inspiration for this movie, looks like even inspiration is affected by recession, nothing much can be seen) takes on the role of an autistic genius. His acting reminds me of early 80s kids' dubbing in Malayalam movies where you know the words spoken by the kid on screen is actually mouthed by someone middle-aged who think they are doing a pretty good job of impersonating a child's voice, when in reality they sucked, big time. If only they had let the kids use their original voices.

There is Sudha Chandran, surprised to see her here, did Ekta Kapoor let her go? Then there is Bala, Jagadeesh, Nedumudi Venu providing the necessary moral support for the autistic genius and also a host of others like Siddique, Ganesan etc who are waiting for the genius to bite the dust, as if that'll ever happen. But I've to appreciate the film-maker for showing restraint in one thing - not conjuring up a nubile 19 year old heroine for our wig-clad hero. Bravo! Keep it up.

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Action Replayy

The outer package is India's version of That '70s show, inside you'll have the familiar flashbacks from Back to the Future(1-3) , all this packed and released under the 'numerologically'-deemed-safe title with an extra y at the end - Action Replayy. Akshay Kumar and Aishwarya Rai are at the helm of this retro Hindi movie, playing the same characters in two scenarios(in their youth and middle-age) twenty years apart.

Akshay Kumar and his bucktooth, ages well, whereas Aishwarya just does a dress change from polka dot bell bottoms to silk saris to age twenty years. Curiously enough she doesn't look a day older than when she was twenty, maybe the makeup wasn't right. Former Channel-V DJ Aditya Roy Kapur stars as the couple's son who is into time travel. Om Puri and Kiran Kher has the roles of feuding in-laws, which they'd do in their sleep if needed.

Action Replayy is essentially what you watch when you have run out of watching re-runs and replayed your entire dvd collection. I cannot even bring myself to conjure a closing sentence for this review.

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Alaipayuthey

It is a wonder to me that I missed this movie all this while. I had seen Saathiya - the Hindi remake around the time it came out and thought it was ok. It never crossed my mind Alaipayuthey might put a different spin on the same story.

The credit for this beautiful movie should go to the script, its lead actors - Shalini and Madhavan and the director, Mani Ratnam. There is nothing new with the story, it is an ordinary everyday love story that happens at every railway station / bus stop in urban India. That is also its selling point, that it could talk to the average Indian viewer and the language - the script of the film reaches out to the audience in a simple unhurried fashion. Shalini and Madhavan, the lead couple in Alaipayuthey are definitely better choices and have better chemistry than Rani Mukherjee and Vivek Oberoi in Saathiya.

The songs are incredible, we have hummed them for the last 10 years ever since the movie hit the screen in 2000, some of the very best of A.R.Rehman. Growing up in urban India of the late nineties I love this movie because I can relate to it, I know those characters. Shalini is the girl next door, Madhavan is the representative of motor bike Romeos, an ever present species in all Indian cities.

And just in case, I am not bowled over, Mani Ratnam has included Kannur(my ancestral town) and the laterite cliffs of Payyambalam beach which buys my loyalty every time. If there is a love story/movie I'd be asked to pick, Alaipayuthey will be it.

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The Social Network

You are not on Facebook? You are kidding, right? No? Of course, you live in Brazil then. No? You mean to say you are not a flickering dot on the virtual social network that wraps around the planet million times over and can stretch all the way across to Alpha Centauri and back? Then this movie is not for you. If you believe in parallel universes and login into one called Facebook multiple times a day then you must have already watched this movie by now and must be singing praises of it, then you shouldn't read further. Stop, go back to your facebook page, check if anybody made any updates during the time you wasted reading this post so far. Others read on.

Social Network is a well-made movie. The actors are good, they fit into the movie like parts of a Swiss watch. My bouquet stops here. It is very documentary-ish, but the word on the street it is far-removed from reality of the real Facebook story although the characters and the general flow of events are similar. If you are not in the US of A, this movie might not mean sh#@#t  to you, it is a very American movie, very Silicon-valley, start-up saga.The people who will like, identify with this movie will be in the 20-35 age group, preferably tech savy, Gen Y or the Millenials. My gripe with the movie, there are no tech-savy girls, it looks as if boys do all the coding and the cool stuff, when girls are shown as mindless idiots who light up fires with silk scarves or take off their shirts so that others can snort coke off their belly button.

I still believe it is a good movie for a very specific group of audience. If you belong to that group, you'll think this movie is the best thing to come out in 2010, otherwise....whatevah.

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The Age of Dreaming (Book review)

When you watch old black and white movies from the twenties and thirties, do you ever wonder what happened to all those people? It is much easier nowadays because we have IMDb and the Wikipedia. I sometimes wonder how many of these people might be still alive. Those who have the highest chance of being alive are the children who appear in crowd scenes. Did they know they were caught in a moving image and where are they now? Random thoughts on a random day by a random being, totally inconsequential in the giant scheme of things, but what can stop of us from wondering and dreaming, right?

The Age of Dreaming by Nina Revoyr is a book about a silent movie star looking back into the 1910s and 1920s, the beginning of Hollywood from the 1960s. It is a book for the serious reader, it is also a page-turner if you are interested in the past. The book has just enough 'masala' to keep the reader hooked without going overboard. It definitely won't come out as a paperback nor will it grace the counters of the airport bookshop, but if you could land a copy it won't disappoint you during your flight.

I found this book browsing thru' the library stacks, the same way I usually find most of my reading material. I liked the cover and the excerpt and I watch a lot of old timer movies, I love the art-deco architecture of the twenties, I love the reading about the history of places before they became places of repute(Hollywood in this case.) The Age of Dreaming fulfilled my quest in these aspects. There might be some short comings for the books, the main character being a tad shallow(?), I really don't care for I can fathom how hard it is to write a book. If you are a serious reader, not the one who falls for the cheap thrills of paperbacks, this might be an interesting read for you.

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How to Train Your Dragon

Avatar for kids? Dragons are having a commercially successful run from 2009 onwards and this "training" movie cashes in on the trend. That said it is an interesting movie to watch, kids will love it for sure. It's about Vikings and dragons and everyone speaks English with a Viking accent(if there such a thing) except for the main character, a tween(or a budding teen?) called Hiccup. He sounds American as Dreamworks Animation Studio.

Even back then it was written in Vikingese that geek shall inherit the earth, so the movie is pretty predictable. The best actor in a comic role Oscar should go to Toothless, the lead dragon in this movie. So if it is a bring-on-em-dragons day at your village, this is the movie to choose. Haven't everyone watched Avatar already?

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Raavanan

Raavanan is good. I have always believed Raavanan, the real one in the real epic, suffered misportraiture at the hands of victors. The inescapable short end of the stick that favor the vanquished might have distorted the real Raavanan character as well. Mani Ratnam in AD 2010 tries to bring some justice to the man and he recruits actor Vikram(real name John Kennedy, no Fitzgerald) to the task.

Vikram is magnificient in his portrayal of twenty first century Raavan. I saw the tamil version. Prithviraj is the anti-hero, aka Ram aka the bringer of justice. If you had any doubts, you can lay them to rest after watching this movie, it is indeed Kaliyug, where else can you find Lord Rama as the anti-hero?

The same Kaliyug is also responsible for Aishwarya Rai (aka Sita Maiyya) pancake make-up. She is gorgeous at 37, but Prithviraj who plays her husband is a good ten years younger and it shows despite the make-up. Indian movie industry is hard on women, Aishwarya is going as far as it'd let any woman to go without becoming another Rekha.

Cinematography(Manikandan and Santosh Sivan) and locales are brilliant. Maybe this film will win the best movie award for national integration based on just the shooting locations. Raavanan's village is set amidst the picturesque sarson ka khet (or mustard fields) of Punjab, they go to temple to perform pujas and weddings at the architecturally quaint Lakshmi Narayan temple at Orchha, Madhya Pradesh, they hide out in the scenic surroundings of Athirappally waterfalls in the forests of Kerala, sometimes hiking over to Malshej Ghats near Pune or Saheb Kuthi in Agarpara(WB) for a neighborly chat. The whole of India is Raavan's one village, ""Yatra Viswam Bhavathyeka Needam"" as they say in the Vedas.

Raavanan is a brilliantly executed film. It should have been a hell of a task shooting simultaneously in two languages with slightly differing set of actors. Definitely worth a watch.

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Hot Fuzz

Action and comedy (of the British kind, non-slapstick) in an exhilarating package - that's Hot Fuzz. My needs are simple, I like movies that provide entertainment value while keeping me hooked , Hot Fuzz fulfills those needs.

A super cop from London is transferred (demoted?) to a placid village where there has been no crime for the last twenty(? not sure) years. Look at the picture on the right, if that doesn't say 'bad-ass', what would?  Simon Pegg(the guy on the right) and Nick Frost(the chubby guy) rock the sleepy village of Sandford in the climax of this movie. It is the second one in the series of  Blood and Icecream Trilogy also known as the Three Flavors of Cornetto trilogy.

The team of three, Edgar Wright - the director, Simon Pegg(actor and writer) and Nick Frost are the perpetrators of the ice cream trilogy. The first movie in the series was the super hit zombie thriller comedy Shaun of the Dead. After watching the first two, I cannot wait for the third one - The World's End.

If you haven't watched Hot Fuzz, it is a good buddy movie, to be enjoyed with your friends on a Saturday night maybe. It is like that upbeat song you'd sing aloud in the car at the top of you voice and maybe if you have a crazy buddy to join you in your private concert, it'll be all the more fun.

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Kutty Srank

Watched Kutty Srank after trying to stay clear it for long. The reason for my hesitation was, as I have grown older I have become much wary of the "award-winner" type movies which is typically what you expect from a director like Shaji N.Karun. His 'Vanaprastham' only served to increase my skepticism. It is the same reason I do not want to watch his 'Piravi' again, it might feel too slow for me and ruin the good opinion I had for the film when I first watched it way back when I was a kid.

Maybe because I didn't have expectations and was geared up to thrash it, to my own surprise, I liked Kutty Srank. Kutty Srank is like a chapter from the text book of movie making. The director himself wrote the story of a mariner(Kutty Srank means boat captain in Malayalam) who moors at different ports and as we all know a sailor cannot escape being a sailor, there is indeed a woman at every port. Three ports, three women. Now don't get your hopes high expecting sleaze and rein in those wayward thoughts - can't it be that these three women could be an embodiment of three main female roles one comes across in life? I think maybe that is what the director-story writer intended them to be.

There is Revamma, the local aristocrat's daughter, her part of the story is set in Malabar("Yeah yeah yeah, I am a believer" in the director, that definitely bought the Malabari in me off.) Padmapriya plays her, a Ceylon returnee, newly converted Buddhist doctor turned nun. Padmapriya is becoming the Smita Patil of the South, if there is strong female character role, directors choose her by default. The film is also set in three seasons. Kutty Srank(played by Mammootty) arrives in Malabar in the middle of summer. He is the boat captain and the right hand of the local Mooppan who takes care of all Mooppan's dirty tasks.

The one time the movie turns slightly artsy is when there is an allegory of a wounded swan depicting Revamma's state. But that's ok in my books, because the director doesn't repeat it. Kutty Srank see the shades of his mother in Revamma. The other two women are in the other two principalities which merged to form the current Kerala state - Kochi and Travancore.

We meet Pemmana(Kamalinee Mukharjee) in Kochi during the monsoons, i.e  winter in Travancore. I didn't know there was winter in Travancore. After living in Arctic for almost a decade I could snub at a Kerala winter but the people of Travancore(or Kerala) I know would kick me off the planet if I denied them winter. So monsoon = winter it is.

The story and the script are rich in the ways of the land, as it was 70-100 years ago. For me Anjuli Shukla's cinematography is the highlight of the movie, of course I cannot comment enough on the talents of the director and the actors. The movie pays tribute to the verdant landscape of Kerala, himself a whiz behind the camera I can understand the director's foresight while creating his scenes and characters, making maximum use of the the visual bonanza provided by nature herself.

One thing I found jarring was the location and the set of the police station. It looked like a set, erected on the beach, flouting CRZ(I know there was no CRZ back then, that's just an additional jab), looking and smelling of cardboard and new paint(made to look old of course.) I don't care much about music in a movie like this, I vaguely remember there were songs, native folk song type. Other than that I draw blank when it comes to the sound track treats.

The film won the National award for the best film and best cinematography and 3 other awards(see, my expectations were not far off the mark.) I wonder about the etymology of the word Kutty Srank in Malayalam. Did it come from Cutty Sark - the British clipper chip, from Scotland? As I have become acquainted with different English accents, I am amazed how much of Indian English accent is shaped by Scottish and Welsh influences.

My final verdict: Give Kutty Srank a try, it might surprise you.

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Mummy and Me

Kunchako is almost ready to taken on Shivaji Ganesan. Used to be a time in Tamil cinema when a 60 year old Mr.Ganesan will wear shorts and show up nonchalantly at the neighborhood primary school reciting Thiruvalluvar verses and no one will even bat an eyelid. At that time a 60 year old playing his 6 year old self was perfectly normal, even if he had a mustache that might have taken 50 years to reach its full bloom.

Kunchako Boban is not Mr.Ganeshan's competition yet, but with every passing year he is getting closer to that goal. His time machine is stuck at Aniyathipravu and Guinness book of Records is about to award him the MBA student of the century, which is given to people who take 100 or more years to complete an MBA.

All said Kunchako is the most bearable of the characters in this film. Urvashi needs a shoot-at-sight restraint issued against her, she is just plain unmanageable. Archana Jose Kavi had chosen a movie that had the spotlight on her, can't blame her for the director or the audience who made this movie a roaring success at the box-office. Malayalam movie goers, you deserve this and nothing better, you are the culprits. Suffer biatches!

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Apoorva Ragam

Something that was personally 'apoorvam' (apoorvam = "out of the ordinary", "strange") for me while watching this movie was its ability to keep me hooked. It started out as a college romance and to its merit I should say it didn't deteriorate to become just another college romance movie. When it was about to reach that stage interesting things began to happen which kept me riveted on my place before the screen.

Young faces are a treat to watch - Nithya Menon, Nishan Naniah and Asif Ali play the main characters. Script is not bad, heard that it was written by newcomers, if so then it is good for it had all the making of being a run-of-the-mill story, but it didn't, thanks to the director and script writer(s).Speaking of which, I don't know how I could've been oblivious to a Malayalam movie titan like Sibi Malayil for this long that I do not have a label in this blog for him. The maker of all those big hits like Kireedam, Dasaratham, Mutharam Kunnu P.O, Kamaladalam etc and  I didn't even acknowledge him in this measly blog, too bad. Today I stand rectified.

Apoorva Ragam is definitely an interesting movie to watch. I approached it without expectations and was rewarded, maybe that'll work for you too.

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My Best Movies Picks of 2010

Another best of 2010 list, includes Hollywood, Bollywood, Kollywood and Malluwood movies in random order. Some of these were released at the end of 2009 and I watched them in 2010.
1. Avatar
2. Kickass
3. Karthik Calling Karthik
4. Vinnaithandi Varuvaaya
5. Inception
6. Rocket Singh: Salesman of the Year
7. Ritu 
8. Qurbaan (review coming soon)
9. True Grit (review coming soon)
10. Neelathamara

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True Grit

History fascinates me when it is played by true-to-life characters. Coen brothers are masters of re-telling old tales. Plain earthy stories where there are no exalted glories or flag waving millions or stiff parades of generals, history of O,Brother Where Art Thou variety.

Stories like True Grit is the meat and potato of Coen brothers. It takes us back to the turn of the century to the Deep South bordering the unruly West. The land of outlaws and bounty hunters, landscape stretched as wide as it is earthly possible, forlorn outposts manned by lost souls at the frontiers humanity where someone is always on the run and somebody is always in pursuit. 

This is the un-chartered territory where a young girl goes looking for her father’s killer. Her interesting journey made all the more interesting by a couple of quirky companions – unadulterated account of the West when the frontier was still a wild country, now it has shifted to the southern fences of Arizona, but that’s another story. Hailee Steinfeld, Jeff Bridges, Matt Damon and Josh Brolin make up the cast of this remake. 

The original 1969 movie was a western adapted from a serial in a magazine and the original also spawned a sequel called Rooster Cogburn. It is the kind of movie that runs on the strength of the screen play and its characters, with someone as colorful as Rooster Cogburn it is hard not to notice it and Jeff Bridges is the perfect dude for this part. An interesting movie for the lovers of good scripts.

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Re'kindle' Your Reading : Best books of 2010

People are rediscovering reading, thanks to Kindle™ and Nook™. Those who used to get books for Christmas as gifts now get e-readers. And if you want to go beyond reading there is always IPad. I do not have any experience with any of these e-readers to do a review. The title and opening lines were to bait Google's spider and naive reading enthusiasts into reading/crawling the rest of this post.

What I really like to do is to showcase some books I read (or heard, audio books) in 2010. In short, these are some of the best books I read in 2010. They are not necessarily those published in this year I just happened to read them sometime during the last 12 months. If you think you'll like these books you can buy those to read in your e-reader. Maybe I'll pull out my charitable keyboard and type out 5 reviews. BTW this reviews are not really in the order of preference, they are according to my memory time line, those I read earlier in the year come in the first spots and vice versa.


First in the list is Open: An Autobiography :- I am not an authority on sports autobiographies unless you consider Kite Runner an essential guide to running kites. I love films based on sports stories(Escape to Victory, Loneliness of the Long Distance Runner, Breaking Away, Chariots of Fire, Field of Dreams etc)  though this is my first time with a book on any kind of sports. Despite my naivete in the subject matter I will still take a bet on Andre Agassi's autobiography, 'Open', to be one of the best of the lot. It is frank, down to earth and exuberantly American - in short very much Agassi, the real man behind the facade of pink lava compression pants and acid wash denim shorts, tennis's original rebel without a cause. More about Open, if you are interested.

Next comes, Mike Leonard's ride across America with his eighty plus year old parents and his grown-up kids called The Ride of our Lives. Mike Leonard is a feature correspondent of Today Show on NBC, his garage(which might probably looks like yours or mine) won't qualify him as a celebrity on Today Show. It is an interesting journey into life, through life and across life with Mr.Leonard, his parents and his children, something I'd love to emulate if I could get them all together in one place and in one time zone.


How I Became a Famous Novelist by Steve Hely comes next.  Every aspiring writer at some point in time has read a must-read book for aspiring writers. The one I can remember reading,... oh, you think I cannot aspire? Everyone can aspire, respire and perspire, it was too fundamental to be included in any constitution or Bill of Rights. Anyway the one book on writing I read, was Stephen King's On Writing. I don't remember much of it, I did what I do with books, read and forgot. But Steve Hely I like. If you want to write popular sale-able fiction this is one book you shouldn't miss. I have a strong feeling that Dan Brown stole the manuscript of How I Became a Famous Novelist to figure out the right way to write all those trashy best sellers. (I shouldn't be trashing Brown, I cannot even come up with a 100 word story, but then reviewers are people who can't write to save their pens/typewriters/IPads, right?) Hely is an insider in this book business and he knows what he (or rather his hero, one book wonder Pete Tarslaw) is talking about. How come I read two books in a year written by correspondents/writers for late night shows? Steve Hely is one of the writers for The Late Show with David Letterman.

I got to read one of the controversial books that came out in Malayalam in the recent past Njan LaingikaThozhilaali: Nalini Jamilayude Aatmakatha (Translated into English as Autobiography of a Sex Worker, by Nalini Jamila) this year, five years after it took Kerala and Malayalam literary circles by storm. I am glad I am one of the Malayalis who can actually read Malayalam and speak Malayalam differentiating between the different bha, ba, ta,tta, da, ddas unlike the present day Malayalam TV anchors. When some one like Nalini Jamila, who is not a literary scion by far, writes in her native language it should be read in the same, no amount of honest translation can give it the right kind of honesty it deserves. Jamila's book is an interesting insight, a cart load of information for most of us who don't know what goes on in the red-light areas of life. I'd not call it a literary masterpiece, it is a memoir told in simple straightforward everyday language, about a life 99% of us have no clue about, but are secretly interested in knowing, that is what sells(sold) it.

The other fiction book in my list of five is this last one by Assaf Gavron called Almost Dead, English translation of the Hebrew original. When we get up in the morning aren't we plagued by the same old question getting up from the bed along with us, the way it always did ever since we could think - "what is really going on between Palestine and Israel?" Oh, a different question wakes up with you? No way! Well I have always wanted to know about house prices, high school syllabus and real house-wives of Gaza Strip. This book looked like it had the answers to some of my burning questions, the added incentive was the metaphysical/paranormal aspect of the story - the hero escapes suicide bombings not once but thrice. I swoon at stories that offers a view into the mysterious other side of life - you know where time machines are what you drive to work, coincidences are commonplace, well you get the drift, the cover of this book promised something similar and the cover-art is pretty cool too, isn't it? The book doesn't disappoint but it is not a thriller either. It is the writer who interests me, it kindles(kindle strikes again)in me an interest to read his other books, namely Hydromania.

There are more books that I'd like to review, like Freakonomics by Levitt and Dubner which had been incalculably influential in my life that I am thinking of replacing Gideon's Bible with a copy of Freakonomics in every hotel room I ever stay in. I do not remember whether I read it in 2009 or 2010. Then there is the very feminist The Women's Room by Marilyn French, first published in 1977 which eventually reached my hands after a long journey of 33 years, losing none of its impact in the transit. I read(listened to audio books) Obama's two memoirs - Dreams from my Father and The Audacity of Hope this year, both  testaments to the incredible writer, statesman and the Grammy award winner that he is. Reviewing all these will require patience and time and my anti-procrastination pill is already wearing thin. If I finish everything now, what will I do in 2011, that is one whole year before the world ends and all will be well. Later.

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Grown Ups

It is supposed to be a funny movie and it tries very hard at achieving that end. It should have been called Half-Baked, not Grown Ups. Wait, there is already a movie called Half-Baked and it is more grown up that Grown Ups.

I cannot believe this movie has been in the oven for this long(James Farly was slated for the role played by Kevin James before his untimely death and production of this film was shelved indefinitely), it had the potential to be a good comedy movie considering the main cast - Adam Sandler, Chris Rock, Kevin James, Rob Schneider and David Spade are all actors known for their comic talents. Over and above that Adam Sandler is one of the writers, but the script is hodge podge, there are one liners at awkward places, with no cohesion between the script and story, nothing much for actors to do. It looks as if the actors came for a day job, mouthed their lines in between the breaks from their real life and left in the evening.

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Kick-Ass

Comic book lovers will love this movie. But they are such a marginal section of the population that they alone cannot be trusted to make a movie profitable. If you like movies that kick ass, not with the help of extra-ordinary super heroes but someone from your own high school or your boring work place where you wouldn't suspect in the next cubicle resides a masked super-hero(his night job, of course) then this movie is your type.

Aaron Johnson, Chloë Grace Moretz and a very 'mature' Nicholas Cage pushes the envelope for super heroes in an ordinary world. Directed by Matthew Vaughn it is an off-the-rocker entertainer that you wouldn't want to miss if you walk a bit apart from the crowd.

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Mr.Brahmachari

It is 2003 and Mohanlal is middle aged and is a Brahmachari. You wish! Well, this is about Thulasidas movie Mr.Brahmachari, where Mohanlal plays the Hanuman worshipping main character in an effort to make a come-back with more down to earth roles. Ananthan Thampi alias Mr.Brahmachari does get the short end of the stick many a time, but it is hard to exorcise the ghost of a super star completely and therefore Lal doesn't make a full touch-down as an ordinary man. Yet movie does have some funny moments at the expense of Mohanlal. Nedumudi Venu, Kaviyoor Ponnamma(if there is a mother role required in a Mohanlal film, only Kaviyoor Ponnamma has the physical stature to be Lal's mom and is chosen by default), K.R.Vijaya, Meena, Jagathi, Jagdish, Prem Kumar and Vijaya Kumar make up the supporting cast.

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Inception

Dive in to the dream and let the inception begin. If there is a movie that can be a one word answer to the term - "movies that blow your mind", Inception is it. It is as Hollywood as only Hollywood can be, you get your money's worth and more. I wonder how Di Caprio finds himself in all the mega hits and how  Ellen Page often finds herself as the off-beat female? Christopher Nolan can be appointed as a messiah for mind candy movies and can start a religion for the same soon. I hope this is just the inception of things bigger down the road for Nolan, which will mean an era of brain crackling entertainment for us, viewers.

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Dabangg

Salman Khan or is it Arbaaz pulling the hare out of the hat, anyway Salim Khan's sons prove that they are indeed their father's sons, story tellers weaving tales out of India's heartland. At a time when most successful Bollywood flicks have stories set in the Western hemisphere, where dashing heroes in Armani jackets woo their heroines prancing around the planet in Jimmy Choos, Dabangg is set firm in Bhaiyya-land, UP(Uttar Pradesh.)

I have always thought that if Salman had any appreciable talent as an actor, it is his perfect comic timing. Right from his fledgling days in Andaz Apna Apna to Dabangg, he is at his most natural when his role has a slightly comic edge. For Dabangg he gets full stars in my book ( I have never been a big Sallu fan, but still) because not for once does he take his shirt off. Wah bhai wah, if you can exercise such control you surely do believe you have more talent than muscle mass.


Sonakshi Sinha, who plays Salman's love interest and Sonu Sood, the villian are good choices for their roles, make the whole story more believable. (Not to forget Arbaaz himself, he does get some good roles like the one in this, the fashion mogul in Fashion etc.) The story as such is not something we haven't heard before but it is the presentation and the presence and acting of Mr.Khan which make the impact. In Dabangg they have successfully translated the stereotypical old style Hindi movie in to a contemporary framework. Chulbul 'Robinhood' Pandey steals the show and probably the cash registers are still ringing in the cow belt. Good work, Abhinav Kashyap(director, script writer) and Arbaaz Khan Productions.

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Race

Race is just a vehicle to showcase sexy sizzling Bollywood babes and leading desi hunks in an exotic locale. The babes in short dresses are Bipasha Basu, Katrina Kaif and Sameera Reddy. The men muscle power is provided by Saif Ali Khan, Akshaye Khanna and an eternally young Anil Kapoor and the locale is South Africa. Most people in government offices in S.Africa are Indians, those whose forefathers didn't have the foresight of M.K.Gandhi who left Durban in 1914 for a meaty role in Indian Freedom Struggle (Original, Version 1.0.) The real race was between me and the movie, who will retire first in the race, RACE the movie won, no guesses there.

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Robinhood (Malayalam movie review)

The only reason you should watch Robinhood is Prithviraj. His good looks cuts like a knife, the rest of the movie is just 'knife'(kathi in Malayalam) if you can bear for 2.5 hours the way it will take repeated stabs at your intelligence.

Kochi, is the modern day Sherwood, ATM robbery is what Robinhood excels in these days. Traveling across 800 years of Robinlessness, the new Robin in the hood seems not only to have lost most of the characteristics of his namesake but also has inherited a few Dr.Jekyll/Mr.Hyde genes. He is an entrance tutor by day and a high-tech swindler by night. The rest of the cast is all high-tech as well, Naren is the flirtatious hacker computer whiz kid detective, Bhavana is the lead systems administrator and the only one who has a little less number of 1s and 0s in his system is Jayasurya's character who is the investigating IPS officer, but he has been to the famed Mussorie training camp and we all know who goes there, right?

The story is wrought with technical errors, which I'd not even dare to question because that'd be like insulting my intelligence and wasting my time. Yet I am grateful to director Joshiy, an old war horse of Malayalam cinema still going full steam ahead, that he used a young story which needed younger actors, thus giving them an opportunity. For once he restrained himself from casting M & M's for the leading roles, I mean he could've very well gone ahead and done that and malayali audience would have given 5 out 5 points for perfect casting. My guess is that Joshiy might have even lost some revenue having cast Prithvi and Naren, we need more directors like him who will make that gamble.

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Aisha

Aisha is Jane Austen on Janpath. I was never a big fan of Jane Austen's novels, though I do understand they filled social and literary vacuum in nineteenth century chick-lit. To me Austen's novels gave a thru-the-looking-glass view into the world of 19th century English ladies, their frivolous concerns and travails, in the end everything boiled to one(or many) "man"-hunt. I didn't know Aisha was an adaptation of Emma, not that it'd have made any difference to me since at this late age I'd not be able to distinguish one Austen heroine from another even if they came with name tags.

In Aisha, Sonam Kapoor has been offered a generous role and she does make use of it perfectly, so does all the name-brands with over-the-top brand placement. The movie looks like a fashion magazine, which taunts their middle class readers with glossy ads of unattainable yet coveted bric-brac like say a Versace scarf for $5000 or a Hermes purse for $8000. It always makes you wonder about the kind of people who'd own such a thing, Carly Simon once wrote and performed a hit single about this particular sub-species: Here it is, take it as a unisex message.

The rest of the cast is well chosen, from Abhay Deol to Ira Dubey to Cyrus Sahukar, everyone plays the stereotypes they have been entrusted with quite convincingly. The film is a chick flick and has to be taken lightly if your wife insists that you watch it with her.It is well shot and executed(thumbs up to the director, Rajashree Ojha) and has a decent sound track by Amit Trivedi and lyrics by Javed Akhtar.

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Bhargavi Nilayam

Bhargavi Nilayam is one of the best ghost stories to come out of Malayalam ever. Vaikom Muhammad Basheer's literary gem was transformed for screen by director A.Vincent. It was probably a high grossing film of those days with two dashing young heroes and a beautiful heroine at the helm of a haunting and popular story.

I saw this movie a long time back. The reason I am writing a review now when my memories of the movie is almost unreadable is because today I read an article about Madhu, one of the heroes of the movie. Madhu is perhaps 'the' unsung hero of Malayalam film industry. He was a mainstream actor, had done considerable number of hero roles during his heyday and is perhaps the only remaining member from the old school of Malayalam cinema who is still acting. He indeed did have an incredibly long innings, I hope he continues to prosper.

In Bhargavi Nilayam Madhu plays the character of the novelist(Mr.Basheer himself) who rents a house inhabited by a young female ghost(Vijaya Nirmala). He befriends the ghost and thereby comes to know the story behind her untimely demise. In true Basheer fashion, even though it is a ghost story, it is a light-hearted romantic flick. Prem Nazir plays the ghost lady's love interest in her life before death.

The movie has some incredibly melodious and yet simple songs, which became a part of Malayali's musical heritage once they were released in 1964. The hit song machine team was composed of P.Bhaskaran, Baburaj, Yesudas and Janaki.

I read some interesting trivia about Madhu(of course that is why I wrote this post.) Madhu's original name was P. Madhavan Nair. He began his career as a Hindi lecturer, quit it to pursue his dream of acting. He had acted in a Bollywood movie in a major role before acting in Bollywood movies had become a fashion or news. It was Saat Hindustani, which was also Amitabh Bachchan's debut vehicle. Madhu got several Bollywood offers after this to be cast as a handsome villain which he rejected because of longer shooting schedules of Hindi movies and also to avoid being typecast a tall handsome villain who didn't do much else than kidnap the heroine and get beaten up by the hero in the climax scene.

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10 Most Inspirational Songs : My List

This is the tin-eared music lover's list of the ten most inspirational songs ever. If music was a parking lot, I'd be using the handicapped parking spot, because my genetic makeup lacks enough music genes for genuine appreciation of the subject. As a result, I am prone to go for the lyrics(I ❤words.) Some of it might be cheesy or country, loud or mushy, but this post is my bookmark - a personal list tied to events, people and places in my life, a mix-tape for the long journey home, whenever I need to come home.



10. John Mayer: Waiting on the world to change
Music man with his fingers on the pulse of change, reflecting on our times.



9. Eminem: Lose Yourself
This songs pops up like my guardian angel, quite unexpectedly in the darkest of the hours.



8. Sabrina Setlur and Xavier Naidoo: Alles
I do not know German, but I used a translator because this song was so soothingly like-able, esp. Xavier Naidoo's part.




7. Metallica: Nothing Else Matters
Life is ours, we live it our way... All these words, I don't just say... And nothing else matters

6. Blake Shelton: Some Beach Somewhere
 A simple American pleasure, go to Hawaii or the Caribbean when you need sunny skies.




5.  Tom Petty: The Last DJ
Get-back-at-the-system-that-got-you-down song.




4. Tim McGraw: Live Like You Were Dying
Carpe Diem. 'nuff said.



3. UB40: Higher Ground 
Reggae effortlessly lifts you to a higher ground. There were poems in the rain, MTV and the abstract blue album cover of Promises and Lies as the backdrop of my teenage trials.



2. Vangelis: Chariots of Fire 
Only instrumental in the whole list. Even without words it soars the spirit. Wonderful movie too.
 

1. Baz Luhrmann/Mary Schmich : Everybody's Free (To Wear Sunscreen)
The ultimate advice column ever, in a good away. Mary Schmich, I like you better than your mistaken identity of Kurt Vonnegut.

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Karthik calling Karthik

Don't tell me Farhan Akhtar is not Karthik and that he is really a Bollywood actor called Farhan Akhtar. No way! Are you sure? Incredibly amazing transformation. Where is the "I like" button for Mr.Akhtar? Will anyone know if I press it more than once and rig his ratings chart?

Karthik Calling Karthik is a contemporary movie with faces to match. Oh, Bollywood I never thought you'd come this far from the cheesy melodramatic eighties and nineties. I am glad I was wrong. 

Keeping Farhan company is a sauve Deepika Padukone. I love the her makeup and clothes for this movie, very believable and real for a young architect in a corporate Indian office. Her acting, just where it should be. Despite their height difference they make a nice screen couple.

 To me the trump card of this movie other than the perfectly cast hero is the story and screenplay. I googled to find out whether it was lifted out of some unknown Philippino or Thai flick, couldn't find any leads. I read people comparing it to Phone Booth! Yeah, Titanic was a remake of the biblical Noah's Ark since both involved ships, get a life. Vijay Lalwani's story is enigmatically original(at least for me I have not seen it anywhere else) and it seamlessly fits into the current professional and personal life of a young, emerging India. The script is noticeable by the absence of cliched scenes, direction by Lalwani(again) is slick, there are some nice songs and of course, a part of the movie is shot in Kerala(the icing on the cake for me) and the director has restrained himself from adding the prototypical South Indian with his 'madrasi' accent. Well done Lalwani, Akhtar, Deepika and the team. My rating: Cool

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Extract

Extract is funny, funny in the way it portrays stereotypes. Since it is from Mike Judge you watch it with a certain expectation, it didn't fail me. It is the kind of movie you'd want to rent because it is not much about visual gimmicks but more about the story, characterizations and dialog.

Mila Kunis as the scheming beauty with a criminal record, Ben Affleck as the bar-tender jack-of-all-trades, Jason Bateman the innocent geek who is a company owner, Dustin Milligan's as gigolo Brad(that dude did some awesome acting for the small role he had), Clifton Collins Jr as Step are some of the distinct and well-developed characters in the movie.

It is hard to live up to the cult status of Office Space, but Mike Judge is trying. A nice movie for a popcorn and a movie day at home.

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Sarvam

An interesting Tamil movie. I haven't seen Arya before, but there were other familiar faces like Trisha, Indrajith(yeah strange to find him here) and Chakravarthy. It is a love story/thriller. 

The best thing I liked about this movie is the way the songs have been shot. Great camera, unusual choice of locales not very exotic but looks good on camera, neat props, angles, costumes and digital manipulations. This means no money spent on a thousand extras or a bevy of Russian beauties(both same cost, I guess), their costumes and no expenses to travel to distant locations. Easy on producer's pocket at the same time looks good on screen to attract the audience. 

The movie is a good looking one, story is ok, Trisha provides eye candy and disappears after a while. Chakravarthy has tried hard to look menacing, partially succeeds, all credit to his omnipresent beard. A movie for time-pass, if you care to bear some 'horror'. 

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